[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-209240-en":3,"doc-seo-209240-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":4,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},209240,1374391974585,"Genevieve","https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c",8,"Research & Report","Kinaesthetic Perception and Architecture - Article","This article reviews kinaesthetic perception rooted in the Greek concepts of kinein (to move) and aesthesis as movement perception in architecture. It defines kinaesthetic perception as a sense mediated by receptors in muscles, tendons, and joints, generating sensory experience from bodily movement and tensions. Since the 1960s, the concept—developed across neurology, psychology, orthopedics, and medicine—has been examined for creativity in architecture and related arts, including dance, animation, hypermedia, and game theories, and is analyzed through interdisciplinary architectural theory and education.","Instructions for authors, subscriptions and further details: [http://brac.hipatiapress.com](http://brac.hipatiapress.com)  \nKinaesthetic Perception and Architecture  \nEsen Gökçe Özdamar 1  \n1) Department of Architecture, Faculty of Fine Arts, Design and Architecture. Tekirdağ Namık Kemal University.  \nDate of publication: October 3rd, 2021  \nEdition period: October 2021-February 2022  \nTo cite this article: Özdamar, E. G. (2021) . Kinaesthetic Perception and Architecture. Barcelona, Research, Art, Creation, 9(3), 325-340. doi: 10. 17583/brac.5397  \nTo link this article: [https://doi.org/10.17583/brac.5397](https://doi.org/10.17583/brac.5397)  \nPLEASE SCROLL DOWN FOR ARTICLE  \nThe terms and conditions of use are related to the Open Journal System and to Creative Commons Attribution License (CC-BY) .  \nBRAC-Barcelona Research Art Creation. Vol. 9 No. 3, October 2021, pp. 325-340  \nKinaesthetic Perception and Architecture  \nEsen Gökçe Özdamar  \nFaculty of Fine Arts, Design and Architecture, Department of Architecture. Tekirdağ Namık Kemal University.  \n(Received: 11 April 2020; Accepted: 25 February 2021; Published: 3 October 2021)  \nAbstract  \nThis article highlights the review of the kinaesthetic perception derived from Greek kinein (to move), and aesthesis which is defined as the perception of movement in architecture. Kinaesthetic perception is defined as “a sense mediated by end organs located in muscles, tendons, and joints and stimulated by bodily movement and tensions,” and “sensory experience derived from this sense”. Since the 1960s, kinaesthetic perception, known as a term in neurology, psychology, orthopedics, and medicine, has been explored for creativity, especially in architecture, art, dance, particle animation, hypermedia, and game theories. This perception has been studied in MerleauPonty’s phenomenology in architectural theory and education and in terms of the oblique idea of Paul Virilio and Claude Parent, which have emerged as one of the important and triggering terms of kinaesthetic perception in architecture today. With the advent of technology, re-introducing this perception through technology or traditional means can help us remember the multi-dimensional interaction of our senses. Therefore, this article examinesan interdisciplinary relationship among kinaesthetic perception, architecture, movement, and the body or soma and asks what kinaesthetic perception can provide new experiences in architecture.  \nKeywords: Kinaesthetic perception, perception in architecture, neuroarchitecture, kinaesthetic empathy  \n2021 Hipatia Press ISSN: 2014-8992  \nDOI: 10. 17583/brac.5397  \nBRAC-Barcelona Research Art Creation. Vol. 9 No. 3, October 2021, pp. 325-340  \nPercepción de Kinaesthetic y Arquitectura  \nEsen Gökçe Özdamar  \nFacultad de Bellas Artes, Diseño y Arquitectura, Departamento de Arquitectura. Universidad Tekirdağ Namık Kemal.  \n(Recibido: 11 abril 2020; Aceptado: 25 febrero 2021; Publicado: 3 octubre 2021)  \nResumen  \nEste artículo destaca la revisión de la percepción kinaesthetic sacada del griego de palabras kinein (para moverse), y aesthesis es definido como la percepción de movimiento en la arquitectura. La percepción de Kinaesthetic es definida como “un sentido mediado por órganos de final localizados en músculos, tendones, y uniones y estimuló por movimiento corporal yrelaciones tensas,”“y la experiencia sensorial se derivó de este sentido”. Desde los años 1960, kinaesthetic percepción, conocida como un término en neurología, psicología, la ortopedia, y la medicina, ha sido explo-rada para lacreatividad, sobre todo en arquitectura, arte, baile, animación de partícula, hipermedios, y teorías animo-sas. Esta percepción ha sido estudiada en la fenomenología Merleau-Ponty’s en teoría arquitectónica y educación y entérminos de idea oblicua de Paul Virilio y Claude Parent, que han surgidocomo uno de los términos importantes y provocadores de la percepciónkinaesthetic en la arquitectura hoy. Con el advenimien","cbCaiaBGwVWbhhrb","https://ap.wps.com/l/cbCaiaBGwVWbhhrb","pdf",364291,1,17,"English","en",105,"# Abstract\n## Definition and origins of kinaesthetic perception\n## Disciplinary background and creativity applications\n## Phenomenology and architectural theory connections\n## Technology and re-introducing kinaesthetic perception\n## Interdisciplinary relationship and research question","[{\"question\":\"How does the article define kinaesthetic perception in architecture?