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The publication compiles contributions by curators and participating artists, addressing autonomy, paradoxes, shifting national narratives, cultural production, political struggle, and urban liminality in and around Palestine/Israel contexts.",{"@graph":14,"@context":72},[15,34,55],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/story-novel/","Story & Novel",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/liminal-spaces-2006-2009-reader/136467/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/liminal-spaces-2006-2009-reader/136467.png","ImageObject",300,407,{"name":42,"@type":43},"Valentina","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-09-18","2026-08-22",true,{"@type":52,"interactionType":53,"userInteractionCount":26},"InteractionCounter",{"@type":54},"ViewAction",{"@type":56,"mainEntity":57},"FAQPage",[58,64,68],{"name":59,"@type":60,"acceptedAnswer":61},"What event is described as the project’s early foundation for Liminal Spaces?","Question",{"text":62,"@type":63},"The reader links Liminal Spaces to an earlier project called “April 1st,” created to make the Separation Wall transparent through closed-circuit video.","Answer",{"name":65,"@type":60,"acceptedAnswer":66},"How was the Separation Wall made visible or “transparent” in the April 1st setup?",{"text":67,"@type":63},"Two video cameras were placed on opposite sides of the Wall with their lenses aimed outward; each camera fed a projector on the other side to form a real-time “virtual window.”",{"name":69,"@type":60,"acceptedAnswer":70},"What purpose did the April 1st event serve for participating communities and audiences?",{"text":71,"@type":63},"It aimed to raise awareness of the damage caused by the Separation Wall by inviting an Israeli public to experience the Wall’s presence and implications physically.","https://schema.org",{"og:url":32,"og:type":74,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":76,"canonical":32},"index,follow",{"doc_id":78,"site_id":7},136467,1787387235,{"code":4,"msg":81,"data":82},"success",[83,86,90,94,99,104,109,114,119,122,126],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":29,"show_sort_weight":84,"slug":85},90,"story-novel",{"id":26,"doc_module":4,"doc_module_name":25,"category_name":87,"show_sort_weight":88,"slug":89},"Literature",80,"literature",{"id":33,"doc_module":4,"doc_module_name":25,"category_name":91,"show_sort_weight":92,"slug":93},"Exam",70,"exam",{"id":95,"doc_module":4,"doc_module_name":25,"category_name":96,"show_sort_weight":97,"slug":98},5,"Comic",60,"comic",{"id":100,"doc_module":4,"doc_module_name":25,"category_name":101,"show_sort_weight":102,"slug":103},6,"Technology",50,"technology",{"id":105,"doc_module":4,"doc_module_name":25,"category_name":106,"show_sort_weight":107,"slug":108},7,"Healthcare",40,"healthcare",{"id":110,"doc_module":4,"doc_module_name":25,"category_name":111,"show_sort_weight":112,"slug":113},8,"Research & Report",30,"research-report",{"id":115,"doc_module":4,"doc_module_name":25,"category_name":116,"show_sort_weight":117,"slug":118},9,"Religion & Spirituality",20,"religion-spirituality",{"id":117,"doc_module":4,"doc_module_name":25,"category_name":120,"show_sort_weight":117,"slug":121},"World Cup","world-cup",{"id":123,"doc_module":4,"doc_module_name":25,"category_name":124,"show_sort_weight":123,"slug":125},10,"Lifestyle","lifestyle",{"id":127,"doc_module":4,"doc_module_name":25,"category_name":128,"show_sort_weight":95,"slug":129},19,"General","general",{"code":4,"msg":81,"data":131},{"doc_id":78,"user_id":132,"nickname":42,"user_avatar":133,"doc_module":4,"category_id":22,"category_name":29,"doc_title":10,"doc_description":12,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":26,"is_deleted":4,"is_public":22,"is_downloadable":22,"audit_status":22,"page_count":139,"language":140,"language_code":8,"site_id":7,"html_lang":8,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":12,"update_tm":79,"read_time":144},13056703020460,"https://ap-avatar.wpscdn.com/avatar/be000253dac470eee5d?