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Emphasizes a distinctive three-part model for avant-garde drama that links, in a previously underrecognized way, the histories of avant-garde theatre, cinema, and homosexuality, using this connection to structure the study’s interpretive framework.",{"@graph":14,"@context":73},[15,34,56],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/literature/","Literature",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/mama-dada-gertrude-steins-avant-garde-theater/326517/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/mama-dada-gertrude-steins-avant-garde-theater/326517.png","ImageObject",300,407,{"name":42,"@type":43},"Asher","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-10-29","2026-09-21",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",13,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69],{"name":60,"@type":61,"acceptedAnswer":62},"What is the focus of Mama Dada in relation to Gertrude Stein’s drama?","Question",{"text":63,"@type":64},"It examines Gertrude Stein’s drama within the history of theatrical and cinematic avant-gardes, offering analyses of her major plays.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"How does the book structure its understanding of avant-garde drama?",{"text":68,"@type":64},"It highlights a three-part model that connects the histories of avant-garde drama, cinema, and homosexuality as a foundation for the study.",{"name":70,"@type":61,"acceptedAnswer":71},"What does the book include beyond the main chapters?",{"text":72,"@type":64},"It provides appendices with chronological lists of Stein’s plays, professional productions, and dramatic adaptations, plus notes, bibliography, and an index.","https://schema.org",{"og:url":32,"og:type":75,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":77,"canonical":32},"index,follow",{"doc_id":79,"site_id":7},326517,1790039607,{"code":4,"msg":82,"data":83},"success",[84,88,91,95,100,105,110,115,120,123,127],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":85,"show_sort_weight":86,"slug":87},"Story & Novel",90,"story-novel",{"id":26,"doc_module":4,"doc_module_name":25,"category_name":29,"show_sort_weight":89,"slug":90},80,"literature",{"id":33,"doc_module":4,"doc_module_name":25,"category_name":92,"show_sort_weight":93,"slug":94},"Exam",70,"exam",{"id":96,"doc_module":4,"doc_module_name":25,"category_name":97,"show_sort_weight":98,"slug":99},5,"Comic",60,"comic",{"id":101,"doc_module":4,"doc_module_name":25,"category_name":102,"show_sort_weight":103,"slug":104},6,"Technology",50,"technology",{"id":106,"doc_module":4,"doc_module_name":25,"category_name":107,"show_sort_weight":108,"slug":109},7,"Healthcare",40,"healthcare",{"id":111,"doc_module":4,"doc_module_name":25,"category_name":112,"show_sort_weight":113,"slug":114},8,"Research & Report",30,"research-report",{"id":116,"doc_module":4,"doc_module_name":25,"category_name":117,"show_sort_weight":118,"slug":119},9,"Religion & Spirituality",20,"religion-spirituality",{"id":118,"doc_module":4,"doc_module_name":25,"category_name":121,"show_sort_weight":118,"slug":122},"World Cup","world-cup",{"id":124,"doc_module":4,"doc_module_name":25,"category_name":125,"show_sort_weight":124,"slug":126},10,"Lifestyle","lifestyle",{"id":128,"doc_module":4,"doc_module_name":25,"category_name":129,"show_sort_weight":96,"slug":130},19,"General","general",{"code":4,"msg":82,"data":132},{"doc_id":79,"user_id":133,"nickname":42,"user_avatar":134,"doc_module":4,"category_id":26,"category_name":29,"doc_title":10,"doc_description":12,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":55,"is_deleted":4,"is_public":22,"is_downloadable":22,"audit_status":22,"page_count":140,"language":141,"language_code":8,"site_id":7,"html_lang":8,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":12,"update_tm":145,"read_time":146},687197207639,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","MAMA DADA  \nStudies in Modern Drama  \nKimball King, Series Editor  \nTHEATRE UNDER DECONSTRUCTION?  \nA Question of Approach by Stratos E.Constantinidis  \nTHE PINTER ETHIC The Erotic Aesthetic by Penelope Prentice  \nPAST CRIMSON, PAST WOE The Shakespeare-Beckett Connection edited by Anne Marie Drew  \nBARNESTORM  \nThe Plays of Peter Barnes by Bernard F.Dukore  \nNEW THEATRE VISTAS  \nModern Movements in International Theatre edited by Judy Lee Oliva  \nDAVID MAMET’S GLENGARRY GLEN Ross Text and Performance  \nedited by Leslie Kane  \nHOLLYWOOD ON STAGE Playwrights Evaluate the Culture Industry  \nedited by Kimball King READING STEPHEN SONDHEIM A Collection of Critical Essays  \nedited by Sandor Goodhart BLACK WOMEN PLAYWRIGHTS Visions on the American Stage  \nedited by Carol P.Marsh-Lockett JOHN OSBORNE Vituperative Artist  \nedited by Luc Gilleman MODERN DRAMATISTS  \nA Casebook of Major British, Irish, and American Playwrights edited by Kimball King  \nTHE THEATER OF TONY KUSHNER Living Past Hope  \nby James Fisher  \nALAN BENNETT A Critical Introduction  \nby Joseph H.O’Mealy  \nTHE PLAYWRIGHT’S MUSE edited by Joan Herrington  \nPEERING BEHIND THE CURTAIN  \nDisability, Illness, and the Extraordinary Body in Contemporary Theater edited by Thomas Fahy and Kimball King  \nCAPTIVE AUDIENCE  \nPrison and Captivity in Contemporary Theater edited by Thomas Fahy and Kimball King  \nMAMA DADA  \nGertrude Stein’s Avant-Garde Theater by Sarah Bay-Cheng  \nMAMA DADA  \nGERTRUDE STEIN’S AVANTGARDE THEATER  \nSARAH BAY-CHENG  \nROUTLEDGE NEW YORK AND LONDON  \nPublished in 2004 by  \nRoutledge  \n29 West 35th Street  \nNew York, NY 10001  \nPublished in Great Britain by  \nRoutledge  \n11 New Fetter Lane  \nLondon EC4P 4EE  \nCopyright © 2004 by Taylor & Francis Books, Inc. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005.  \n“To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of [eBooks please go to www.eBookstore.tandf.co.uk](eBooks please go to www.eBookstore.tandf.co.uk).”  \nAll rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the publisher.  \nPermission to quote from the following is gratefully acknowledged: “Plays” and “Portraits and Repetition” from Lectures in America by Gertrude Stein, copyright 1935 and renewed 1963 by Alice B.Toklas. Used by permission of Random House, Inc. From Wars I Have Seen by Gertrude Stein, copyright 1945 by Random House, Inc. Used by permission of Random House, Inc. Four Saints in Three Acts, They Must. Be Wedded. To Their Wife., A Movie, Film. Deux Soeurs Qui Ne Sont Pas from Operas and Plays by Gertrude Stein. Used by permission of Station Hill Press, Inc.“A Portrait of Constance Fletcher” and “The Psychology of Nations” from Geography and Plays by Gertrude Stein. Used by permission of the University of Wisconsin Press.“Composition as Explanation” and “What Are Master-pieces and why are there so few of them,” by Gertrude Stein. Used by permission of Peter Owen Ltd., London. Doctor Faustus Lights the Lights, Listen to Me, The Mother of Us All,“A Photograph,” and Yes Is for a Very Young Man from Last Operas and Plays by Gertrude Stein, ed. by Carl Van Vechten. Used by permission of the Estate of Gertrude Stein. Previously unpublished notes by Gertrude Stein on Doctor Faustus Lights the Lights and Yes Is for a Very Young Man, Wars I Have Seen are used by permission of the Estate of Gertrude Stein. How Writing is Written and “Reflection on the Atomic Bomb” by Gertrude Stein are used by permission of the Estate of Gertrude Stein. Robert Wilson’s program notes for Gertrude Stein’s Four Saints in Three Acts are used by permission of the Byrd Hoffman Water Mill Foundation.  \nStudies i","cbCaislLbSOiY5EZ","https://ap.wps.com/l/cbCaislLbSOiY5EZ","pdf",4268878,212,"English","# General Editor’s Note\n# Acknowledgments\n# Chapter 1 Introduction\n# Chapter 2 \"EYES ARE A SURPRISE\": THE ORIGINS OF GERTRUDE STEIN’S DRAMA IN CINEMA\n# Chapter 3 \"LISTEN TO ME\": STEIN AND AVANT-GARDE THEATER\n# Chapter 4 ATOM AND EVE: DOCTOR FAUSTUS LIGHTS THE LIGHTS\n# Chapter 5 \"MY LONG LIFE\": FINAL WORKS\n# Chapter 6 \"AMERICA IS MY COUNTRY\": GERTRUDE STEIN AND THE AMERICAN AVANT-GARDE\n# Appendix A A Chronological List of Gertrude Stein’s Plays\n# Appendix B A Chronological List of Professional Productions\n# Appendix C A Chronological List of Dramatic Adaptations\n# Notes\n# Bibliography\n# Index","[{\"question\":\"What is the focus of Mama Dada in relation to Gertrude Stein’s drama?\",\"answer\":\"It examines Gertrude Stein’s drama within the history of theatrical and cinematic avant-gardes, offering analyses of her major plays.\"},{\"question\":\"How does the book structure its understanding of avant-garde drama?\",\"answer\":\"It highlights a three-part model that connects the histories of avant-garde drama, cinema, and homosexuality as a foundation for the study.\"},{\"question\":\"What does the book include beyond the main chapters?\",\"answer\":\"It provides appendices with chronological lists of Stein’s plays, professional productions, and dramatic adaptations, plus notes, bibliography, and an index.\"}]","Mama Dada - Gertrude Stein’s Avant-Garde Theater | PDF",1789974439,326]