\",\"answer\":\"It defines kinaesthetic perception as a sense mediated by receptors in muscles, tendons, and joints, stimulated by bodily movement and tensions, producing sensory experience derived from that sense.\"},{\"question\":\"Which fields and disciplines does kinaesthetic perception relate to according to the article?\",\"answer\":\"It notes exploration since the 1960s in neurology, psychology, orthopedics, and medicine, and connects the term to creativity in architecture and other arts and media.\"},{\"question\":\"What interdisciplinary relationship does the article investigate?\",\"answer\":\"It examines an interdisciplinary relationship among kinaesthetic perception, architecture, movement, and the body (soma), asking what new experiences kinaesthetic perception can provide in architecture.\"}]","Kinaesthetic Perception and Architecture - Article | PDF",1788611225,43,{"code":4,"msg":31,"data":32},"ok",{"site_id":24,"language":23,"slug":33,"title":13,"keywords":34,"description":14,"schema_data":35,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":28},"kinaesthetic-perception-and-architecture-article","",{"@graph":36,"@context":85},[37,54,68],{"@type":38,"itemListElement":39},"BreadcrumbList",[40,44,48,51],{"item":41,"name":42,"@type":43,"position":20},"https://docshare.wps.com","Home","ListItem",{"item":45,"name":46,"@type":43,"position":47},"https://docshare.wps.com/document/","Document",2,{"item":49,"name":12,"@type":43,"position":50},"https://docshare.wps.com/document/research-report/",3,{"item":52,"name":13,"@type":43,"position":53},"https://docshare.wps.com/document/kinaesthetic-perception-and-architecture-article/209240/",4,{"url":52,"name":13,"@type":55,"author":56,"headline":13,"publisher":58,"fileFormat":61,"inLanguage":23,"description":14,"dateModified":62,"datePublished":62,"encodingFormat":61,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":57},"Person",{"url":41,"name":59,"@type":60},"DocShare","Organization","application/pdf","2026-09-05",true,{"@type":65,"interactionType":66,"userInteractionCount":4},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"How does the article define kinaesthetic perception in architecture?","Question",{"text":75,"@type":76},"It defines kinaesthetic perception as a sense mediated by receptors in muscles, tendons, and joints, stimulated by bodily movement and tensions, producing sensory experience derived from that sense.","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"Which fields and disciplines does kinaesthetic perception relate to according to the article?",{"text":80,"@type":76},"It notes exploration since the 1960s in neurology, psychology, orthopedics, and medicine, and connects the term to creativity in architecture and other arts and media.",{"name":82,"@type":73,"acceptedAnswer":83},"What interdisciplinary relationship does the article investigate?",{"text":84,"@type":76},"It examines an interdisciplinary relationship among kinaesthetic perception, architecture, movement, and the body (soma), asking what new experiences kinaesthetic perception can provide in architecture.","https://schema.org",{"og:url":52,"og:type":87,"og:title":13,"og:site_name":59,"og:description":14},"article",{"robots":89,"canonical":52},"index,follow",{"doc_id":7,"site_id":24},{"code":4,"msg":5,"data":92},[93,97,101,105,110,115,120,123,128,131,135],{"id":20,"doc_module":4,"doc_module_name":46,"category_name":94,"show_sort_weight":95,"slug":96},"Story & Novel",90,"story-novel",{"id":47,"doc_module":4,"doc_module_name":46,"category_name":98,"show_sort_weight":99,"slug":100},"Literature",80,"literature",{"id":53,"doc_module":4,"doc_module_name":46,"category_name":102,"show_sort_weight":103,"slug":104},"Exam",70,"exam",{"id":106,"doc_module":4,"doc_module_name":46,"category_name":107,"show_sort_weight":108,"slug":109},5,"Comic",60,"comic",{"id":111,"doc_module":4,"doc_module_name":46,"category_name":112,"show_sort_weight":113,"slug":114},6,"Technology",50,"technology",{"id":116,"doc_module":4,"doc_module_name":46,"category_name":117,"show_sort_weight":118,"slug":119},7,"Healthcare",40,"healthcare",{"id":11,"doc_module":4,"doc_module_name":46,"category_name":12,"show_sort_weight":121,"slug":122},30,"research-report",{"id":124,"doc_module":4,"doc_module_name":46,"category_name":125,"show_sort_weight":126,"slug":127},9,"Religion & Spirituality",20,"religion-spirituality",{"id":126,"doc_module":4,"doc_module_name":46,"category_name":129,"show_sort_weight":126,"slug":130},"World Cup","world-cup",{"id":132,"doc_module":4,"doc_module_name":46,"category_name":133,"show_sort_weight":132,"slug":134},10,"Lifestyle","lifestyle",{"id":136,"doc_module":4,"doc_module_name":46,"category_name":137,"show_sort_weight":106,"slug":138},19,"General","general"]