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Henry Roujon, focusing on the life and works of the Spanish artist Francisco Goya (1746-1826). The document provides a brief introduction to Goya's portraiture, specifically highlighting Plate I, a rendering of Ferdinand Guillemardet. It details the subject's role as a First Republic functionary and analyzes Goya's technical mastery in balancing energy and high breeding through gray tones and a singular tricoloured scarf accent.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/masterpieces-in-colour-goya/569702/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/masterpieces-in-colour-goya/569702.png","ImageObject",300,407,{"name":92,"@type":93},"Dipper","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-10-13",true,{"@type":102,"interactionType":103,"userInteractionCount":81},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"Who edited the Masterpieces in Colour series?","Question",{"text":112,"@type":113},"The series was edited by M. Henry Roujon.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Who was Ferdinand Guillemardet?",{"text":117,"@type":113},"He was a high functionary during the First Republic, responsible for supervising the commissary department and overseeing generals.",{"name":119,"@type":110,"acceptedAnswer":120},"What artistic technique does Goya use in the portrait of Ferdinand Guillemardet?",{"text":121,"@type":113},"Goya employs a prevailing gray tone to capture the subject's energy and high breeding, accented by a single dash of brightness in the tricoloured scarf to achieve harmonic balance.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},569702,1792447000,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":81,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},1374404997633,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","g 1  \nPASADENA CITY SCHOOLSPASADENA JUNIOR COLLEGEEast CampusLIBRARY  \nPASADENA,CALIFORNIA  \n02  \nhttps://archive.org/details/goya0000unse_g8q6  \n# MASTERPIECESIN COLOU REDITED BY.-\n\nM.HENRY ROUJON  \nGOYA  \n(I746-1826)  \n34222  \nIN THE SAME SERIES  \nREYNOLDS  \nVELASQUEZ  \nGREUZE  \nTURNER  \nBOTTICELLI  \nROMNEY  \nREMBRANDT  \nBELLINI  \nFRA ANGELICO  \nROSSETTI  \nRAPHAEL  \nLEIGHTON  \nHOLMAN HUNT  \nTITIAN  \nMILLAIS  \nLUINI  \nFRANZ HALS  \nCARLO DOLCI  \nGAINSBOROUGH  \nTINTORETTO  \nVAN DYCK  \nDA VINCI  \nWHISTLER  \nRUBENS  \nBOUCHER  \nHOLBEIN  \nBURNE-JONES  \nLE BRUN  \nCHARDINMILLETRAEBURNSARGENT.CONSTABLEMEMLINGFRAGONARDDÜRERLAWRENCEHOGARTHWATTEAUMURILLOWATTSINGRESCOROTDELACROIXFRA LIPPO LIPPIPUVIS DE CHAVANNESMEISSONIERGEROMEVERONESEVAN EYCKFROMENTINMANTEGNAPERUGINOROSA BONHEURBASTIEN-LEPAGEGOYA  \nPLATE I.—FERDINAND GUILLEMARDET(Museum of the Louvre)  \nThis personage,who has left no record in history,was one ofthose high functionaries,half civil and half military,whom theFirst Republic sent to its armies to supervise the commissary de-partment and also to exercise an espionage over its generals.Goya has given a vigorous rendering of a head that bears thedouble stamp of energy and high breeding;and the prevailing graytone of this portrait,relieved only by the one dash of brightness inthe tricoloured scarf,forms altogether a work of perfect harmony","cbCaioDtFzhOI6uJ","https://ap.wps.com/l/cbCaioDtFzhOI6uJ","pdf",3750296,98,"English","# Introduction to Goya\n## Plate I - Ferdinand Guillemardet","[{\"question\":\"Who edited the Masterpieces in Colour series?\",\"answer\":\"The series was edited by M. Henry Roujon.\"},{\"question\":\"Who was Ferdinand Guillemardet?\",\"answer\":\"He was a high functionary during the First Republic, responsible for supervising the commissary department and overseeing generals.\"},{\"question\":\"What artistic technique does Goya use in the portrait of Ferdinand Guillemardet?\",\"answer\":\"Goya employs a prevailing gray tone to capture the subject's energy and high breeding, accented by a single dash of brightness in the tricoloured scarf to achieve harmonic balance.\"}]","Masterpieces in Colour - Goya | PDF",1791877134,151]