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The conversation explains how an everyday fingernail file becomes isolated and transformed through cotton-thread wrapping, later expanded through layered, stuffed, and filled constructions. Sonnier links the practice to investigations of materials and the five senses, while also highlighting the distinctive physical qualities of diverse media such as satin, brass, lead, screen, and steel wire.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/keith-sonnier-interview-on-the-file-series-and-small-file-study/566714/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/keith-sonnier-interview-on-the-file-series-and-small-file-study/566714.png","ImageObject",300,407,{"name":92,"@type":93},"Quinn Holloway","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-10-13",true,{"@type":102,"interactionType":103,"userInteractionCount":8},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is Small File Study, and how is it presented in the conversation?","Question",{"text":112,"@type":113},"Small File Study is described as a fingernail file covered with cotton thread. From a distance it appears as a small black vertical line, and closer inspection reveals thread lines wrapping around the file.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How does Sonnier explain the idea behind the File series?",{"text":117,"@type":113},"He says earlier investigations led to isolating the object rather than combining it with other elements. Wrapping redefines the object’s shape, while later developments used layering, stuffing, and filling.",{"name":119,"@type":110,"acceptedAnswer":120},"What role do the senses and materials play in Sonnier’s early sculptural approach?",{"text":121,"@type":113},"Sonnier emphasizes working from the five senses—how things feel, smell, and can be heard. He focuses on techniques common to everyday experience and highlights that each material has a unique physical presence.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},566714,1792671183,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":36,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":143,"read_time":144},2336474466712,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","# KEITH SONNIER\n\nFILES  \n# KEITH SONNIERFILES\n\nMarch 12-April 23,2011  \nLEO CASTELLI  \nBarbara Bertozzi Castelli:I would like to start the conversationtalking about a work you did in 1966 titled Small File Study.Thiswork consists of a fingernail file that you covered with cottonthread.At a distance you just see a little black vertical line-thecotton is black or dark gray-and then as you get closer to it yousee lines and lines of the thread that wraps around the file..  \nKeith Sonnier:The intricate wrapping in fact.  \nBBC:Yes the wrapping.But there is something so specialabout this work:you are immediately able to recognize thatunderneath all the wrapping there is a file,which is notsomething you built,but just a simple object that we all havein our houses.An object we use to take care of our nails.Isthis the first piece that you did in the File series and how didyou get the idea?  \nKS:Well,in order for this particular small work to havehappened there were many other earlier investigations intodifferent kinds of material and object combinations.This isone of the first pieces where the object is actually isolated  \n。  \n5  \nand not combined with anything else.The idea of isolating anobject in this way made me think about redefining the shapeby wrapping it,kind of like adding drawing on top of it,butessentially wrapping it like a mummy.Then other ways ofdeveloping the work for the File series came after that.Thingswere layered.Things were stuffed.Things were filled.Touch,asopposed to concept,was crucial.  \nBBC:It is interesting that you actually mentioned a mummy.There are two elements in the File series that got myattention.One is the physicality of the materials you used.You employed a large variety of materials-satin,brasslead,screen,still wire-but they all have in common a veryunique physicality.When you look at them-and,if you wouldbe allowed to touch them-there is something quite uniqueto each one of the works.  \nKS:Well,it's a curious thing with this early series of work.Before lincorporated light and technology,I was reallymaking work based on the five senses;on how things felt;how things smelled;how things could be heard.I was partof a new generation of sculptors who weren't using bronzeand marble and the older sculptural techniques any more.Wewere interested in using new materials.When l approachedthese new materials,it was as though I was investigating thekinds of techniques that were common to everyday experience,like wrapping,stuffing,mixing or even upholstering.Theconstruction of the File pieces could come from a childhoodobservation of my mother upholstering.She would redo the","cbCaig7Ks7B3kvZE","https://ap.wps.com/l/cbCaig7Ks7B3kvZE","pdf",3303532,"English","# KEITH SONNIER\n## Small File Study and wrapping\n## Origins of the File series","[{\"question\":\"What is Small File Study, and how is it presented in the conversation?\",\"answer\":\"Small File Study is described as a fingernail file covered with cotton thread. From a distance it appears as a small black vertical line, and closer inspection reveals thread lines wrapping around the file.\"},{\"question\":\"How does Sonnier explain the idea behind the File series?\",\"answer\":\"He says earlier investigations led to isolating the object rather than combining it with other elements. Wrapping redefines the object’s shape, while later developments used layering, stuffing, and filling.\"},{\"question\":\"What role do the senses and materials play in Sonnier’s early sculptural approach?\",\"answer\":\"Sonnier emphasizes working from the five senses—how things feel, smell, and can be heard. He focuses on techniques common to everyday experience and highlights that each material has a unique physical presence.\"}]","KEITH SONNIER - Interview on the File Series and Small File Study | PDF",1791863423,62]