[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-269866-105":59,"doc-detail-269866-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","in-print-charles-darwin-university-art-collection","In Print: Charles Darwin University Art Collection","","In Print traces the role of printed images in shaping how Northern Australia is seen and understood, beginning with nineteenth-century pictorial and manuscript sources and extending through advances in reproductive technology and photography. It highlights prints, drawings, watercolours, and photographs as powerful tools for communication, from mass dissemination and propaganda to maps, journals, scientific reproductions, and newspaper imagery. The narrative connects regional printmaking practice with university initiatives and a university art collection’s collecting history.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/in-print-charles-darwin-university-art-collection/269866/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/in-print-charles-darwin-university-art-collection/269866.png","ImageObject",300,407,{"name":92,"@type":93},"Eliana","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-09-15",true,{"@type":102,"interactionType":103,"userInteractionCount":34},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"How does In Print explain the significance of prints in modern communication?","Question",{"text":112,"@type":113},"It frames prints as among the most important and powerful tools of modern life and thought, serving purposes from entertainment to deliberate propaganda and information sharing.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"What historical developments does the document link to the spread of northern visual imagery?",{"text":117,"@type":113},"It connects reproductive technology advances and photography to the settlement of the north coast, enabling early visual renderings of flora, fauna, and peoples to be widely disseminated.",{"name":119,"@type":110,"acceptedAnswer":120},"What role do universities and art schools play in the region’s printmaking tradition?",{"text":121,"@type":113},"Art schools and fine arts departments are described as nurseries for print workshop traditions, offering training, equipment, master-printer guidance, and residency-style opportunities that supported evolving practice.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},269866,1789968287,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":34,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":29,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":143,"read_time":44},4398048949847,"https://ap-avatar.wpscdn.com/avatar/400002536579ef2da7f?_k=1778318612642679267","In Print: Charles Darwin University Art Collection  \nThe story of prints is not ... that of a minor art form but that of a most powerful method of communication ...far from being merely minor works of art, prints are among the most important and powerful tools of modern life and thought.1  \nDrawn from Charles Darwin University’s permanent art collection, In Print traces a pictorial journey on paper through contemporary Northern Australia that first began in the nineteenth century. Advances in reproductive technologies and the advent of photography2 coinciding with the settlement of the north coast, enabled the earliest visual renditions of anew land – its flora, fauna and peoples – to be captured and widely disseminated. Printed multiples, bound or loose, served many purposes as a means of mass-communication, ranging from mere entertainment to deliberate propaganda. Whether as pictorial narratives or decorated maps in illustrated atlases, visual supplements in explorers’ journals and adventurers’diaries, engraved and coloured landscape and subject studies based on travelling artists’ sketchbooks, scientific reproductionsin naturalists’ publications, individual art works collected by print connoisseurs and bibliophiles, or as a source of information in newspapers and posters, the graphic arts have contributed to the creation of a paper-based, visual iconography of the region. The Northern Territory – its land and Indigenous people – was first encountered by the vast majority of Europeans and EuroAustralians through word and image: in print.  \nNorthern Territory art history is foremost a paper chase, one that begins in the pictorial and manuscript collections of libraries and archives rather than art galleries, located in Australia and throughout the world. There, a significant body of prints, as well as drawings, watercolours and photographs, generally considered of lesser importance than “finished” paintings, tells a significant story of its own that has shaped both our perceptionsand expectations of the Far North. A transformation andrecirculation of printed images – a journey from archive to art – has been as much the result of recent scholarly and art historical interest, as the steady introduction and expansion of practicebased printmaking itself – most notably in the late twentieth century, via printed images created on site in the Territory by resident and visiting artists and printers.  \nIn Australia, as in the USA, Art Schools and Fine Arts Departments within tertiary institutions of learning have been the nurseries for a print workshop tradition since the 1950s, when the arrival of experienced European immigrant artistprintmakers also nurtured its development. Offering tuition, technical advice, special equipment and importantly, the expert guidance of a master printer, Art School print workshops have also been natural sites for artists’ residencies (or longterm residence3), from time to time offering “open access”opportunities for visiting artists.  \nPrintmaking is valued by artists who work principally in other media for its ability to provide “new insights into a known  \nTop: Ardiyanto Pranata, Jendela dalam 1997, lithograph, AP, 33 x 24.5cm [image], gifted by the artist & NTU Print Workshop, 1997; CDU Art Collection – NTU474  \nCentre: Eubena Nampitjin, Winginba 2002, etching with chine collé, WP edn 25, 48.5 x 24.5cm [image], gifted by the artist & Northern Editions Printmaking Workshop, 2002; CDU Art Collection – NTU1024  \nBottom: Dian Darmansjah, The Memory of Turbulence, East 2004, mezzotint & drypoint etching, edn 1/4, 13 x 20cm [top image] & 11 x 14.5cm [bottom image], gifted by the artist, 2004; CDU Art Collection – NTU1076  \npractice”, testing different sensibilities, technical skills and creative adaptability. By nature of its alchemical processes and transformative properties, it may also lead to unexpected results. The shift into printmaking from other media entails “a degree of reinvention”, or the arti","cbCaimUmJKGw2VEk","https://ap.wps.com/l/cbCaimUmJKGw2VEk","pdf",1873250,"English","# In Print: Charles Darwin University Art Collection\n## Prints as communication tools\n## From archive to art: visual circulation\n## Print workshops and art school traditions\n## Printmaking’s techniques and community role\n## University art collection and early collecting period","[{\"question\":\"How does In Print explain the significance of prints in modern communication?\",\"answer\":\"It frames prints as among the most important and powerful tools of modern life and thought, serving purposes from entertainment to deliberate propaganda and information sharing.\"},{\"question\":\"What historical developments does the document link to the spread of northern visual imagery?\",\"answer\":\"It connects reproductive technology advances and photography to the settlement of the north coast, enabling early visual renderings of flora, fauna, and peoples to be widely disseminated.\"},{\"question\":\"What role do universities and art schools play in the region’s printmaking tradition?\",\"answer\":\"Art schools and fine arts departments are described as nurseries for print workshop traditions, offering training, equipment, master-printer guidance, and residency-style opportunities that supported evolving practice.\"}]","In Print: Charles Darwin University Art Collection | PDF",1789454112]