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The opening poem frames household life as a stage for archetypal loss, shifting from cutlery reflections and empty hands to a sunlit, ominous aftermath. Concrete objects become symbols of restraint and danger, while the speaker listens for breath and questions the presence of rage within the body. Classical reference to Euripides anchors themes of exile, reversal, and irreversible 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","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-30","2026-09-28",true,{"@type":102,"interactionType":103,"userInteractionCount":44},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the first section titled in the table of contents?","Question",{"text":112,"@type":113},"The first listed section is \"MEDEA RAISES THE WHITE FLAG.\"","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How does the opening poem connect domestic objects to Medea’s mythic presence?",{"text":117,"@type":113},"It uses household items such as a butterknife reflection, empty hands, and the setting sun as symbols through which Medea’s rage, absence of weapons, and archetypal loss are felt.",{"name":119,"@type":110,"acceptedAnswer":120},"What classical source is quoted and linked to Medea in the document?",{"text":121,"@type":113},"A passage attributed to Euripides, from \"Medea,\" is quoted near the end of the provided text.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},409915,1791105132,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":44,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":26,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":143,"read_time":144},687207022233,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","MEDAEOVI  \nby jameson o hara laurens  \nDigitized by the Internet Archivein 2019  \nMEDAUM  \nMEDEUM  \nCopyright ◎2016Jameson O'Hara Laurens.All rights reserved.  \nISBN-10:0-9973795-1-0  \nISBN-13:978-0-9973795-1-8  \nPing-Pong Free Press is published by the Henry Miller MemorialLibrary which is a 501(c)3 non-profit organization.Financialdonations are welcome and are tax deductible.  \nFirst edition:2016  \nBook Design:Brooke Hankins at www.brookehankins.comCover Design:Michael Willis at www.willisdesignstudio.com  \nCover Art:A Thousand Pages of Chest in A Thousand Pages of Mirror-Pink,by Golnar Adli,2011 Eight Sheets of paper,transfer,beeswax,37x50 inches  \nNo part of this book may be reproduced or utilized in any form or byany means,electronic or mechanical,without permission in writingfrom the publisher except for the use of brief quotations in a bookreview.Please address requests for reprint permission or for course-adoption discounts to:  \nPing-Pong Free Press48603 Highway OneBig Sur,California,93920  \npingpongfreepress@gmail.com/www.pingpong.henrymiller.org  \nFor the witches who must  \nand  \nfor Théodorefor whom my heartis the sleepless guard.  \nCONTENTS  \nMEDEA RAISES THE WHITE FLAG……………………………………8  \nSELF-PORTRAIT IN HER FATHER'S ORCHARD……………9  \nDIVINER I(FIELD)……………………………………………………………………10  \nBEEN WORKING ON MY DEAD RECKONING………………11  \nTILL & TROUBLE……………………………………………………………………………12  \nTHE FORETELLING CAN BE TRACED………………………………13  \nBOXING THE COMPASS………………………………………………………15  \nFAIRWATER………………………………………………………………………………16  \nWHEN I WALK EAST, WHEN I WALK WEST,  \nLIGHTNING STRIKES SOUTH………………………………………………17  \nNOT QUITE A MURDER…………………………………………………………18  \nDIVINER I(OMEN)……………………………………………………………………19  \nDIVINERⅢ (ANOINTING)………………………………………………………21  \nSPELL FOR A DROWNING MAN……………………………………23  \n& REQUESTS SEPARATION…………………………………………………25  \nMEDEA COUNTS TO ELEVEN……………………………………………26  \nJASON ON THE PILLOW……………………………………………………28  \nTENDRIL, WHISPE……………………………………………………………………29  \nTO CUT & RUN……………………………………………………………………30  \nSLEEPLESS GUARD, I RAISED UP TO THEE A  \nLIGHT OF SAFETY………………………………………………………………………31  \nON STUDYING WYETH…………………………………………………………33  \nEXIT VESSEL……………………………………………………………………………………35  \nDIVINER IV (WATER)……………………………………………………………………36  \nI CAN DRAW FOR YOU AN ANATOMY………………………37  \nOH THE KEEN AND CUTTING BLADE……………………………39  \nNVILE…………………………………………………………………………………………40  \nWALKING THE WOUNDED HILLSIDE……………………………42  \nCONSIDER THE GHOSTED LIVING………………………………………43  \nAT SUNRISE, BAREF0OT, I CH0OSE ROAD…………………45  \nTHE LAMP IS A SYMBOL OF PROLONGED WAITING…46  \nLET THE QUIET CREATURE CONTINUE……………………………48  \nBut thou hast sailed from thyfather's house with amaddened heart,having passed through the doublerocks ofthe ocean,and thou dwellest in a foreign land.  \nThe waters of the hallowed streamsflow uphill to theirsources,andjustice and everything is reversed.  \nEuripides,from Medea  \n# MEDEA RAISES THE WHITE FLAG\n\nThe Proper Guide to Household Lifehas fallen open on the counter.  \nHer eyes reflected in the butterknife sideare not unlike the cape fox  \nin the caught flicker of found-upendedafter the hunt,after the fall.  \nHer mouth contorts in the wayof Great Archetypes.Alas,alas.All-islost.  \nWait:for the blood is still in the bodies,&her pinafore is still tied.The setting sun red-orange &tremendous.  \nHer hands are empty of the weapon&we the curious lean to hear her breathe.  \nBefore that terrible verb一what thimble&what doorknobshine with her glowing一the rage—when it isjust a wave,only a shadeinside her?","cbCailDDW1DepKKd","https://ap.wps.com/l/cbCailDDW1DepKKd","pdf",1614838,"English","# MEDEA RAISES THE WHITE FLAG\n# SELF-PORTRAIT IN HER FATHER'S ORCHARD\n# DIVINER I (FIELD)\n# BEEN WORKING ON MY DEAD RECKONING\n# TILL & TROUBLE\n# THE FORETELLING CAN BE TRACED\n# BOXING THE COMPASS\n# FAIRWATER\n# WHEN I WALK EAST, WHEN I WALK WEST, LIGHTNING STRIKES SOUTH","[{\"question\":\"What is the first section titled in the table of contents?\",\"answer\":\"The first listed section is \\\"MEDEA RAISES THE WHITE FLAG.\\\"\"},{\"question\":\"How does the opening poem connect domestic objects to Medea’s mythic presence?\",\"answer\":\"It uses household items such as a butterknife reflection, empty hands, and the setting sun as symbols through which Medea’s rage, absence of weapons, and archetypal loss are felt.\"},{\"question\":\"What classical source is quoted and linked to Medea in the document?\",\"answer\":\"A passage attributed to Euripides, from \\\"Medea,\\\" is quoted near the end of the provided text.\"}]","MEDEA RAISES THE WHITE FLAG | PDF",1790583676,92]