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ISSN 2398-9467  \nINTRODUCTION  \n(IN)TANGIBLE HERITAGE(S): Design, culture and technology – past, present, and future  \nThe buildings, towns and cities we inhabit are physical entities created in the past, experienced in the present, and projected to inform the future. The same can be said of the artefacts we use daily:  \ndesigned furniture in the home, the mobile devices in our hands, the vehicles we see on our streets. However, each of these places, buildings and products had, at their inception, social and cultural roles beyond their ‘object’ status. They continue to have them today. What we understand a designed object to be then, is a complex question of material and social import, and an intricate play of the tangible and intangible identities. Increasingly, it is also a question of hybrid experiences and overlaid histories. This conference addresses the range of issues connected to this scenario.  \nThe complexity described above is even more pronounced in the case of digital artefacts and experiences such as computational design, VR simulations of ancient buildings, mobile apps, digital photography or virtual exhibitions. Intangible at the very moment of their inception, such designed artifacts not only blur the difference between the object and the experience, but, increasingly, the past and the present. Computer generated imagery creates‘life like’ reconstructions of historic sites. Laser scanning gives archeologists glimpses of pasts erased long ago. Computational design gives designers instant recordings of their work in progress. Coupled with digital cataloguing, it gives us the instant asynchronous design archive.  \nConsidered in this context it is not surprising that recently questions about the nature of heritage and design have opened up to redefinitions of the tangible and the intangible. In responding to this scenario the work of the authors collected in this publication present a diverse range of perspectives from various fields including art, architecture, design and cultural studies, to name but a few. They present reconsiderations of ‘heritage’ as both a tangible and an intangible concept and overlay our notions of the digital, on ideas of heritage and concepts of physicality and the present.  \nTABLE OF CONTENTS  \nChapter 1  \nSPATIAL IDEATION: AN INTERIOR DESIGN APPROACH TOWARDS ARCHITECTURAL HERITAGE CONSERVATION  \nSadiyah Geyer, Andrew Gill  \nChapter 2  \nTHE WOOD SCULPTORS WORKSHOP or A STORY IN SIX CHAPTERS: AN ART BASED EXPLORATION OF SITE AS HERITAGE  \nSeher Uysal  \nChapter 3  \nAN APP TO MAKE VISIBLE THE CINEMATOGRAPHIC ECOSYSTEM OF VALLADOLID, SPAIN Eusebio Alonso-García, Sara Pérez-Barreiro, Iván Rincón-Borrego  \nChapter 4  \nNO STRINGS ATTACHED: DISENTANGLING ARCHITECTURAL HERITAGE FROM CULTURAL HERITAGE AS A STRATEGY FOR THE ADAPTIVE REUSE OF HERITAGE BUILDINGS Sadiyah Geyer, Andrew Gill  \nChapter 5  \nFAIR-DATA ARCHITECTURE STUDY, PRESERVATION AND DIFFUSION OF ARCHITECTURAL DOCUMENTARY HERITAGE FROM THE TWENTIETH CENTURY, IN PORTUGAL  \nNuno Correia  \nChapter 6  \nODDS AND ENDS IN EXPERIENCING HERITAGESuk Hee Yun, Tae Yeual Yi  \nChapter 7  \nINTANGIBLE HERITAGE: A TAXONOMY OF STORYTELLING Ramya Chandran, Harah Chon  \nChapter 8  \nIF THESE WALLS COULD TALK Fiona Raley  \nChapter 9  \nTHE PRODUCTIVE VILLAGE: VERNACULAR FORMS OF PRESERVATION AND REUSE IN SUBURBAN VILLAGES, WENZHOU, CHINA  \nVincent Peu Duvallon, Nuoying Cai, Jiawei Dou, Yanqi Li, Ruzhen Zhao  \nChapter 10  \nPLURAL AUTHENTICITIES: HOW CAN DIGITAL REPRESENTATION ENHANCE, EXTEND AND EVEN RIVAL THE ORIGINAL OBJECT?  \nDavid Littlefield  \nChapter 11  \nDIGITAL REPRESENTATION OF HISTORICAL MONUMENTS AND ARCHAEOLOGICAL SITES AS A TOOL TO IMPROVE VISITORS’ APPROACH TO ACCESSIBILITY AND","cbCaiqWArm0152TX","https://ap.wps.com/l/cbCaiqWArm0152TX","pdf",46336408,559,"English","# Introduction\n## Spatial ideation and heritage conservation\n## Digital artefacts, simulation and representation\n## Intangible heritage and storytelling\n## Memory, well-being and adaptive reuse\n## Accessibility, readability and immersive heritage\n## Case studies and regional heritage\n# Table of contents\n## Chapter 1 - Spatial Ideation\n## Chapter 2 - The Wood Sculptors Workshop\n## Chapter 3 - An App for Valladolid\n## Chapter 4 - No Strings Attached\n## Chapter 5 - Fair-Data Architecture Study\n## Chapter 6 - Odds and Ends in Experiencing Heritages\n## Chapter 7 - Intangible Heritage: A Taxonomy of Storytelling\n## Chapter 8 - If These Walls Could Talk\n## Chapter 9 - The Productive Village\n## Chapter 10 - Plural Authenticities\n## Chapter 11 - Digital Representation and Accessibility\n## Chapter 12 - Heritage and Memory in Emotional Well-Being Cities\n## Chapter 13 - Encoding the Whole-of-Environment Knowledge\n## Chapter 14 - Sonic Heritage\n## Chapter 15 - Mountain and Water Concept\n## Chapter 16 - Anticipating Potentialities\n## Chapter 17 - Ambisonic Composition\n## Chapter 18 - Latent Histories\n## Chapter 19 - From Heritage Facades to Digital Media Screens\n## Chapter 20 - The Thick Interface\n## Chapter 21 - The Madrid Balcony\n## Chapter 22 - Memory Laundrette\n## Chapter 23 - British Tea Enterprise in Assam\n## Chapter 24 - Discovering Architecture Through Animated Narratives\n## Chapter 25 - The White Building\n## Chapter 26 - Critical Regionalism in Bhopal\n## Chapter 27 - Intangible Cultural Heritage in the Afrorurality of the","[{\"question\":\"How does the proceedings define tangible and intangible heritage in design and technology contexts?\",\"answer\":\"It treats designed buildings, artefacts and digital experiences as carriers of social and cultural roles that extend beyond object status. 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