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The poem contrasts the dress’s small, childlike form with unseen keloid scars, then moves through a closing-time bell, postcards, dust, and the ceremonial leaving of a guarded display. It blends vivid imagery, implied silence, and war-shaped remembrance through a masked, mimed farewell.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/look-no-face/433784/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/look-no-face/433784.png","ImageObject",300,407,{"name":92,"@type":93},"Riley West","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-30","2026-09-29",true,{"@type":102,"interactionType":103,"userInteractionCount":39},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the central image in the opening poem “Look, No Face”?","Question",{"text":112,"@type":113},"A pure white wedding dress displayed behind glass becomes a vessel for memory and emotion, including the contrast between a visible bridal form and hidden keloid scars.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How does the poem create a sense of time and ending?",{"text":117,"@type":113},"A closing-time bell and the postcard seller’s urgency establish the moment of departure, turning the act of leaving the display into a quiet, ritualized farewell.",{"name":119,"@type":110,"acceptedAnswer":120},"What tone or perspective does “The Butcher-Bird” use?",{"text":121,"@type":113},"It adopts an observed, fable-like perspective on birds and language, contrasting predatory instinct with a yearning for elevation and different kinds of flight.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},433784,1790908572,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":39,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},1099523885074,"https://ap-avatar.wpscdn.com/davatar_9964176cb1d06d4a9deccf72a44ae3dc","# ELIZABETH BARTLETT\n\nSOUTH DEVON COLLEGELIBRARY  \nDigitized by the Internet Archivein 2022 with funding fromKahle/Austin Foundation  \n1519  \n| SOUTH DEVC  \u003Cbr>L.LIB.   |  |\n| --- | --- |\n| 1518   | B服R  \u003Cbr>821.914   |\n\nLOOK,No FACE  \nELIZABETH BARTLETT  \nREDBECK PRESS  \nOther books by the author  \nA Lifetime of Dying(Peterloo,1979)Strange Territory(Peterloo,1982)  \nThe Czar is Dead (Rivelin-Grapheme,1986)Instead of a Mass(Headland,1991)  \nAcknowledgements are due to the editors of the following:TheDownlander,The Faber Book of Coarse Verse,Outposts,Poetry Now,South,Vision On,BBC3,Ambit,Verse,Consequences and PoetryReview  \nCONTENTS  \nLook,No Face ……………………………………………………………  \n…………………………………5  \nThe Butcher-Bird………………………………………………  \nOf This Parish…………………………………………………………  \n………………………7  \nArguing With God…………………………………………………  \n·  \nMisprint …………………………………………………………………………  \nTerrain…………………………………………………………………  \n………………………………………10  \nSkating the South Bank………………………………  \n……………………………………………11  \nPitar…………………………………………………………………………  \n……………………………………………12  \nAsylum……………………………………………  \n……………………………………13  \nPer Fumum………………………………  \n……………………………………14  \n……………………………………15  \nThe Minister's Bed………………………………………  \nThe Wife of the Man……………………………………  \n………………………………………16  \nBawd Game………………………………………………  \n………………………………………17  \nJoin the Club………………………………………………  \n18  \n.19  \nSchool Outing ……………………………………………  \n20  \nConsumers ………………………………………………………  \n...........  \nThe Voice……………………………………………………………  \n21  \n++ ·  \n………………………………………22  \nA Family Tradition……………………………………  \nAfter Ravilious ……………………………………………………  \n……………………………………23  \nSt. John's Common: A Marriage……………  \n………………………………………24  \n…………………………………………25  \nAlphabet Board…………………………………………………  \n……………………………………26  \nLamb………………………………………………………………  \n………………………………………27  \nTo Tracy with Love …………………………………………  \nGrandmother's Footsteps………………………………  \n………………………………………28  \nSome Misunderstandings and Other Things……………………………………29  \nTea with Copernicus and Waffles……………………………………………………………30  \nArgot (Clare's Poem)………………………………………………………………………………31  \nNoli Me Tangere …………………………………………………………………………………………32  \n. 33  \nA Paradox in Four Parts………………………………………………………………………………………………  \nSmall Dole …………………………………………………………………  \n……………………………………34  \n…………………………………35  \nWriter in Residence……………………………………………………  \n………………………………………36  \nThe Nuclear Girls………………………………………………………  \n………………………………………37  \nThat Class of Women……………………………………………  \nNarrowdale Noon……………………………………………………………………………………………38  \nSt. Margaret's Ditchling…………………………………………………………………39  \nThe Moody Blues Syndrome…………………………………………………………………40  \nIch Könnte Nicht Gehen………………………………………………………………………41  \nDrop Me Off at the Cemetery………………  \n………………………………………………42  \n………………………………………43  \nAgain………………………………………………………………………  \nClusters………………………………………………………………  \n………………………………………44  \n………………………………………45  \nHerself Alone……………………………………………  \nFor Denis Webbe  \nLOOK,NO FACE  \nThe pure white wedding dressin its glass case,the waistas small as a child's,the capand veil.Look,no face!All around the faded drossof Cheltenham's past,the pastecurled patterns which overlapthe idle hours spent in this place.  \nThe pictures are of Cotswold farms,the toy animals standing in theirpainted fields,horses and sheepand cows who look too clean.I hold out my empty armsbut you are as stiff as the hemof the dress,for you keepyour keloid scars unseen.  \nThe bell rings for closing time;the lady who sells postcards  \nwants to get home to do the chores,so we must leave this dusty hide,taking with us our masque and mime.Behind the railing which guardssad objects from forgotten wars,I salute those worn ribbons,step outside.  \nTHE BUTCHER-BIRD  \nHe knew about birds,as he knew about words,and the smaller bodies and insects impaledupon twigs.He had a penchant for predatorsof all kinds,and recklessly scaled  \ncold Everests for the ones who coarsely sworeon the summit,the winners,the flag raisers.  \nClimbing on to the stage,young literary fledglingstried their wings and sang their new-found notesindifferently.He had p","cbCaitowEoe71JpV","https://ap.wps.com/l/cbCaitowEoe71JpV","pdf",2071628,56,"English","# Contents\n## Look, No Face\n## The Butcher-Bird\n## Of This Parish\n## Arguing With God\n## Misprint\n## Terrain\n## Skating the South Bank\n## Pitar\n## Asylum\n## Per Fumum\n## The Minister's Bed\n## The Wife of the Man\n## Bawd Game\n## Join the Club\n## School Outing\n## Consumers\n## The Voice\n## A Family Tradition\n## After Ravilious\n## St. John's Common: A Marriage\n## Alphabet Board\n## Lamb\n## To Tracy with Love\n## Grandmother's Footsteps\n## Some Misunderstandings and Other Things\n## Tea with Copernicus and Waffles\n## Argot (Clare's Poem)\n## Noli Me Tangere\n## A Paradox in Four Parts\n## Small Dole\n## Writer in Residence\n## The Nuclear Girls\n## That Class of Women\n## Narrowdale Noon\n## St. Margaret's Ditchling\n## The Moody Blues Syndrome\n## Ich Könnte Nicht Gehen\n## Drop Me Off at the Cemetery\n## Again\n## Clusters\n## Herself Alone","[{\"question\":\"What is the central image in the opening poem “Look, No Face”?\",\"answer\":\"A pure white wedding dress displayed behind glass becomes a vessel for memory and emotion, including the contrast between a visible bridal form and hidden keloid scars.\"},{\"question\":\"How does the poem create a sense of time and ending?\",\"answer\":\"A closing-time bell and the postcard seller’s urgency establish the moment of departure, turning the act of leaving the display into a quiet, ritualized farewell.\"},{\"question\":\"What tone or perspective does “The Butcher-Bird” use?\",\"answer\":\"It adopts an observed, fable-like perspective on birds and language, contrasting predatory instinct with a yearning for elevation and different kinds of flight.\"}]","LOOK, No FACE | PDF",1790665481,86]