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The volume compiles editorial notes, chronology, essays, and an annotated bibliography, situating the play within historical and critical perspectives and documenting its production context. 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First published February 1956. Copyright © renewed 1984 by Yale University. Corrected edition copyright © 1989 by Yale University.  \nAll rights reserved.  \nThis book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the US Copyright Law and except by reviewers for the public press), without written permission from the publishers.  \nYale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail [sales.press@yale.edu](sales.press@yale.edu) (US office) or [sales@yaleup.co.uk](sales@yaleup.co.uk) (UK  \noffice) .  \nFrontispiece: Eugene O’Neill in 1939, at the time of writing Long Day s’ Journey Into Night (Photo © Horace Bristol/Corbis. Louis Sheaffer–Eugene O’Neill Collection, Linda Lear Center for Special Collections & Archives, Connecticut College)  \nPrinted in the United States of America.  \nLibrary of Congress Control Number: 2013956573  \nISBN: 978-0-300-18641-3 (pbk.)  \n10 9 8 7 6 5 4 3 2 1  \nCAUTION: Professionals and amateurs are hereby warned that Long Day s’ Journey Into Night, being fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the copyright union, is subject to royalties. All rights, including professional and amateur performance, motion picture, recitation, public reading, radio broadcasting, and the rights of translation into foreign languages, are strictly reserved. All inquiries regarding production rights to this play should be addressed to International Creative Management (ICM), 730 Fifth Ave., New York, NY 10019, Attn. Val Day. All other inquiries should be addressed to Yale University, Office of the General Counsel, PO Box 208255, New Haven, CT 06520–8255.  \nTHE EUGENE O ’NEILL COLLECTION was founded at the Yale University Library in 1931 by Carlotta Monterey O’Neill. It includes notes, photographs, and the manuscripts of plays, among them long day’s journey into night. All royalties from the sale of the Yale editions ofthis book go to Yale University for the benefit of the Eugene O’Neill Collection, for the purchase of books in the field of drama, and for the establishment of Eugene O’Neill Scholarships in the Yale School of Drama.  \nContents  \nForeword by Jessica Lange  \nLong Day s’ Journey Into Night  \nNotes and Context  \nAn O’Neill Chronology  \nHistorical and Critical Perspectives  \nThe Play in Production  \nAnnotated Bibliography  \nForeword  \nJessica Lange  \nI had the opportunity of doing a production of Long Day s’ Journey Into Night in London some years ago. There are roles that arrive like gifts. Given and received. Mary Tyrone was that. No part I have played on stage or in film has ever captured me more. Actors can fall in love with characters they play, obsess over them, cling to them . . . sometimes we ’re haunted by them.  \nI loved Mary Tyrone. I longed to get to the theater each evening so I could experience her. So I could lose myself in her. The part of Mary Tyrone is a bottomless well. Impossible to exhaust.  \nWe went into rehearsals in late fall and played through the long winter of 2000–2001 . London is the perfect setting to experience this masterful play. The gloom and dampness, the fog and the grayness mirror the atmosphere of the play.  \nOur set was more dreamlike than what O’Neill describes in the stage directions. It had a ghostly feel, more memory than reality. As the lig","cbCaifg4hjNUWlr8","https://ap.wps.com/l/cbCaifg4hjNUWlr8","pdf",1294340,214,"English","# Contents\n## Foreword by Jessica Lange\n## Long Day’s Journey Into Night\n## Notes and Context\n## An O’Neill Chronology\n## Historical and Critical Perspectives\n## The Play in Production\n## Annotated Bibliography\n## Foreword\n## I had the opportunity of doing a production of Long Day’s Journey Into Night","[{\"question\":\"Who edited the critical edition and who wrote the foreword?\",\"answer\":\"William Davies King edited the critical edition, and Jessica Lange wrote the foreword.\"},{\"question\":\"What materials does the critical edition include besides the play?\",\"answer\":\"It includes notes and context, an O’Neill chronology, historical and critical perspectives, production information, and an annotated bibliography.\"},{\"question\":\"What does Jessica Lange describe about performing the play?\",\"answer\":\"She describes encountering Mary Tyrone as a deeply compelling role, recounting rehearsals and how London’s atmosphere mirrored the play’s gloom and fog.\"}]","Long Day’s Journey Into Night - Critical Edition | PDF",1789949908,330]