[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-41526-en":3,"doc-seo-41526-105":30,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":13,"seo_description":14,"update_tm":28,"read_time":29},41526,1099514068035,"Ezra","https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c",2,"Literature","Louise Gluck - The Wild Iris","The Wild Iris is a poetry collection shaped around seasons, daily liturgical rhythms, and recurring floral imagery. The table of contents moves through morning and evening sections, echoing absence, intimacy, spiritual yearning, and transformation. Individual poems such as “Spring Snow,” “The White Rose,” “The Red Poppy,” and “The Wild Iris” braid nature’s cycles with emotional and metaphysical attention, building a contemplative arc from early darkness to summer, autumn twilight, and late-day reflections.","1. Matins [Not the sun merely but the earth] ....................................................................................................... 1  \n2. Presque Isle........................................................................................................................................................ 2  \n3. Spring Snow....................................................................................................................................................... 4  \n4. Matins [Unreachable father, when we were first] ............................................................................................ 6  \n5. Vespers [In your extended absence, you permit me] ....................................................................................... 7  \n6. Early Darkness................................................................................................................................................... 9  \n7. The White Rose.................................................................................................................................................. 11  \n8. Lullaby................................................................................................................................................................ 13  \n9. April..................................................................................................................................................................... 15  \n10. Vespers [End of August. Heat] ........................................................................................................................ 17  \n11. Vespers: Parousia............................................................................................................................................ 19  \n12. Daisies.............................................................................................................................................................. 21  \n13. Dedication........................................................................................................................................................ 22  \n14. Dedication........................................................................................................................................................ 24  \n15. Vespers [Even as you appeared to Moses, because] .................................................................................... 25  \n16. Vespers [I know what you planned, what you meant to do, teaching me] ................................................... 27  \n17. Matins [I see it is with you as with the birches] ............................................................................................. 28  \n18. The Wild Iris..................................................................................................................................................... 30  \n19. Field Flowers.................................................................................................................................................... 32  \n20. Preface............................................................................................................................................................. 34  \n21. The Red Poppy................................................................................................................................................. 35  \n22. Clover................................................................................................................................................................ 37  \n23. The White Lilies................................................................................................................................................ 39  \n24. Violets............................................................................................................................................................... 40  \n25. Lamium..............................","cbCain1luKRxbCPA","https://ap.wps.com/l/cbCain1luKRxbCPA","pdf",272183,4,1,107,"English","en",105,"# Matins\n## Presque Isle\n# Vespers\n## Spring Snow\n# The Wild Iris\n## Field Flowers\n# The Red Poppy\n## Violets\n# Snowdrops\n## The Jacob's Ladder\n# Harvest\n## The Hawthorn Tree\n# Midsummer\n## September Twilight\n# Love in Moonlight","[{\"question\":\"What themes structure the collection’s progression?\",\"answer\":\"The poems track seasonal change while repeatedly returning to morning and evening (matins and vespers) as a framing rhythm. Flower images anchor shifts in mood, from early darkness to later twilight and summer impressions.\"},{\"question\":\"How do the floral poems contribute to the book’s emotional or spiritual tone?\",\"answer\":\"Named flowers and plants operate as central symbols, linking natural cycles to longing, absence, and moments of revelation. Poems like “The Wild Iris,” “The White Lilies,” and “Violets” deepen the contemplative atmosphere.\"},{\"question\":\"What kinds of sections appear throughout the table of contents?\",\"answer\":\"Recurring section headings such as “Matins” and “Vespers” alternate with standalone poem titles. 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Flower images anchor shifts in mood, from early darkness to later twilight and summer impressions.","Answer",{"name":77,"@type":72,"acceptedAnswer":78},"How do the floral poems contribute to the book’s emotional or spiritual tone?",{"text":79,"@type":75},"Named flowers and plants operate as central symbols, linking natural cycles to longing, absence, and moments of revelation. Poems like “The Wild Iris,” “The White Lilies,” and “Violets” deepen the contemplative atmosphere.",{"name":81,"@type":72,"acceptedAnswer":82},"What kinds of sections appear throughout the table of contents?",{"text":83,"@type":75},"Recurring section headings such as “Matins” and “Vespers” alternate with standalone poem titles. 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