[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-147789-en":3,"doc-seo-147789-105":31,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},147789,8796095461564,"Liam","https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d",2,"Literature","Jan Mot - No. 124 - octobre 2020","Jan Mot No. 124 (October 2020) brings together exhibition coverage and curatorial context from Brussels and Antwerp. The issue highlights David Lamelas’s outdoor installation Quand le ciel bas et lourd (1992), detailing its sculpture structure, the growth and disappearance cycles of planted trees, and the work’s reading within colonial and repressive histories. It also includes related exhibition information, including projects and references to other gallery writings.","Newspaper Jan Mot Verschijnt vijfmaal perjaar in januari–maart–mei– augustus–oktober  \nNo. 124, oktober 2020 ErkenningsnummerP309573  \n231–233  \nAfgiftekantoor 1000 Brussel 1  \nV. U. Jan Mot Kleine Zavel 10  \n1000 Brussel  \nJaargang 24 No. 124  \nimage of theeck into includes.  \nThese sheets body of work.  \nthe  \nfirst  \nElle revient quelques jours quelques compris   \nThe Austrian novelist describes her experi-  \n-  \n-  \n-  \nof  \nculture.  \n(advertisement)  \n231  \nExhibition 17/10–05/12  \nFRANCIS ALŸS, GIOVANNI ANSELMO, LATIFAECHAKHCHA BUOY IF NOT  \nA BEACON  \nJan Mot Petit Sablon / Kleine Zavel 10 1000 Brussels, Belgium  \nDavid Lamelas at Back to the Future, Artissima XYZ  \nDavid Lamelas, Quand le ciel bas et lourd, 1992, installation view at the Royal Museum for Fine Arts, Antwerp. (Photographer unknown, 1990s)  \nBRUSSELS, OCT. 19–The gallery participates in the online edition of Artissima in the section “Back to the Future”. Our contribution is centered around an outdoor installation by David Lamelas, entitled Quand le ciel bas et lourd (When the sky low and heavy) from 1992. The work can be described as a large sculpture built on an inclined surface and consisting of a trapezoidal shaped, steel roof under which 3 rows of 8 trees are planted. With time, the trees grow over the structure, almost hiding it, while other trees die because of a lack of light and water, leaving a void. The concept for this work was developed in several drawings and paintings during the 1980s when Lamelas was living in Los Angeles. But it was only on the occasion of the exhibition “America: Bride of the Sun –  \n500 Years of Latin America and the Low Countries”(curated by Paul Vandenbroeck and Catherine de Zegher) at the Royal Museum for Fine Arts in Antwerp, that the work could finally be realised. The exhibition commemorated the 500 years of the so-called discovery of the Americas and Lamelas’ work can be read as a comment on the colonial history of repression and domination. See also the text by Pedro de Llano in the gallery’s newspaper 117, May 2019 ([www.janmot.com/newspaper/](www.janmot.com/newspaper/)).  \nThe work developed for the project  \ntypical Angeles billboard.  \n2 Newspaper Jan Mot Sven 124  \nSven Augustijnen , Imbéciles de tous les pays unissez-vous, 2018, 160 copies of the magazine “Europe” from 1955 to 1967, vitrine, wall text. Installation view at M HKA, Antwerp (BE), 2020, photography by Christine Clinckx. This work is presented in the exhibition “Monoculture. A Recent History”(curated by Nav Haq), where the notion of ‘monoculture’ is investigated from a historical, social, cultural and ideological perspective in order to approach an understanding of ‘multiculture’, seeking to draw some conclusions that might be relevant for society and culture at large. The exhibition is on view at M HKA until January 24.  \n(advertisement)  \n232  \nFair 03/11–07/12  \nDAVID LAMELAS BACK TO THE FUTURE, ARTISSIMA XYZ (ONLINE)  \nJan Mot Petit Sablon / Kleine Zavel 10 1000 Brussels, Belgium  \nThe city is environment together  \nI  \nAnt  \n-  \n-  \n–  \n-  \njects -  \n–  \n-  \n.  \neach friend lived:  \nMonica Allen Ruppersberg, Hollywood.  \n-  \nI  \n-  \njects -  \n.  \nif  \nthey appear be the protagonists.  \n3 Newspaper Jan Mot Sven 124  \nLetter from Sven Augustijnen to David Lamelas  \nBrussels, 22 September 2020  \nDear David,  \nIt has been a while, I believe the last time was in Brussels, now already a couple of years ago, at that dinner, at the end of which I don’t know how your hair was suddenly on fire…  \nI heard you went to visit the village in Galicia from where your parents fled during the Spanish Civil War and that you’re thinking of buying a little house there! I can only approve of the idea. I was 15 or 16 when I travelled to Galicia, and I have some strong memories of the place, especially of the color, the texture and the taste of the ripe apricots that I plucked at the side of the road while hitchhiking throughout the mountainous countryside. I woul","cbCaitJ0BUiuNbn8","https://ap.wps.com/l/cbCaitJ0BUiuNbn8","pdf",965088,3,1,8,"English","en",105,"# Exhibition coverage\n## David Lamelas - Quand le ciel bas et lourd (1992)\n# Related projects and references\n## Artissima online contribution\n## Letter correspondence (Sven Augustijnen)","[{\"question\":\"What is the main exhibition work discussed in Jan Mot No. 124?