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Notes also reference specific artists and individual sheets, including preparatory and stylistically dated examples that illuminate developments in Italian art.",{"@graph":14,"@context":73},[15,34,56],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/literature/","Literature",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/italian-drawings-from-the-collection-of-janos-scholz/433676/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/italian-drawings-from-the-collection-of-janos-scholz/433676.png","ImageObject",300,407,{"name":42,"@type":43},"Sophia Brooks","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-11-04","2026-09-29",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",11,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69],{"name":60,"@type":61,"acceptedAnswer":62},"What is the focus of the document?","Question",{"text":63,"@type":64},"It presents Italian drawings lent by Janos Scholz and related Italian works, highlighting their range across schools and periods.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"How did Janos Scholz build his collection?",{"text":68,"@type":64},"He traveled extensively to locate known and rare sources, using his ability to retain exact visual details, shaped by his experience with music notation.",{"name":70,"@type":61,"acceptedAnswer":71},"Are specific artworks and artists mentioned?",{"text":72,"@type":64},"Yes. The text references individual drawings and artists such as Tiepolo, Pisanello, Catena, and Guercino, along with descriptions of their subjects and stylistic context.","https://schema.org",{"og:url":32,"og:type":75,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":77,"canonical":32},"index,follow",{"doc_id":79,"site_id":7},433676,1790773387,{"code":4,"msg":82,"data":83},"success",[84,88,91,95,100,105,110,115,120,123,127],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":85,"show_sort_weight":86,"slug":87},"Story & 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ThreeMale Saints.Pen and brown ink,brown wash,over black lead pencil.14x 10³6 inches.L.65.14.9  \nTiepolo was the most brilliant and one of the most prolific Italian draughtsmen of the eight-eenth century.Once he had received a pictorial commission he would turn out a whole seriesof preparatory drawings,and he kept most of these sketches in his studio where they formed akind of reference library.The present fine example is not related to a surviving picture,butits style suggests a date around 1740.  \n# Italian Drawings\n\nFrom the Collection of Janos Scholz  \nItalian drawings lent by Janos Scholz,as well as tains drawings by Raphael,Correggio,Par-  \nprints and drawings that have passed from his migianino,and a remarkable series of sheets  \nby the Zuccaro brothers.The earliest drawingin the collection is dated 1321;this rare docu-ment heralds a considerable group of earlydrawings in which the Veronese school pre-dominates.  \ncollection to the Museum during three decades,will be shown from May 9 to September 12 inthe Thomas J.Watson Library Galleries.  \nJANos ScHOLz is a distinguished musiciana cellist born in Hungary who became anAmerican citizen in I939.Traveling exten-sively here and abroad to fulill his concertengagements,he has scoured the known andoften the secret sources where Italian draw-ings,increasingly rare on the internationalmarket,can still be found.His eye was trainedto retain the exact look of pages of music,andthis visual ability has served him brilliantly instudying drawings.Nearly thirty years of thissearch and research,which is in itself a goodpart of the true collector's pleasure,has en-abled him to build up a group of Italian draw-ings that is perhaps unique among privatecollections in its extent and variety.Mr.Scholz is partial to so many periods and schoolsof Italian draughtsmanship and has been sofortunate in his quarry that his collectionoffers a panorama of the complex history ofdrawing in Italy.  \nMr.Scholz,a graduate of the Royal Acad-emy of Music in Budapest,made his irstmajor concert appearance at Salzburg in 1929.An initial trip to America in 1933 as a mem-ber of the Roth String Quartet was followedby annual concert tours in this country,andby 1939 New York was his home.That thismusician should be an ardent and inveteratecollector is not surprising,for the passionwas in the family.His maternal ancestors hadformed a collection of musical manuscriptsand books that became,in 1813,the nucleusof the library of the Vienna Society of theFriends of Music,and his grandfather wasa universal collector,interested in picturessculpture,objets ďart.The collector's urgestruck Mr.Scholz when he was very young.At the age of twelve he took a fancy to Ro-man coins,and as he grew older he turned tofaience,porcelain,and books.By the I930sprints began to claim his attention,and hedeveloped as well a taste for oriental carpetsthat still haunts him.Then about 1937 he wassmitten with a passion for Italian drawings,one that has gradually come to dominate allhis activities as a collector.  \nCertain groups of material merit specialmention.Venice in the eighteenth century isrepresented in an unusually complete way.Fine examples by the dominating personalitiesare surrounded by significant works of lessermasters,chosen to reveal the interplay ofstylistic currents in this felicitous period ofVenetian art.Mr.Scholz has been a pioneer inthe rediscovery of Italian Baroque draughts-manship,and is the lucky possessor of beauti-ful examples illustrating the period.Not thatthe sixteenth century has been neglected;itsuffices to mention that the collection con-  \nThe engaging variety of the collection isapparent in the selection illustrated here.Those who enjoy drawings-and they aremore and more numerous these days-will begrateful to Mr.Scholz for lending so much andso generously to the Metropolitan Museum.  \n(On the cover)  ","cbCaiaf3UcbxXUxZ","https://ap.wps.com/l/cbCaiaf3UcbxXUxZ","pdf",2099901,12,"English","# Italian Drawings\n## From the Collection of Janos Scholz","[{\"question\":\"What is the focus of the document?\",\"answer\":\"It presents Italian drawings lent by Janos Scholz and related Italian works, highlighting their range across schools and periods.\"},{\"question\":\"How did Janos Scholz build his collection?\",\"answer\":\"He traveled extensively to locate known and rare sources, using his ability to retain exact visual details, shaped by his experience with music notation.\"},{\"question\":\"Are specific artworks and artists mentioned?\",\"answer\":\"Yes. The text references individual drawings and artists such as Tiepolo, Pisanello, Catena, and Guercino, along with descriptions of their subjects and stylistic context.\"}]","Italian Drawings - From the Collection of Janos Scholz | PDF",1790665073,18]