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It also addresses broader social manners and customs, including city life, elite pastimes, and institutions associated with convivial gatherings. The foreword situates the Kamasutra within ancient Indian attitudes toward sex, art, religion, and later cultural expressions.",{"@graph":14,"@context":73},[15,34,56],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/literature/","Literature",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/kama-sutra-of-vatsyayana-complete-translation-from-the-original-sanskrit-by-sc-upadhyaya-foreword-by-moti-chandra/345661/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/kama-sutra-of-vatsyayana-complete-translation-from-the-original-sanskrit-by-sc-upadhyaya-foreword-by-moti-chandra/345661.png","ImageObject",300,407,{"name":42,"@type":43},"Gloria","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-11-02","2026-09-22",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",25,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69],{"name":60,"@type":61,"acceptedAnswer":62},"Who is presented as the translator of the original Sanskrit Kamasutra?","Question",{"text":63,"@type":64},"S.C. Upadhyaya is listed as providing the complete translation from the original Sanskrit.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"What does the foreword say the Kamasutra is primarily like?",{"text":68,"@type":64},"It is described as a scientific, topic-wise treatment of love rather than a dry catalogue of love acts.",{"name":70,"@type":61,"acceptedAnswer":71},"Which kinds of topics does the foreword highlight within the Kamasutra?",{"text":72,"@type":64},"It highlights themes such as the art of love in phases, instruments of love-making, the psychology of sex, courtesans, and the routines of accomplished 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\nPloase examine the book beforecakingit out.You will be responsible fordameges to the book discovered whilereturning it.  \nDU E DATE  \nRare  \nAcc.No.23530  \nLate Fine Ordinary books 25 p.per day,Text Book  \nRo.1 per day,Over night book Ro.1 per day.  \n\n|  |  |  |\n| --- | --- | --- |\n\n# KAMA SUTRAOF VATSYAYANA\n\nKAMA SUTRAOF VATSYAYANA  \nComplete Translation from the Original Sanskrit by  \n(S.C.UPADHYAYA'  \n1}  \nM.A.,LL.B.,D.L.,Ph.D.  \nForeword byMOTI CHANDRA,M.A.,Ph.D.(LOND.)  \nWith 16 Line Drawings and96 Half-tone Illustrations  \nTARAPOREVALA  \n210.DR.D.NAOROJI RoAD,BOMBAY  \n1961 D.B.TARAPOREVALA SONS&CO.PRIVATE LTD.  \nFirst Edition 1961Reprinted 1963,1965,1970,1974  \nThe sale of this book is strictly restrictedto members of the medical and legal pro-fessions,scholars,and research studenis ofIndology,Psychology and Social Sciences.  \nThis bonk can be rxporied from Inda ouly by the publi-shers,1.B.Iaraporevala Sons &(o.Private I td.and thiscont:tutes a conditm of its initial sale and its subsequentsaies.Infritgcment of this (ondition of sale will ladto civil ant'or crininal legnl actien and prusecution  \nPRIN80 n INDIA  \nPrinted and published by Russt1.Taraporevala for D.B.faraporevala Scons &Co.Privxte Lid.,2t0 Dr.Dadabhai Naorcji Road,Bombay 400 oo1,aL their ElectrogTa-phic Industries Diviaion,Apte Industrial Estate,Worli.Bombay 40018.  \n# FOREWORD\n\nDr.S.C.Upadhyaya is an erudite scholar of Sanskrit and Indian art whoseknowledge of ars amoris of the ancient Indians requires no commendation.Itis,therefore,in the fitness of his ripe scholarship that he has produced an up-to-date and literal translation of Vatsyayana's Kamasutra,which without any doubt,is the most important treatise on the art of love.Vatsyayana had not only in-corporated various schools of thought on the science of love but also arrangedhis material in such a way that it was handy to poets,artists and above all tothose lovers for whom the Kamasutra was the very life-breath of existence.Theentire range of the topics on love has been laid bare with a cold scientific thcrough-ness unparalleled in Sanskrit literature.Vatsyayana's aphorisms are models ofbrevity.From his observant eyes nothing seems to have escaped.The art oflovc-making in various phases,the instruments of love-making,the psychologyof sex,the courtesans and their victims,the routine of accomplished lovers,etc.,have been treated with precision and scientific view-point.  \nIn such a treatment of love,courtesans and uninhibited sex,one cou:ld expectthe writer soaring to fanciful heights,but this expectation is belied in the faceof a scientific work arranged topic-wise which reveals the analytic mind of a greatthinker.Vatsyayana no doubt acknowledges the debt of past masters on the scienceof sex,but his critical mind refuses to accept the views with which he could not agree.  \nIncidentally,the Kamasutra is not a dry catalogue of love acts.Its widercanvas touches many aspects of social manners and customs--the luxurious life ofthe city,the sports and pastimes of the elite and the common folk,the sacredness ofthe home,the cultivated wiles of the courtesans,the goshthis or club houses andother institutions which served as convivial gatherings accompanied by drinking,gambling,dancing and music.  \nThe picture of the ancient Indian society painted by Vatsyayana may appearshocking to modern reformers,but to ancient Indians prudery had no meaning.While delighting in the spiritual speculations,and for ever in the quest of finalemancipation.Indian thinkers alsc realised the value of money as a necessaryadjunct for piety and comfortable lrving.Sex had no vulgar connotation forthem.Indian poets sang the charms of love and sex and went into ecstasiesover the beauties of the human body.Even dry as dust books on religion touchedupon love and beauty in the anecdotes they related for the edification of the piousand the god-fearing.This feeling for sex and ","cbCaimRpyA4dQGJk","https://ap.wps.com/l/cbCaimRpyA4dQGJk","pdf",19749032,337,"English","# Foreword\n## Dr. S.C. Upadhyaya’s scholarship and translation purpose\n## Love as a scientific treatise, not a catalogue of acts\n## Social manners, city life, and courtesans in the wider canvas\n## Ancient Indian attitudes toward sex, money, art, and spirituality\n## Debates on influence: literature, art, religion, and Tantra","[{\"question\":\"Who is presented as the translator of the original Sanskrit Kamasutra?\",\"answer\":\"S.C. Upadhyaya is listed as providing the complete translation from the original Sanskrit.\"},{\"question\":\"What does the foreword say the Kamasutra is primarily like?\",\"answer\":\"It is described as a scientific, topic-wise treatment of love rather than a dry catalogue of love acts.\"},{\"question\":\"Which kinds of topics does the foreword highlight within the Kamasutra?\",\"answer\":\"It highlights themes such as the art of love in phases, instruments of love-making, the psychology of sex, courtesans, and the routines of accomplished lovers.\"}]","KAMA SUTRAOF VATSYAYANA - Complete Translation from the Original Sanskrit by S.C. Upadhyaya - Foreword by Moti Chandra | PDF",1790058483,519]