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Extends to “avant-garde” principles (advance guard, “make it new”), Adorno’s view of artistic resistance under capitalism, and distinguishing traits like defamiliarization and anti-tradition, ending with Futurism themes.",{"@graph":14,"@context":77},[15,34,56],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/literature/","Literature",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/literary-movements-part-2-notes/301109/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/literary-movements-part-2-notes/301109.png","ImageObject",300,407,{"name":42,"@type":43},"Ezra","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-10-28","2026-09-19",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",11,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69,73],{"name":60,"@type":61,"acceptedAnswer":62},"What historical and philosophical pressures shaped High Modernism?","Question",{"text":63,"@type":64},"High Modernism is tied to World War trauma, rapid industrialization, and a breakdown of traditional values. It reflects a crisis of faith in progress, religion, and rationality, and it portrays fragmented, uncertain consciousness.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"What are the key core characteristics of High Modernism?",{"text":68,"@type":64},"The notes emphasize radical formal innovation, fragmentation, and stream of consciousness, along with subjectivity and rejection of linear objective narration. Other traits include alienation and disillusionment, elitism and aestheticism, art for art’s sake, mythic method, intellectual density, utopian faith in technology, and imposed order and legibility.",{"name":70,"@type":61,"acceptedAnswer":71},"How does the document describe the Avant-Garde and its purpose?",{"text":72,"@type":64},"The notes define “avant-garde” as advance guard, highlighting radical innovators who “make it new” and push Modernism to extreme experimentation. The aim is to shock, provoke, and redefine art’s purpose, often through defamiliarization and anti-tradition.",{"name":74,"@type":61,"acceptedAnswer":75},"What is Adorno’s view of avant-garde art and why was it controversial?",{"text":76,"@type":64},"Adorno’s view links avant-garde art to alienation under capitalism and a critique of bourgeois/mass culture through the culture industry. The notes also mention criticism of atonal music (e.g., Arnold Schoenberg), arguing that it can risk losing formal structural coherence and becoming arbitrary expression rather than profound critical art.","https://schema.org",{"og:url":32,"og:type":79,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":81,"canonical":32},"index,follow",{"doc_id":83,"site_id":7},301109,1789779285,{"code":4,"msg":86,"data":87},"success",[88,92,95,99,104,109,114,119,124,127,131],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":89,"show_sort_weight":90,"slug":91},"Story & 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the trauma of the World War  \nI,rapid industrialization,and the breakdown oftraditional values.  \n·Reflects a crisis of faith in:  \n·Progress  \n·Religion  \n·Rationality  \n·Represents the fragmented,uncertainconsciousness of modern life.  \nMajor Writers  \n·James Joyce  \n·Virginia Woolf  \n·T.S.Eliot  \n·Ezra Pound  \n·Others:MarcelProust,Franz Kafka  \n# Core Characteristics:\n\n·Radical Formal Innovation-Fragmentation,nonlinear narrative,stream ofconsciousness (James Joyce,Virginia Woolf)  \n·Subjectivity &Fragmentation-Focus on inner psyche;rejection of linear,objective narration  \n·Alienation &Disillusionment-Isolation in urban,mechanized life  \n·Elitism &Aestheticism-Art as autonomous;complex works for eliteaudience  \n·Art for Art's Sake-Aesthetic value over moral/social purpose  \n·Mythic Method-Use of myth/history to structure chaos(T.S.Eliot)  \n·Intellectual Density-Allusive,multilayered writing(philosophy,myth,psychology)  \n·Utopian Faith in Technology-Belief in progress;“form follows function”  \n·Order &Legibility-Imposing structure and control on chaos  \n# Avant-Garde\n\n·“Avant-garde”=advance guard (radicalinnovators).  \n·Make it new-Ezra Pound  \n·Pushes Modernism to extremeexperimentation.  \n·Aims to shock,provoke,and redefine art'spurpose.  \n# Theodor Adorno(Frankfurt School)'s View\n\n·Avant-garde art:  \n·Reflects alienation under capitalism  \n·Critiques bourgeois and mass(culture industry)  \n·Criticized atonal music(e.g.,Arnold Schoenberg)as:  \n·as atonal music(especially free atonality)lost the formal,structural coherence oftonality,it struggled to create large-scale meaning,risking becoming subjective,arbitrary expression rather than profound critical art  \n·Saw avant-garde as artistic resistance to commodification  \n# Distinguishing Traits\n\n·Extreme Experimentation-No linearity;collage,abstraction,absurdity  \n·Defamiliarization (Ostranenie)-Making the familiar strange  \n·Anti-Tradition &Rebellion-Anti-bourgeois,iconoclastic  \n·Political &Social Critique-Protest against war,capitalism  \n·Fragmented Self-Identity shown as unstable,multiple  \nladla  \nHe,he,Sie junger MannDzda istkoine Kunsteie  \nFuturism-Speed,war,technology  \n·Origin &context:Italian movement founded around 1909;celebrated the dynamism ofthe modern industrial age.  \n·Core idea:Glorified speed,machinery,war,and the city;wanted art to break with thepast and match the energy of modernity.  \n·Themes:  \n·Motion,noise,and violence (e.g.,racing cars,airplanes,battle).  \n·Destruction of museums and monuments as symbols of old,static culture.  \n·Key figure:Filippo Tommaso Marinetti-wrote the Futurist Manifesto (1909);praisedwar,tech,and sensation;heavily influenced later avant-garde aesthetics (and later,controversially,Italian fascism).","cbCais0BF0USbN3e","https://ap.wps.com/l/cbCais0BF0USbN3e","pdf",3817090,29,"English","# LITERARY MOVEMENTS\n## High Modernism (c.1910-1930)\n## Core Characteristics\n## Avant-Garde\n## Theodor Adorno (Frankfurt School)'s View\n## Distinguishing Traits\n## Futurism","[{\"question\":\"What historical and philosophical pressures shaped High Modernism?\",\"answer\":\"High Modernism is tied to World War trauma, rapid industrialization, and a breakdown of traditional values. It reflects a crisis of faith in progress, religion, and rationality, and it portrays fragmented, uncertain consciousness.\"},{\"question\":\"What are the key core characteristics of High Modernism?\",\"answer\":\"The notes emphasize radical formal innovation, fragmentation, and stream of consciousness, along with subjectivity and rejection of linear objective narration. Other traits include alienation and disillusionment, elitism and aestheticism, art for art’s sake, mythic method, intellectual density, utopian faith in technology, and imposed order and legibility.\"},{\"question\":\"How does the document describe the Avant-Garde and its purpose?\",\"answer\":\"The notes define “avant-garde” as advance guard, highlighting radical innovators who “make it new” and push Modernism to extreme experimentation. The aim is to shock, provoke, and redefine art’s purpose, often through defamiliarization and anti-tradition.\"},{\"question\":\"What is Adorno’s view of avant-garde art and why was it controversial?\",\"answer\":\"Adorno’s view links avant-garde art to alienation under capitalism and a critique of bourgeois/mass culture through the culture industry. The notes also mention criticism of atonal music (e.g., Arnold Schoenberg), arguing that it can risk losing formal structural coherence and becoming arbitrary expression rather than profound critical art.\"}]","LITERARY MOVEMENTS - Part 2 - Notes | PDF",45]