[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-319224-105":59,"doc-detail-319224-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","madness-and-the-romantic-poet-a-critical-history","Madness and the Romantic Poet - A Critical History","","Madness and the Romantic Poet - A Critical History examines how poetic imagination engages with “madness” within British Romanticism. Through a scholarly, chapter-driven argument, the work connects literary reception and life-writing to questions of bodies, minds, and cultural narratives. The author also situates parts of the study in relation to earlier publications and conference presentations, showing an evolving research trajectory. It frames the topic as both a literary-critical problem and a broader humanities and health concern.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/madness-and-the-romantic-poet-a-critical-history/319224/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/madness-and-the-romantic-poet-a-critical-history/319224.png","ImageObject",300,407,{"name":92,"@type":93},"Miles","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-26","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":44},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the main subject of this book?","Question",{"text":112,"@type":113},"The book is a critical history focused on “madness” in relation to Romantic poetry and its reception within British Romanticism.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How does the author describe the scholarly origins of the project?",{"text":117,"@type":113},"The author thanks the Arts and Humanities Research Council for a doctoral award and describes a PhD at King’s College London, including the thesis title and research period.",{"name":119,"@type":110,"acceptedAnswer":120},"Does the book incorporate previously published material?",{"text":121,"@type":113},"Yes. The acknowledgements state that Chapter 5 includes material previously published as “Biopower: Bodies, Minds and Biographical Subjection in Victorian Lives of the Poets” in Victorian Network.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},319224,1790543861,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":44,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},13056703019404,"https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0","MADNESS AND THE ROMANTIC POET  \nMadness and the Romantic Poet  \nA Critical History  \nJAMES WHITEHEAD  \n1  \n3  \nGreat Clarendon Street, Oxford, OX2 6DP, United Kingdom  \nOxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © James Whitehead 2017  \nThe moral rights of the author have been asserted First Edition published in 2017  \nImpression: 1  \nAll rights reserved. No part of this publication may be reproduced, stored ina retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above  \nYou must not circulate this work in any other form and you must impose this same condition on any acquirer  \nPublished in the United States of America by Oxford University Press  \n198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available  \nLibrary of Congress Control Number: 2016962477 ISBN 978–0–19–873370–6  \nPrinted and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.  \nAcknowledgements  \nMy first thanks must be to theArts and Humanities Research Council for granting the doctoral award that led to this book, via a PhD undertaken at King’s College London from 2006 to 2010. (The thesis was entitled ‘Poetic Madness and the Reception of British Romanticism 1800–1870’.) Thanks also to the AHRC fora conference grant to travel to the North American Society for the Study of Romanticism meeting in Toronto in August 2008, to present an early version of Chapter 3 there. Thanks to NASSR, ACUME-2, and the School of Arts and Humanities at King’s for other travel and research grants. Thanks are also due to the Wellcome Trust for the postdoctoral grant which I held while beginning to revise and expand this book, among other things, in the Centre for the Humanities and Health and English department at King’s from 2010 to 2014.  \nBy far the greatest individual thanks are owed to Neil Vickers, for his unfailing patience, support, and guidance as a supervisor and mentor. In addition to other colleagues in the English department at King’s generally, I would also like to thank in particular Jo McDonagh, Clare Pettitt, John Stokes, and Brian Hurwitz, all of whom have provided assistance, advice, or useful discussion (or a combination of these three) before and after the completion of the thesis. Many thanks also to my PhD examiners Michael O’Neill and Seamus Perry for their kind and helpful comments during the examination process, and for a memorable snowbound viva. There are several instances in this book where I have taken up suggestions that were made then without more specific acknowledgement than these thanks. Thanks are also due to support staff in the English department, the Centre for Humanities and Health, and the School of Arts and Humanities at King’s. Among my fellow postgraduate students I owe Jane Darcy the biggest debt of gratitude; thanks also to Laurence Scott, Hope Wolf, Richard Maguire, Ali Wood, and Brian Murray, and to all my fellow researchers, medical humanists, and colleagues in the CHH, and more recently at Liverpool John Moores University, where the book was completed. Thanks especially to Glenda Norquay for the final necessary impetus.  \nChapter 5 incorporates material previously published as ‘Biopowe","cbCaigE6K4N7NeUB","https://ap.wps.com/l/cbCaigE6K4N7NeUB","pdf",5954885,317,"English","# Acknowledgements\n## Research background and acknowledgements","[{\"question\":\"What is the main subject of this book?\",\"answer\":\"The book is a critical history focused on “madness” in relation to Romantic poetry and its reception within British Romanticism.\"},{\"question\":\"How does the author describe the scholarly origins of the project?\",\"answer\":\"The author thanks the Arts and Humanities Research Council for a doctoral award and describes a PhD at King’s College London, including the thesis title and research period.\"},{\"question\":\"Does the book incorporate previously published material?\",\"answer\":\"Yes. The acknowledgements state that Chapter 5 includes material previously published as “Biopower: Bodies, Minds and Biographical Subjection in Victorian Lives of the Poets” in Victorian Network.\"}]","Madness and the Romantic Poet - A Critical History | PDF",1789942246,488]