[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-seo-432205-105":3,"detail-sidebar-cat-0-en-105":81,"doc-detail-432205-en":130},{"code":4,"msg":5,"data":6},0,"ok",{"site_id":7,"language":8,"slug":9,"title":10,"keywords":11,"description":12,"schema_data":13,"social_meta":74,"head_meta":76,"extra_data":78,"updated_unix":80},105,"en","jsbachs-orchestral-suite-no2-in-bminor","J.S.BACH'S ORCHESTRAL SUITE NO.2 IN BMINOR","","Preface-style scholarly notes on J.S. Bach’s Orchestral Suite No. 2 in B minor, tracing the publication history of the score and parts and referencing Hans von Bülow’s editorial role. It explains that the original score is missing and that Bach’s own handwritten flute and viola parts, plus corrected violin and continuo materials, were used from a Berlin library. The text also discusses performance practice, including solo/tutti balance and continuо instrumentation, and cites Alfred Dorffel, the Bach Edition, and later reprints. Berlin, late March 1913.",{"@graph":14,"@context":73},[15,34,56],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/literature/","Literature",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/jsbachs-orchestral-suite-no2-in-bminor/432205/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/jsbachs-orchestral-suite-no2-in-bminor/432205.png","ImageObject",300,407,{"name":42,"@type":43},"Fans","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-10-30","2026-09-29",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",8,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69],{"name":60,"@type":61,"acceptedAnswer":62},"Who edited and published the first edition of Bach’s 2nd orchestral suite in 1853?","Question",{"text":63,"@type":64},"S.W. Dehn published it at C.F. Peters in Leipzig in 1853, using Bach’s own parts because the original score no longer existed.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"Why could the original score not be used for the edition?",{"text":68,"@type":64},"The original score is stated to no longer exist, so Bach’s own parts from the library were used instead.",{"name":70,"@type":61,"acceptedAnswer":71},"How should the “solo” and “tutti” passages in the first movement be performed?",{"text":72,"@type":64},"The “solo” passages are to be played by one flute only, accompanied by a few strings, to maintain a proper balance of tone.","https://schema.org",{"og:url":32,"og:type":75,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":77,"canonical":32},"index,follow",{"doc_id":79,"site_id":7},432205,1791090182,{"code":4,"msg":82,"data":83},"success",[84,88,91,95,100,105,110,114,119,122,126],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":85,"show_sort_weight":86,"slug":87},"Story & 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autgeführtworden ist,hat S.W.Dehn im Jahre f853 bei  \nC.F.Peters in Leipzig herausgegeben und zwar,da die Originatpartitur nicht mehr vorhanden ist,nach den von Bach setbst benutzten Stimmen,die sich in der Musikabteilung der KoniglichenBiblicthek in Bertin belinden.Von diesenStimmen ruhren die Flöte und die Viola von desKomponisten eigener Hand her,die beiden Vio-linen und der Coatinuo,dessen Beziflerung mog-ticherweise von ihm selbst geschrieben ist,sindwenigstens von ihm durchgesehen worden.Fürden 3t.Jahrgang der grofen Bachausgabe istdann diese Suite 1885 vor atlem auf Grund einerneuen Vergteichung der atten Stimmen vonAllred Dörffet veroffentlicht worden.DessenAusgabe ist neuerdings von der Firma Breit-kopt&Hartel in Leipzig für ihre „Bachausgabezum praktischen Gebrauch“wieder abgedrucktworden.Ich habe nochmals jene atten Stimmenvergtichen,ohne indessen wesenttiche Abweich-ungen der Drucke Dchns und Dorftels festzu-stetten.  \nDie Ouvertüre,das Rondo und die Badineriedicser Suite sind mit ausgesetztem Continuo f910von Gustav Mahter in sciner „Suite aus denOrchesterwerken Bachs\"bei G.Schirmer inNew York herausgegeben wordcu.  \nEine Bearbeitung dieser Suite mit Ausnahmeder Ouvertüre lür Klavier zu zwei Handen vonLudwig Stark erschien 1874 bei Rob.Forbergin Leipzig.Eine vollstandige Ktavierübertragungverottentlichten Joachim Ralf 1875 bei J.Rieter-Biedermann in Leipzig und Giuseppe Martucci1897 bei Breitkopf&Hartel in Leipzig.EineBearbeitung atler vier Orchestersuiten Bachs frKtavier zu 4 Handen von August Horn liej voretwa 40 Jahren die Edition Peters erscheinen,ersetzte sie aber neuerdings durch eine Ober-tragung Max Regers.  \nWann diese Suite komponiert worden ist,steht nicht fest.Von den vier Orchester-Suiten  \nNr.821  \nJ.S.BACHS ORCHESTER-SUITE NO.2 IN HMOLL.  \nBachs sagt Albert Schweitzer in seinem aus-gezeichneten Werke „J.S.Bach\"(1908)S.373 f:„Ob die Suiten in Cothen oder Leipzig entstandensind,laft sich nicht mehr ausmachen.Jeden-tatts hat Bach sie nicht nur vor dem Herzog vonCothen,sondern auch im Telemannschen Musik-verein zu Leipzig,den er von 1729 bis f736dirigierte,autgefuhrt.Ouvertüren,und nichtSuiten oder Partiten,betitelte er diese Werke,weit es damats ubtich war,die Orchestersuite,in wetcher die Einleitung die Hauptrolle spielte,also zu benennen.  Es sind aber wirklichePartiten.\"  \nDaf diese Suite fur Orchester,also fr mehr-fache Besetzung der einzelnen Stimmen gedachtist,geht daraus hervor,daf sich im erstcn Satzmehrfach die Angabe „solo“und ,tutti“findet.Selbstverstandtich sind diese Solostellen nurvon einer Flčte zu blasen und von nur wenigenStreichern zu begleiten,wahrend sonst die Flötemehrfach im richtigen Verhaltnis zu der Zahlder Streicher zu besetzen ist.Man vergleicheübrigens,was hierzu Fritz Vo1bach in seinemtrelflichen Artikel „Ober die OrchesterbesetzungBachscher Werke“im Jahrgang 1913 der„All-gemeinen Musikzeitung\"S.104 gesagt hat.Ichkann ihm nur darin nicht beipflichten,daj derContin uo aufser von dem Klavier(Cembalo)undVioloncellen noch von Kontrabassen ausgelührtwerden soll.Solange nicht feststeht,dajs Bacheinen „Violone grosso“,einen Kontrabaj,dereine ganze Oktave tieler reichte als das Violon1-cell,zur Verfugung gehabt hat,glaube ich niclit,daß er Töne niedergeschrieben hat(wie imersten Satz bei Takt 94,im letzten Takt des  \n1.Teils der Bourrée,im 8.und 12.Takt des  \n2.Teils des Menuetts,im 8.des 2.Teils derBadincrie),die auf dem gewohnlichen Kontrabaßnicht mehr sind.  \nBerlin,Ende Marz 19f3.  \nWilhelm Altmann  \nE.E.3838.  \nJ.S.BACH'S ORCHESTRAL SUITE NO2 IN BMINOR.  \nentitled \"J.S.Bach\"(1908)says,on page 373etc.:—\"It is not known whether the Suites werecomposed in Cothen or Leipzig.At any rateBach not only produced them before the Herzogvon Cöthen,but also in the TelemannschenMusik-Verein in Leipzig,where he conductedbetween 1729 and 1736.He called the worksOvertures,","cbCaisLryRRezlxh","https://ap.wps.com/l/cbCaisLryRRezlxh","pdf",2035422,48,"English","[{\"question\":\"Who edited and published the first edition of Bach’s 2nd orchestral suite in 1853?\",\"answer\":\"S.W. Dehn published it at C.F. Peters in Leipzig in 1853, using Bach’s own parts because the original score no longer existed.\"},{\"question\":\"Why could the original score not be used for the edition?\",\"answer\":\"The original score is stated to no longer exist, so Bach’s own parts from the library were used instead.\"},{\"question\":\"How should the “solo” and “tutti” passages in the first movement be performed?\",\"answer\":\"The “solo” passages are to be played by one flute only, accompanied by a few strings, to maintain a proper balance of tone.\"}]","J.S.BACH'S ORCHESTRAL SUITE NO.2 IN BMINOR | PDF",1790658539,74]