\",\"answer\":\"The issue centers on David Lamelas’s outdoor installation Quand le ciel bas et lourd (When the sky low and heavy) (1992).\"},{\"question\":\"How is the installation structure of Quand le ciel bas et lourd described?\",\"answer\":\"It is described as a large sculpture on an inclined surface with a trapezoidal steel roof under which three rows of eight trees are planted.\"},{\"question\":\"Why is the work linked to broader historical themes?\",\"answer\":\"The text frames it as a comment on colonial history of repression and domination, supported by references to a major exhibition context.\"}]","Jan Mot - No. 124 - octobre 2020 | PDF",1787769558,12,{"code":4,"msg":32,"data":33},"ok",{"site_id":25,"language":24,"slug":34,"title":13,"keywords":35,"description":14,"schema_data":36,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":29},"jan-mot-no-124-october-2020","",{"@graph":37,"@context":85},[38,53,68],{"@type":39,"itemListElement":40},"BreadcrumbList",[41,45,48,50],{"item":42,"name":43,"@type":44,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":46,"name":47,"@type":44,"position":11},"https://docshare.wps.com/document/","Document",{"item":49,"name":12,"@type":44,"position":20},"https://docshare.wps.com/document/literature/",{"item":51,"name":13,"@type":44,"position":52},"https://docshare.wps.com/document/jan-mot-no-124-october-2020/147789/",4,{"url":51,"name":13,"@type":54,"author":55,"headline":13,"publisher":57,"fileFormat":60,"inLanguage":24,"description":14,"dateModified":61,"datePublished":62,"encodingFormat":60,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":56},"Person",{"url":42,"name":58,"@type":59},"DocShare","Organization","application/pdf","2026-09-07","2026-08-26",true,{"@type":65,"interactionType":66,"userInteractionCount":20},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"What is the main exhibition work discussed in Jan Mot No. 124?","Question",{"text":75,"@type":76},"The issue centers on David Lamelas’s outdoor installation Quand le ciel bas et lourd (When the sky low and heavy) (1992).","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"How is the installation structure of Quand le ciel bas et lourd described?",{"text":80,"@type":76},"It is described as a large sculpture on an inclined surface with a trapezoidal steel roof under which three rows of eight trees are planted.",{"name":82,"@type":73,"acceptedAnswer":83},"Why is the work linked to broader historical themes?",{"text":84,"@type":76},"The text frames it as a comment on colonial history of repression and domination, supported by references to a major exhibition context.","https://schema.org",{"og:url":51,"og:type":87,"og:title":13,"og:site_name":58,"og:description":14},"article",{"robots":89,"canonical":51},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":92},[93,97,100,104,109,114,119,123,128,131,135],{"id":21,"doc_module":4,"doc_module_name":47,"category_name":94,"show_sort_weight":95,"slug":96},"Story & Novel",90,"story-novel",{"id":11,"doc_module":4,"doc_module_name":47,"category_name":12,"show_sort_weight":98,"slug":99},80,"literature",{"id":52,"doc_module":4,"doc_module_name":47,"category_name":101,"show_sort_weight":102,"slug":103},"Exam",70,"exam",{"id":105,"doc_module":4,"doc_module_name":47,"category_name":106,"show_sort_weight":107,"slug":108},5,"Comic",60,"comic",{"id":110,"doc_module":4,"doc_module_name":47,"category_name":111,"show_sort_weight":112,"slug":113},6,"Technology",50,"technology",{"id":115,"doc_module":4,"doc_module_name":47,"category_name":116,"show_sort_weight":117,"slug":118},7,"Healthcare",40,"healthcare",{"id":22,"doc_module":4,"doc_module_name":47,"category_name":120,"show_sort_weight":121,"slug":122},"Research & Report",30,"research-report",{"id":124,"doc_module":4,"doc_module_name":47,"category_name":125,"show_sort_weight":126,"slug":127},9,"Religion & Spirituality",20,"religion-spirituality",{"id":126,"doc_module":4,"doc_module_name":47,"category_name":129,"show_sort_weight":126,"slug":130},"World Cup","world-cup",{"id":132,"doc_module":4,"doc_module_name":47,"category_name":133,"show_sort_weight":132,"slug":134},10,"Lifestyle","lifestyle",{"id":136,"doc_module":4,"doc_module_name":47,"category_name":137,"show_sort_weight":105,"slug":138},19,"General","general"]