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The feature section includes interviews and discussions on Resurrection Man, The Prettiest Star, Waking Dreams, Grand Opening, Yellow Fever, Underworld USA, and Monster Movies, plus coverage of film history through “The Story of Film with Cartier.”",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":25,"@type":76,"position":81},"https://docshare.wps.com/document/comic/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/mauras_channel_little_white_lies_issue_114-feature-contents/319335/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/mauras_channel_little_white_lies_issue_114-feature-contents/319335.png","ImageObject",300,407,{"name":92,"@type":93},"Riley","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-19","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",11,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"What is the main film covered in the lead review?","Question",{"text":113,"@type":114},"The lead review focuses on Her Private Hell and its distinctive atmosphere and worldbuilding.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"Which other features and interviews are included in Issue 114?",{"text":118,"@type":114},"The issue also includes pieces on Resurrection Man, The Prettiest Star, Waking Dreams, Grand Opening: barNWR, Yellow Fever, Underworld USA, Monster Movies, and The Story of Film with Cartier.",{"name":120,"@type":111,"acceptedAnswer":121},"How is Her Private Hell described in the feature lead review?",{"text":122,"@type":114},"It is portrayed as a neon-lit phantasmagoria slowcore cyberpunk fable, linked to influences such as Stanley Kubrick and framed through themes of oppression and death anxiety.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},319335,1790851553,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":24,"category_name":25,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":145,"read_time":146},1374391975076,"https://ap-avatar.wpscdn.com/avatar/14000253ca4ec9f6853?x-image-process=image/resize,m_fixed,w_180,h_180&k=1783305029341752051","ISS U E 1 14  \nF EAT U R E CO NT E NTS  \nP .0 6  \nLead review: Her Private Hell  \nDavid Jenkins wrestles with the mad brilliance of Nicolas Winding Refn’s slowcinema giallo.  \nP .1 2  \nResurrection Man  \nJuan Barquin speaks to the great Dane about how his new film was inspired by a brush with the infinite.  \nP .1 8  \nThe Prettiest Star  \nHer Private Hell star Sophie Thatcher talks Suicide (the band), Kenneth Anger and German cinema with Anna Stafford.  \nP . 2 2  \nWaking Dreams  \nCharles Melton on getting jacked up and fighting fit for his enigmatic role in  \nHer Private Hell.  \nP . 2 6  \nGrand Opening: barNWR  \nPlans for a new bar opening whose interiors pay homage to the cinema of Nicolas Winding Refn.  \nP . 3 0  \nYellow Fever  \nAnton Bitel takes us on a global tour of giallo films made outside of their native Italy.  \nP . 3 6  \nUnderworld USA  \nJake Cole on the enduring appeal of the great experimental shorts director Kenneth Anger.  \nP .4 0  \nMonster Movies  \nSophie Monks Kaufman celebrates Belgian genre deconstructionists, Hélène Cattet and Bruno Forzani.  \nP .4 4  \nThe Story of Film with Cartier  \nLeila Latif takes a whistlestop tour through the maison’s century-long love affair with cinema.  \n0 6 L EA D R EV I EW  \nDirected by Starring  \nReleased  \nNICOLAS WINDING REFN  \nSOPHIE THATCHER , CHARLES MELTON , HAVANA ROSE LIU  \n25 SEPTEMBER  \nHer Private Hell  \nIrrepressible and unique, Nicolas Winding Refn returns for some bigscreen shenanigans in this pristine, slowcore cyberpunk fable that offers a masterclass in atmosphere and worldbuilding.  \nI  \nn 2007, I got up early one autumn morning and took the train to Worksop in Nottinghamshire. My reading material for the journey was the Nicolas Winding Refn and Brock Norman Brock screenplay for the film Bronson, about the  \ninfamous pugilist and jailbird, which was eventually released in 2008. I had been invited to visit the set ofthe film during its production, and I was able to witness a scene in which its star, Tom Hardy, convincingly duffed up two goons in a barn as part of an illegal bare-knuckle boxing bout. My primary memory of that enjoyable afternoon is tethered to the boyish enthusiasm that exuded from a puffer jacket-sporting Refn, who was, from my perspective, making this film with the mindset that it was going to be one of the greatest ever made. Speaking to him briefly, he was like a slick, Scandinavian carnival barker, excitedly selling me into all the juicy details of the Bronson mythos while cataloguing his numerous cinematic influences, Stanley  \nKubrick’sA Clockwork Orange being the main touchstone.  \nAlmost two decades later, and Refn is back with a wild new showcase of ambient brutality, and to see it is to be submerged in a confluence of those same arcane enthusiasms and one man’s  \nprimal desire to do the thing he loves to do. And the set-square framing, the dystopic underworld, the punk fashionistas and the society seeped in cyberpunk violence once again call to mind Kubrick’s gaudy opus. Her Private Hell is a phantasmagoria bathed in neon-strip lighting, a resonant howl of Oedipal confusion that is set to one of the most gorgeous film scores of the 21st century – care of Italian maestro, Pino Donaggio. Although it shares its tonal and aesthetic DNA with Refn’s previous feature, 2016’s fashion world freak-out, The Neon Demon, this new film takes a more abstruse narrative detour through its themes of female oppression, death anxiety and the orgasmic potential of extreme physical pain. All of which is the  \napparent product of Refn’s own recent brush with mortality.  \nThe Private Hell to which the title refers is one nestled in the diseased mind of Elle (Sophie Thatcher), a hard-bitten celebrity, model and movie actor who is suddenly forced to come to terms with her own cultural obsolescence. Her father is a rat named Johnny Thunders (Dougray Scott), who pervdicks around in front of her while, damsel-like, she yells the word “Daddy!” She is also sickened by the throngs","cbCaijGZBdJpjmuy","https://ap.wps.com/l/cbCaijGZBdJpjmuy","pdf",38995966,108,"English","# Feature Contents\n## Lead review: Her Private Hell\n## Resurrection Man\n## The Prettiest Star\n## Waking Dreams\n## Grand Opening: barNWR\n## Yellow Fever\n## Underworld USA\n## Monster Movies\n## The Story of Film with Cartier","[{\"question\":\"What is the main film covered in the lead review?\",\"answer\":\"The lead review focuses on Her Private Hell and its distinctive atmosphere and worldbuilding.\"},{\"question\":\"Which other features and interviews are included in Issue 114?\",\"answer\":\"The issue also includes pieces on Resurrection Man, The Prettiest Star, Waking Dreams, Grand Opening: barNWR, Yellow Fever, Underworld USA, Monster Movies, and The Story of Film with Cartier.\"},{\"question\":\"How is Her Private Hell described in the feature lead review?\",\"answer\":\"It is portrayed as a neon-lit phantasmagoria slowcore cyberpunk fable, linked to influences such as Stanley Kubrick and framed through themes of oppression and death anxiety.\"}]","Maura's_channel_Little_White_Lies_Issue_114 - Feature Contents | PDF",1789942846,41]