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The book examines the historical role of tissue interleafs in bookbinding, treating them as metaphors for the delicate, often contentious boundary between a sign and the thing it represents. With contributions from photographers Peter Hare and Susan Howe, the volume delves into themes of transience, literary history, and the material culture of books, questioning how incomplete sentences and visual fragments act as witnesses to the complexities of authorship and the evolution of the printed 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'transitional space' between image and scripture, viewing it as a zone of contention where the sign and the entity it represents are separated or drift apart.","https://schema.org",{"og:url":32,"og:type":75,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":77,"canonical":32},"index,follow",{"doc_id":79,"site_id":7},413964,1790930423,{"code":4,"msg":82,"data":83},"success",[84,88,91,95,100,105,110,114,119,122,126],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":85,"show_sort_weight":86,"slug":87},"Story & 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ROBERs STEVENSO  \nE MERRY ME]AND OTHER TAL]FABLESSTRANG.SE OF DR.JEKYL]ID MR.HYDE  \nPUBLISHED INNEW YORK BY  \nCHARLES SCRIBNER’SSONS      地1900宽  \nhttps://archive.org/details/kidnapped0000unse_u0u8  \nKIDNAPPED  \n# KIDNAPPED\n\nSusan Howe  \nWith photographs by Peter Hareand Susan Howe  \nCORACLE  \n2002  \nTHE ILLUSTRATIONS are almost all photos taken fromcopies of books owned by Louie Bennett,Mary ManningHowe Adams,and John Manning.The main texts used forthe photographs are:  \nLewis Carroll.Alice's Adventures in Wonderland,People'sEdition,with 42 illustrations by John Tenniel,Macmillan,London,I899.  \nAlfred Perceval Graves(ed.).The Irish Song Book,withOriginal Irish Airs,Second Edition,T.Fisher Unwin,London,I895.  \nGeorge Macdonald.At the Back of the North Wind,Blackieand Son Ltd.,n.d.  \nStoker,Bram.Personal Reminiscences of Henry Irving,Vol.I,Macmillan,New York,I906.  \nStevenson,Robert Louis,The Master of Ballantrae:AWinter's Tale,Cassell,London,I884.  \nRobert Louis Stevenson.A Child's Garden of Verses,Illustrated by Charles Robinson,Scribner's,London,I909.  \nYeats,W.B.,Later Poems,Macmillan,London,I924.  \nThere was a time when bookbinders placed a tissueinterleaf between frontispiece and title page in order toprevent illustration and text from rubbing together.Although a sign is understood to be consubstantial withthe thing or being it represents,the transitional spacebetween image and scripture is often a zone ofcontention.Here we must separate.Even printers andbinders drift apart.Tissue paper for wrapping or foldingcan also be used for tracing.Mist-like transience.Listen,quick rustling.If a piece of sentence left unfinished canact as witness to a question posed by a suspectedending,the other side is what will happen.Stage snow.Pantomime.  \n\"Give me a sheet.","cbCairL0UZ804HXe","https://ap.wps.com/l/cbCairL0UZ804HXe","pdf",2347114,104,"English","# Introduction to Kidnapped\n## The Role of Illustrations and Tissue Interleafs\n## Literary Sources and Historical Context\n## The Space Between Image and Scripture","[{\"question\":\"Who is the author of the work titled Kidnapped?\",\"answer\":\"The work is authored by Susan Howe, featuring photographs by Peter Hare and Susan Howe.\"},{\"question\":\"What is the primary function of tissue interleafs discussed in the document?\",\"answer\":\"Historically, bookbinders placed tissue interleafs between frontispieces and title pages to prevent illustrations and text from rubbing against each other.\"},{\"question\":\"What themes does Susan Howe explore regarding the relationship between text and image?\",\"answer\":\"Howe explores the 'transitional space' between image and scripture, viewing it as a zone of contention where the sign and the entity it represents are separated or drift apart.\"}]","Kidnapped - Susan Howe | PDF",1790596270,160]