_k=1778207105932848923","Liminal Spaces  \nLiminal Spaces 2006-2009  \nReader : Editors: Eyal Danon, Galit Eilat  \nAssistant editor: Maya Pasternak  \nGraphic design: Guy Saggee, Neta Shoshani – [Shual.com](Shual.com)  \n[Translation and editing:](Translation and editing: Daria Kassovsky)[ Daria Kassovsky](Translation and editing: Daria Kassovsky)  \n[Printing and binding:](Printing and binding: A.R. Printing)[ A.R. Printing](Printing and binding: A.R. Printing), Tel Aviv  \nProduction: The Center for Digital Art, Holon  \nProject : Participants: Sameh Abboushi, Senan Abdelqader, Lida Abdul, Tal Adler, Azra Aksamija, Ayreen Anastas and Rene Gabri, Yossi Attia and Itamar Rose, Yochai Avrahami, Brother Banoit, Yael Bartana, Nabih Bashir, Hans Bernhard, Eva Birkenstock, Rana Bishara, Michael Blum, Khaldun Bshara, Boris Buden, Sami Bukhari, Hicham Chabaita, Hillel Cohen, Scandar Copti, Buthayna Dabit, Ronen Eidelman, Muhamad El Hatib, Jumana Emil Abboud, Charles Esche, Orhan Esen, Kodwo Eshun, Peter Friedl, David Garcia, Hagar Goren, Mauricio Guillen, Jeff Halper, Sandi Hilal and Alessandro Petti, Sabine Horlitz and Oliver Clemens, Khaled Hourani, Sanja Ivekovic, Yazan Khlili, Wolfgang Knapp, Erden Kosova, Ligna, Suleiman Mansour, Francis McKee, Anna Meyer, Salwa Mikdadi, Daniel Monterescu, Nina Möntmann, Nat Muller, Joanna Mytkowska, Simona Nastac, Olaf Nicolai, Khalil Nijem, Ilan Pappé, Parhesia Group, Lia Perjovschi, Khalil Rabah, Anjalika Sagar, Oren Sagiv, Sala-Manca, Miri Segal, Erinc Seymen, Solmaz Shahbazi, Nurit Sharett, Fadi Shbeita, Erzen Shkololi, Sean Snyder, Barbara Steiner, Hito Steyerl, Superflex, Aneta Szylak, Salim Tamari, Simon Wachsmuth, Adel Yahya, Inass Hamad Yassin, Yossi Yonah, Artur Zmijewski, Manar Zuabi Curators: Eyal Danon, Galit Eilat, Reem Fadda, Philipp Misselwitz  \nAdvisor: Khaled Hourani  \nProduction team (The Center for Digital Art): Nir Sagiv, Or Kadar, Dor Guez, Maya Pasternak  \nLiminal Spaces is a joint initiative of: The Center for Digital Art, Holon, The Palestinian Association for Contemporary Art (PACA), and The International Art Academy Palestine  \nWith the following partners: Universitat der Kunst Berlin, Galerie für Zeitgenössische Kunst Leipzig  \n© 2009, All rights reserved to the authors, artists, and contributors  \nThis reader was compiled from lectures, talks, and discussions held during the Liminal Spaces conferences. All the texts were kindly donated by the participants.  \ncontents  \n7  \nIntroductIon  \nGalit Eilat  \n18  \nEngagEd autonomy & othEr ParadoxES  \nCharles Esche  \n29  \ndEaLIng wIth thE changIng natIon  \nNina Möntmann  \n41  \nduchIFat  \nMauricio Guillén  \n43  \nStItchIng PIEcES oF our Story In LImInaL SPacES  \nSalwa Mikdadi  \n56  \nthE LEFt nEEdS mEdIatorS – on cuLturaL ProductIon & ItS  \nroLE In PoLItIcaL StruggLE –  \non thE nEcESSIty togo to PaLEStInE  \nAyreen Anastasand Rene Gabri  \n72  \nSoLdIErS, SoLdIErS,  \nSoLdIErS…  \nRoni Lahav and Artur Žmijewski in Conversation with Diala Shamas  \n88  \nShot By Both SIdES  \nFrancis McKee  \n100  \nStudIES on nEw ISraELI LandScaPES  \nSala-Manca:  \nLea Mauas & Diego Rotman  \n102  \nconStructIon StatuS unknown  \nSimon Wachsmuth  \n106  \nISraEL aS a gatEd SocIEty, PaSt & PrESEnt  \nIlan Pappé  \n117  \nExquISItE corPSE  \nYochai Avrahami  \n136  \nBEtwIxt and  \nBEtwEEn: urBan LImInaLIty & thE FuturE oFBInatIonaLISm In JEwISh-araB 'mIxEd townS'  \nDaniel Monterescu  \n155  \nconFrontIng thE IconIc myth:  \nrEvISItIng JaFFa  \nSalim Tamari and  \nRema Hammami  \n182  \nuntItLEd  \nArtur Zmijewski  \n188  \nmuLtIcuLturaLISm In common SPacES  \nYossi Yonah  \n200  \nradIcaL dIScontEnt  \nEyal Danon  \n223  \nnot-yEt-nESS  \nReem Fadda  \n232  \nthE road to gaZa: unIvErSaL rItuaLS In a LocaL contExt  \nKhaled Hourani  \n244  \ntour oF ramaLLah  \nYael Bartana  \n248  \naSymmEtrIES In gLoBaLIZEd SPacE:  \nthE road nEtwork In PaLEStInE-ISraEL  \nAlessandro Petti  \n271  \nPLaygroundS (1995-)  \nPeter Friedl  \n278  \nhow much dId you Pay For thIS PLot  \noF Land? Land vaLuE In ramaLLah & EaSt JEruSaLEm  \nSabine Horlitz a","cbCaiaAXRvUBpX0M","https://ap.wps.com/l/cbCaiaAXRvUBpX0M","pdf",26636069,320,"English","# Introduction\n## Project origins and April 1st experiment\n## Separation Wall as a subject and public awareness\n# Contents\n## Engaged autonomy & other paradoxes\n## Dealing with the changing nation\n## Duchifat\n## Stitching pieces of our story in liminal spaces\n## The left needs mediators—on cultural production & its role in political struggle","[{\"question\":\"What event is described as the project’s early foundation for Liminal Spaces?\",\"answer\":\"The reader links Liminal Spaces to an earlier project called “April 1st,” created to make the Separation Wall transparent through closed-circuit video.\"},{\"question\":\"How was the Separation Wall made visible or “transparent” in the April 1st setup?\",\"answer\":\"Two video cameras were placed on opposite sides of the Wall with their lenses aimed outward; each camera fed a projector on the other side to form a real-time “virtual window.”\"},{\"question\":\"What purpose did the April 1st event serve for participating communities and audiences?\",\"answer\":\"It aimed to raise awareness of the damage caused by the Separation Wall by inviting an Israeli public to experience the Wall’s presence and implications physically.\"}]","Liminal Spaces 2006-2009 - Reader | PDF",493]