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E R I E S  \u003Cbr>T H E   |\n| --- |\n| CULTURAL STUDIES IN CINEMA/VIDEO   |\n\nWH EEL ER WINSTON DI×ON |EDIT OR  \n# IRISH AND\n\nAFRICAN AMERICANCINEMA  \ndentifying Others  \n# and Performing Identities,1980-2000\n\nMARIA PRAMAGGIORE  \nSTATE UNIVERSITY OF NEWYORK PRESS  \nPublished byState University of New York Press,Albany  \n◎2007 State University of New York  \nAll rights reserved  \nPrinted in the United States of America  \nNo part ofthis book may be used or reproduced in any manner whatsoever withoutwritten permission.No part of this book may be stored in a retrieval system ortransmitted in any form or by any means including electronic,electrostatic,magnetictape,mechanical,photocopying,recording,or otherwise without the prior permission inwriting of the publisher.  \nFor information,contact State University of New York Press,Albany,NYwww.sunypress.edu  \nProduction by Marilyn P.SemeradMarketing by Anne M.Valentine  \nLibrary of Congress Cataloging-in-Publication Data  \nPramaggiore,Maria,1960-  \nIrish and African American cinema:identifying others and performingidentities,1980-2000 /Maria Pramaggiore.  \np.cm.—(SUNY series,cultural studies in cincma/video)  \nIncludes bibliographical references and index.  \nISBN-13:978-0-7914-7095-4(hardcover:alk.paper)1.Motion pictures—Ireland.  \n2.African Americans in motion pictures.3.African Americans in the motion pictureindustry.I.Title.  \nPN1993.5.I85P732007791.4309417—dc22  \n2006020755  \nf  \nCO NTENT S  \nIllustrations vii  \nAcknowledgments ix  \nIntroduction 1  \nCHAPTER ONE 13Identifying Others  \nCHAPTER TWO 37  \nSampling Blackness:Music and Identificationin the Films of Neil Jordan and Spike Lee  \nCHAPTER THREE 77  \n“It's a Wise Child that Knows His Own Father”:Pregnant Performances and Maternal Mythologies  \nCHAPTER FOUR 117  \nCulturing Violence:Masculine Identificationin Irish and African American Gangster Films  \nCHAPTER FIVE 151\"Both Sides of the Epic\":Identification and the Nonessentialist Western  \nCONCLUSION 191Film Identification and Postmodern Identity Politics  \nNotes 195  \nWorks Consulted 209  \nIndex 239","cbCaig6Ef3OpUGSK","https://ap.wps.com/l/cbCaig6Ef3OpUGSK","pdf",14721418,264,"English","# Introduction\n# CHAPTER ONE\n## Identifying Others\n# CHAPTER TWO\n## Sampling Blackness: Music and Identification in the Films of Neil Jordan and Spike Lee\n# CHAPTER THREE\n## “It's a Wise Child that Knows His Own Father”: Pregnant Performances and Maternal Mythologies\n# CHAPTER FOUR\n## Culturing Violence: Masculine Identification in Irish and African American Gangster Films\n# CHAPTER FIVE\n## \"Both Sides of the Epic\": Identification and the Nonessentialist Western\n# CONCLUSION\n## Film Identification and Postmodern Identity Politics\n# Notes\n# Works Consulted\n# Index","[{\"question\":\"What is the book’s main focus across its chapters?\",\"answer\":\"The book investigates how Irish and African American films construct identification and identity performance during 1980-2000.\"},{\"question\":\"How does the second chapter approach “blackness” in film?\",\"answer\":\"It analyzes “Sampling Blackness” through music and identification in films by Neil Jordan and Spike Lee.\"},{\"question\":\"What does the conclusion connect film identification to?\",\"answer\":\"The conclusion links film identification to postmodern identity politics.\"}]","IRISH AND AFRICAN AMERICAN CINEMA - Identifying Others and Performing Identities 1980-2000 | PDF",1790599683]