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The introduction describes the February 1930 meeting at Alfred Stieglitz’ gallery in New York and presents the meeting as a creative spark that could have led them to travel to New Mexico and British Columbia. The work also includes notes on the poems, draws on letters to form “found” poems, and acknowledges publication, permissions, and scholarly 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connection between Georgia O’Keeffe and Emily Carr is central to the book?","Question",{"text":112,"@type":113},"The book centers on their meeting in February 1930, described as the spark that suggests what might have happened if they had caught each other’s attention.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Where does the narrative of their meeting take place?",{"text":117,"@type":113},"The introduction places the meeting at Alfred Stieglitz’ gallery, An American Place, in New York City.",{"name":119,"@type":110,"acceptedAnswer":120},"How does the book incorporate O’Keeffe’s letters?",{"text":121,"@type":113},"It includes quotes from her letters, shaped into “found” poems, and notes that the found poems come from lines and phrases drawn from 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\nDigitized by the Internet Archivein 2019 with funding fromKahle/Austin Foundation  \nINWARD TO THE BONES  \nGEORGIA o'KEEFFE's JOURNEY WITH EMILY CARR  \nKate Braid  \nThomasJ.Bata LibraryTRENT UNIVERSITYPETERBOROUGH.ONTARI0  \nCopyright ◎2010 Kate Braid 2nd Edition  \nOriginal edition published by Polestar Book Publishers in 1998.  \nAll rights reserved.No part of this publication may be reproduced,stored ina retrieval system or transmitted,in any form or by any means,without priorpermission of the publisher or,in the case of photocopying or other reprographiccopying,a licence from Access Copyright,the Canadian Copyright LicensingAgency,www.accesscopyright.ca,1-800-893-5777,info@accesscopyright.ca.  \nCaitlin Press Inc.8100 Alderwood Road,Halfmoon Bay,BC VON 1Y1www.caitlin-press.com  \nText and cover design by Rachel Page.Printed in Canada on recycled paper.  \nThe cover photograph is“On the Portal,Ghost Ranch,1959”by Todd Webb,used with permission of the Evans Gallery,Portland Maine.  \nEarlier versions of these poems were originally printed by(m)Other TonguePress in 1997,as part of their Chapbook contest and by The Canadian Forum(July/August 1997)  \nThe found poems on pages 14,17,21,24,25,29 and 115 were fashioned fromlines and phrases in the letters of Georgia O'Kefe to Anita Pollitzer (copyrightheld by the Georgia O'Keffe Foundation 1988).They were originally printedby permission of the Georgia O'Keefe Foundation and Donald Gallup,agentfor the Stieglitz/O'Keeffe archive in the Yale Collection of American Literature.  \nCaitlin Press Inc.acknowledges financial support from the Government ofCanada through the Book Publishing Industry Development Program and theCanada Councilfor the Arts,and from the Province of British Columbia throughthe British Columbia Arts Council and the Book Publisher's Tax Credit.  \nCanada Council  \nConseil des Arts  \nfor the Arts  \ndu Canada  \n# Library and Archives Canada Cataloguing in Publication\n\nBraid,Kate,1947—Inward to the bones :Georgia O'Keefe's journey withEmily Carr/Kate Braid.—2nd ed.ISBN 978-1-894759-45-8  \n1.O'Keefe,Georgia,1887-1986—Poetry.2.Car,Emily,1871-1945—Poetry.I.Title.  \nPS8553.R2585I52010C811'.54C2010-901738-2  \n# TABLE of cONTENTS\n\nINTRODUCTION 6  \nI.   SoLo 9  \nII.  NEw MEXICo:LIGHT OVER WATER 37  \nII.BRITISH CoLUMBIA:DUET 65  \nIV.INWARD TO THE BoNES 93  \nV.  AFTERWORD 111NoTES ON THE PoEMS 114  \nIn February 1930,the Canadian artist Emily Carr met the Ameri-can artist Georgia O'Keeffe.The meeting occured at AlfredStieglitz'gallery,An American Place,in New York City,whereO'Keeffe was having an exhibition.At the time,Georgia O'Keeffewas forty-three years old and Emily Carr was fifty-nine.Emily,in her extensive journals,mentions it only in passing and speaksmore about one of the paintings(The D.H.Lazurence Tre)thanabout Georgia herself.Georgia mentions it not at all.  \nTo me,this passing incident was a spark that struck fire.Herewere two of the great abstract painters of the 20th century—amongthe very few women of the time with a commitment to being art-ists.What if they had caught each other's attention?Would theyhave travelled together,perhaps?If so,of course they would havegone to New Mexico and British Columbia,the places so vital toeach of them.  \nNo sooner had I thought of them travelling,than they were off.I could hardly keep up.The first eleven poems came spilling outwithin a week—in the voice of Georgia O'Keeffe.  \nThis has been a fascinatingjourney.I have tried to keep as closelyas possible to Georgia O'Keeffe's real(or at least,“reported”)life.There was a romance and mystique to O'Keffe's life from the veryfirst,and it continued until she died,at the age of ninety-eight,in1986.So the incidents explored in the poems and noted in theback of this bookprobably happened,and ifthey didn't—well,theymight have.I have also included some quo","cbCaisdeH1zKaFBC","https://ap.wps.com/l/cbCaisdeH1zKaFBC","pdf",3008877,124,"English","# Introduction\n## I. SoLo\n## II. NEw MEXICo: LIGHT OVER WATER\n## III. BRITISH CoLUMBIA: DUET\n## IV. INWARD TO THE BoNES\n## V. AFTERWORD\n## NOTES ON THE PoEMS","[{\"question\":\"What connection between Georgia O’Keeffe and Emily Carr is central to the book?\",\"answer\":\"The book centers on their meeting in February 1930, described as the spark that suggests what might have happened if they had caught each other’s attention.\"},{\"question\":\"Where does the narrative of their meeting take place?\",\"answer\":\"The introduction places the meeting at Alfred Stieglitz’ gallery, An American Place, in New York City.\"},{\"question\":\"How does the book incorporate O’Keeffe’s letters?\",\"answer\":\"It includes quotes from her letters, shaped into “found” poems, and notes that the found poems come from lines and phrases drawn from letters.\"}]","Inward to the Bones - Georgia O'Keeffe's Journey with Emily Carr - 2nd Edition | PDF",1790715179,191]