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The index standardizes citation formatting, indicating article subjects or notes in CAPITAL letters, while catalog titles appear in italics. It organizes entries in sequential order within each volume, including authentic works, studio works, copies, and attributions. Collector names are italicized, and Italian church abbreviations follow an alphabetized rule.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/master-drawings-index-to-volumes-1-56-1963-2018/137272/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/master-drawings-index-to-volumes-1-56-1963-2018/137272.png","ImageObject",300,407,{"name":92,"@type":93},"Aurelia","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-18","2026-08-22",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",17,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"How does the index link Master Drawings volumes to publication years?","Question",{"text":113,"@type":114},"It provides a concordance mapping each volume number in Roman numerals to a specific publication year or year range across volumes 1–56 (1963–2018).","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"What formatting conventions does the index use for different kinds of text?",{"text":118,"@type":114},"Article subjects or notes are printed in CAPITAL letters, while book and exhibition catalogue titles are given in italics; volume numbers are shown in Roman numerals and in bold face.",{"name":120,"@type":111,"acceptedAnswer":121},"How are artworks and related information arranged within an artist entry?",{"text":122,"@type":114},"Authentic works, studio works, copies, and attributions are included within each volume entry and arranged in sequential order within the citations for that volume.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},137272,1787403918,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":130,"read_time":145,"preview_page_count":4},1099514068365,"https://ap-avatar.wpscdn.com/avatar/10000253d8d9f28188e?_k=1776742907772140068","MASTER DRAWINGS  \nIndex to Volumes 1–56 1963–2018  \nCompiled by Maria Oldal  \noldalm@themorgan.org  \nThe subject of articles or notes is printed in CAPITAL letters; book and exhibition catalogue titles are given in italics; volume numbers are in Roman numerals and in bold face. Included in individual artist entries are authentic works, studio works, copies, attributions, etc., arranged in sequential order within the citations for each volume. When an author has written reviews, that designation appears at the end of the review citations. Names of collectors are in italics. Abbreviated names of Italian churches are alphabetized as if fully spelled out: \"Rome, S. \u003CSan> Pietro in Montorio\" precedes \"S. \u003CSanta> Maria del Popolo.\"  \nConcordance of Master Drawings volumes and year of publication:  \nI 1963 XII 1974 XXIII–XXIV 1985–86 XXXV 1997 XLVI 2008 II 1964 XIII 1975 XXV 1987 XXXVI 1998 XLVII 2009  \nIII 1965 XIV 1976 XXVI 1988 XXXVII 1999 XLVIII 2010  \nIV 1966 XV 1977 XXVII 1989 XXXVIII 2000 XLIX 2011  \nV 1967 XVI 1978 XXVIII 1990 XXXIX 2001 L 2012  \nVI 1968 XVII 1979 XXIX 1991 XL 2002 LI 2013  \nVII 1969 XVIII 1980 XXX 1992 XLI 2003 LII 2014  \nVIII 1970 XIX 1981 XXXI 1993 XLII 2004 LIII 2015  \nIX 1971 XX 1982 XXXII 1994 XLIII 2005 LIV 2016  \nX 1972 XXI 1983 XXXIII 1995 XLIV 2006 LV 2017  \nXI 1973 XXII 1984 XXXIV 1996 XLV 2007 LVI 2018  \nÀ l’ombre desfrondaisons d’Arcueil: Dessiner un jardin du XVIIe siècle, [exh. cat. by Xavier](exh. cat. by Xavier)[ ](exh. cat. by Xavier)Salmon et al. Review. LIV: 397–404  \nA. S. coll. XII: 148–50, fig. 