[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-152296-en":3,"doc-seo-152296-105":30,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},152296,1099514068035,"Ezra","https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c",8,"Research & Report","MED710: Dissertation - Portrait Photography - Aims, Methodology, and Social Media Analysis","The dissertation for MED710 (Level 7) presents an in-depth study of portrait photography, connecting historical development with contemporary image-making practices. It outlines specific aims and objectives, then details a methodology that supports close analysis across multiple photographers and archival sources. The literary review frames key concepts such as portraiture and representation, while the chapters examine portrait photography in historical context, the Carisbrooke Castle Museum archive, and post-war female poses. The study culminates with social media practices, selfies, and the question of representation, supported by interviews and appendices.","Q14563100  \nMark Lloyd / Amber Lamonby-Pennie Solent University  \nSchool of Art, Design & Fashion MED710: Dissertation  \n60 Credits Level 7  \n20,000 words  \nContents  \nList of Figures and Tables..........................................................................................................3  \nIntroduction ................................................................................................................................5  \nChapter One: Aims and Objectives............................................................................................7  \nChapter Two: Methodology .......................................................................................................8  \nChapter Three: Literary Review .............................................................................................. 11  \nChapter Four: Portrait Photography in a Historical Context ................................................... 15  \nChapter Five: Portrait Photography from the Carisbrooke Castle Museum Archive ..............21  \nChapter Six: Post-War Portrait Photography and Female Poses .............................................30  \nRichard Avedon ...................................................................................................................36  \nThe Gaze ..............................................................................................................................42  \nChapter Seven: Contemporary Photography and Social Media ..............................................45  \nSocial Media ........................................................................................................................47  \nSelfies...................................................................................................................................52  \nRineke Dijkstra ....................................................................................................................55  \nChapter Eight: Finding Representation in Portraits .................................................................63  \nConclusion ...............................................................................................................................69  \nImage References:....................................................................................................................71  \nBibliography ............................................................................................................................73  \nAppendices...............................................................................................................................78  \nAppendix 1: University Ethics Form ...................................................................................78  \nAppendix 2: Content Analysis from Carisbrooke Castle Museum Archive........................79  \nAppendix 3: Email interview with photographer Jason Alden ............................................81  \nAppendix 4: Email interview with photographer Clare Hewitt ...........................................84  \nList of Figures and Tables  \nFigure 1: Portrait by Clare Hewitt .............................................................................................9  \nFigure 2: Hidden Mother by W.U. Kirk .................................................................................. 18  \nFigure 3: Woman arranging flowers by G. Mullins................................................................. 19  \nFigure 4: Man with beard by Hughes and Mullins ..................................................................21  \nFigure 5: Seated man with a Cane by Hughes and Mullins .....................................................23  \nFigure 6: Seated Man by Brading and Cantelo ........................................................................24  \nFigure 7: Women's Land Army Poster ....................................................................................31  \nFigure 8: Serve in the WAAF .........","cbCain9L8imh2KRb","https://ap.wps.com/l/cbCain9L8imh2KRb","pdf",2826440,1,86,"English","en",105,"# Contents\n## Introduction\n## Chapter One: Aims and Objectives\n## Chapter Two: Methodology\n## Chapter Three: Literary Review\n## Chapter Four: Portrait Photography in a Historical Context\n## Chapter Five: Portrait Photography from the Carisbrooke Castle Museum Archive\n## Chapter Six: Post-War Portrait Photography and Female Poses\n## Chapter Seven: Contemporary Photography and Social Media\n## Chapter Eight: Finding Representation in Portraits\n## Conclusion\n## Image References\n## Bibliography\n## Appendices\n## Appendix 1: University Ethics Form\n## Appendix 2: Content Analysis from Carisbrooke Castle Museum Archive\n## Appendix 3: Email interview with photographer Jason Alden\n## Appendix 4: Email interview with photographer Clare Hewitt\n# List of Figures and Tables","[{\"question\":\"What is the dissertation’s main focus?\",\"answer\":\"The dissertation focuses on portrait photography, tracing it from historical contexts and museum archives to post-war portrait practices and contemporary social media imagery.\"},{\"question\":\"How does the dissertation structure its research?\",\"answer\":\"It follows a clear research structure: aims and objectives, a methodology, a literary review, and then thematic chapters that analyze specific photographic contexts and practices.\"},{\"question\":\"Which contemporary topics are examined in the study?\",\"answer\":\"The dissertation examines contemporary photography shaped by social media, including selfies, and considers how these practices relate to representation in portraits.\"}]","MED710: Dissertation - 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