[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-seo-664818-105":3,"detail-sidebar-cat-0-en-105":80,"doc-detail-664818-en":130},{"code":4,"msg":5,"data":6},0,"ok",{"site_id":7,"language":8,"slug":9,"title":10,"keywords":11,"description":12,"schema_data":13,"social_meta":73,"head_meta":75,"extra_data":77,"updated_unix":79},105,"en","lines-grids-stains-words-exhibition-press-release","Lines, Grids, Stains, Words - Exhibition Press Release","","Lines, Grids, Stains, Words brings together 57 drawings and one series of prints from The Museum of Modern Art’s collection, many presented at MoMA for the first time. The exhibition explores Minimal art’s pared-down visual language—isolated lines, monochrome, and text arranged in rows, grids, and repetitive sequences—while showing how small inconsistencies on paper reveal the artist’s hand. 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Sachs Drawings Galleries, third floor Through October 22, 2007  \nNew York, June 19, 2007—Lines, Grids, Stains, Words brings together 57 drawings and one series of prints from the Museum’s collection, many on view at MoMA for the first time, that share the seemingly simple and impersonal characteristics of Minimal art. Critical of the bold expressive gestures of Abstract Expressionism, Minimalist artists aimed to remove the hand of the maker from the work of art, often utilizing industrial fabrication techniques and materials and employing isolated lines, monochrome, and text organized in rows, grids, and repetitive sequences. However, on paper, the hand of the artist is often revealed through small inconsistencies and seeming mistakes that soften the anonymity of the lines and girds. Beginning with the 1960s and continuing into the present, the exhibition traces the evolution of these formal devices, as well as artistic techniques including ripping, folding, and scribbling.  \nWorks on view in the exhibition include Agnes Martin’s (American, born Canada, 1912– 2004) imprecise ruler drawing Wood (1964) and Felix Gonzalez-Torres’s (American, born Cuba, 1957–1996)“Untitled”(t-cell count) (1990), a grid drawing that reads as a diagram of the HIVpositive artist’s blood-cell count. Among the works on view for the first time are drawings by such artists as Polly Apfelbaum, Dan Flavin, Mona Hatoum, Jonathan Horowitz, Sol LeWitt, and Adrian Piper.  \nThe exhibition is organized by Christian Rattemeyer, Associate Curator, Department of Drawings, The Museum of Modern Art.  \n\\# \\# \\#  \nNo. 59  \nPress Contact: Kim Donica, [212/708-9752 or](212/708-9752 or kim_donica@moma.org)[ ](212/708-9752 or kim_donica@moma.org)[kim_donica@moma.org](212/708-9752 or kim_donica@moma.org)  \n[High-resolution images are available](High-resolution images are available), please call the contacts above for information on how to access the images.","cbCaiseqOmGmHAB2","https://ap.wps.com/l/cbCaiseqOmGmHAB2","pdf",90256,"English","# Overview\n## Key themes and artistic approach\n## Works included\n# Organization and press contact","[{\"question\":\"What does the exhibition Lines, Grids, Stains, Words focus on?\",\"answer\":\"It focuses on Minimal art formal devices—isolated lines, monochrome, and text organized in rows, grids, and repetitive sequences—along with how small imperfections soften anonymity on paper.\"},{\"question\":\"How many drawings and prints are included?\",\"answer\":\"The exhibition brings together 57 drawings and one series of prints from MoMA’s collection.\"},{\"question\":\"What kinds of works and techniques does the exhibition highlight?\",\"answer\":\"It includes works such as Agnes Martin’s Wood (1964) and Felix Gonzalez-Torres’s “Untitled” (t-cell count) (1990), and it traces techniques like ripping, folding, and scribbling.\"}]","Lines, Grids, Stains, Words - Exhibition Press Release | PDF"]