19 (Dandré-Bardon)  \nAachen, Hans von. IV: 444–45, fig. 5; XXII: 324–26, fig. 1; XXXIX: 109, fig. 5  \nAachen, Suermondt-Ludwig-Museum. XII: 63, fig. 1 (Rembrandt)  \nAar, Jan Govertsen van der. XXXI: 253, fig. 49 (portrait of)  \nAbate, Niccolò dell’. IV: 59; IX: 66–67; XXV: 226–27, fig. 8; XXVIII: 9, 17, 31, figs. 5a-5b, 27 (after); 265–67, figs. 1–2; XLV: 20, 22, figs. 13–14; L: 39, fig. 8  \nAbbate, Niccolò dell’, see Abate, Niccolò dell’  \nAbbatini, Guido Ubaldo. LVI: 61, fig. 38 (after)  \nAbbeville, Musée Boucher de Perthes. XVIII: 383–84, figs. 2–3 (Poussin), notes 7–8  \nAbbey, Edwin Austin. XXXI: 40, fig. 5  \nAbbot, Francis, formerly. LV: 495, 502, fig. 11 (C.W.E. Dietrich in the manner of Rembrandt)  \nAbbott, P.A.J. and M.P.K. XLVI: 469, 504, 513, figs. 34, 90, 105 (Gainsborough)  \nAbelló, Juan. XLVIII: 437, 441, figs. 3, 7 (Francisco Pacheco), note 11; 451, fig. 9 (inscription on anonymous drawing), note 39; 544–46; LII: 458, figs. 11–12 (Pacheco), note 21  \nAberdeen, Art Gallery and Museums. XVI: 405–06, pl. 19 (Wilson); XXI: 182 (review)  \nAberystwyth, National Library of Wales. XXII: 330 (review)  \nAbildgaard, N. A. XVII: 286  \nAbingdon, Berks., Private coll. XI: 45–48, figs. 1–2, note 2, pl. 43 (Dadd)  \nAbrams, George S. XXXVI: 5–8 (EGBERT HAVERKAMP-BEGEMANN)  \nAbrams, Maida and George. XI: 403 (review); XX: 284–85, pl. 29 (Doomer); XXVII: 122, fig.  \n11 (Lievens), note 17; XXVIII: 305–06, 309, figs. 4–7 (Van der Haagen); XXX: 443–49; XXXI: 255, 262, figs. 52, 61–62 (Goltzius); XXXVI: 5–8, figs. 1 (Jan van Goyen), 2 (Jan Lievens erroneously reproduced as Cornelis Bega), 3 (Cornelis Saftleven), 4 (Jan Lievens), 5 (Gerrit de Heer); 217, figs. 1 (Cornelis Bega), 2 (Jan Lievens); XLII: 258–61 (review); XLIII: 28, 56, fig. 21 (Van der Cooghen); XLIX: 197, fig. 39 (Simon de Vlieger), note 41;  \n363, fig. 26 (Jan Lievens), note 31; LIII: 455, fig. 2 (Bol), note 12  \n  (promised gift to the Fogg Art Museum) . XXXVIII: 238, fig. 6 (Buytewech), note 16  \n  , formerly. XLIII: 22, 27, 31, 48, 53, 58, figs. 17, 19 (Van der Cooghen, after Jacob Jordaens), 34 (Van der Cooghen)  \nAbromaitis, Michael J. XLII: 179 (LETTER)  \nAcademy. The Academic Tradition in American Art. National Collection of Fine Arts, Smithsonian Institution. Review. XVIII: 48  \nAccorsi, Pietro, formerly. LI: 31–38, figs. 2 (Passarotti), 4 (Maganza), 5–7 (Allegrini), 10,(Bassetti), 12 (Barbelli), 15 (Novelli), 17 (Duranti), notes 5,","cbCaipULDFxYpXih","https://ap.wps.com/l/cbCaipULDFxYpXih","pdf",2402408,340,"English","# Concordance of Master Drawings volumes and year of publication\n## Volume-to-year mapping (I–LVI)\n# Index entries by artist or subject\n## Citations, reviews, and attributions (sequential arrangement)","[{\"question\":\"How does the index link Master Drawings volumes to publication years?\",\"answer\":\"It provides a concordance mapping each volume number in Roman numerals to a specific publication year or year range across volumes 1–56 (1963–2018).\"},{\"question\":\"What formatting conventions does the index use for different kinds of text?\",\"answer\":\"Article subjects or notes are printed in CAPITAL letters, while book and exhibition catalogue titles are given in italics; volume numbers are shown in Roman numerals and in bold face.\"},{\"question\":\"How are artworks and related information arranged within an artist entry?\",\"answer\":\"Authentic works, studio works, copies, and attributions are included within each volume entry and arranged in sequential order within the citations for that volume.\"}]","MASTER DRAWINGS - Index to Volumes 1-56 - 1963-2018 | PDF",857]