[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-126501-en":3,"doc-seo-126501-105":30,"detail-sidebar-cat-0-en-105":93},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":11,"is_deleted":4,"is_public":11,"is_downloadable":11,"audit_status":11,"page_count":20,"language":21,"language_code":22,"site_id":23,"html_lang":22,"table_of_contents":24,"faqs":25,"seo_title":26,"seo_description":27,"update_tm":28,"read_time":29},126501,687197207639,"Asher","https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd",1,"Story & Novel","I 'M STILL HERE - Screenplay","\u003Cp>Script text for the film “I'M STILL HERE,” presenting opening beach and street sequences set in Rio de Janeiro in 1970 under a military dictatorship. It introduces Eunice Paiva hearing helicopter noise, then follows Marcelo, Eliana, Nalu, and Cristina during a day of games, tanning rituals, and a sudden disruption involving a new puppy. The narrative shifts to the Paiva home and Rubens Paiva’s study, then cuts to a later-car sequence showing Veroca, Pimpão, Helena, and Reynaldo with Super 8 footage.\u003C/p>","\u003Cp>I 'M STILL HERE  \u003C/p>\u003Cp>written by  \u003C/p>\u003Cp>Murilo Hauser  \u003C/p>\u003Cp>and  \u003C/p>\u003Cp>Heitor Lorega  \u003C/p>\u003Cp>based on the novel by  \u003C/p>\u003Cp>Marcelo Rubens Paiva  \u003C/p>\u003Cp>directed by  \u003C/p>\u003Cp>Walter Salles  \u003C/p>\u003Cp>NO PART OF THIS DOCUMENT CAN BE PUBLISHED , DISTRIBUTED , REPRODUCED , SOLD OR DISCLOSED IN ANY FORM OR MEDIA WITHOUT THE PRIOR AND WRITTEN CONSENT OF THE PRODUCTION COMPANY .  \u003C/p>\u003Cp>1 .  \u003C/p>\u003Cp>On black:  \u003C/p>\u003Cp>“Rio de Janeiro- 1970 Under a military dictatorship .”  \u003C/p>\u003Cp>The low , unsettling thud of helicopter blades starts encroaching on the movie theater.  \u003C/p>\u003Cp>EXT . SEA OFF LEBLON BEACH-DAY  \u003C/p>\u003Cp>Dark blue , the sea fills the screen . Down below , just past the breakers , a woman is bobbing in the water.  \u003C/p>\u003Cp>EUNICE PAIVA , 40 , slim and elegant in a discreet black bathing suit , floats with her eyes closed .  \u003C/p>\u003Cp>Her ears in the water , her expression serene , she hears the muffled noise coming closer. The helicopter 's shadow passes over her , and she opens her eyes .  \u003C/p>\u003Cp>The expanse of blue sky is broken by the military aircraft . Eunice shields her eyes against the sun and watches the chopper skirt the packed beach , flying low.  \u003C/p>\u003Cp>EXT . LEBLON BEACH-DAY  \u003C/p>\u003Cp>The helicopter flies over the sand , which is dotted with SWIMMERS and SURFERS in colorful suits . Among them , MARCELO , 9 , is kicking a soccer ball around with a group of boys .  \u003C/p>\u003Cp>At the net nearby , his sister ELIANA , 15 , gets ready to serve in a volleyball match with her friends .  \u003C/p>\u003Cp>A skittish PUPPY scampers through the forest of legs . It runs out ahead and interrupts the match .  \u003C/p>\u003Cp>BEACHGOER (O .S . )  \u003C/p>\u003Cp>Whose mutt is that?  \u003C/p>\u003Cp>VOLLEYBALL FRIEND (O .S . )  \u003C/p>\u003Cp>Get it off the court!  \u003C/p>\u003Cp>Eliana 's hands enter the shot and grab the mutt .  \u003C/p>\u003Cp>ELIANA  \u003C/p>\u003Cp>Is he yours?  \u003C/p>\u003Cp>PASSERBY (O .S . )  \u003C/p>\u003Cp>No .  \u003C/p>\u003Cp>She unceremoniously hands the dog over to her brother.  \u003C/p>\u003Cp>2 .  \u003C/p>\u003Cp>ELIANA  \u003C/p>\u003Cp>Marcelo , hold him . He 's messing up  \u003C/p>\u003Cp>the game .  \u003C/p>\u003Cp>Eliana goes back to the match . Clutching the dog , Marcelo runs over to his other sister NALU , 13 . She and her friend CRISTINA , 13 , are rubbing Coke on their skin .  \u003C/p>\u003Cp>MARCELO  \u003C/p>\u003Cp>Check out our new puppy .  \u003C/p>\u003Cp>NALU  \u003C/p>\u003Cp>Mom won 't let you keep that  \u003C/p>\u003Cp>fleabag .  \u003C/p>\u003Cp>MARCELO  \u003C/p>\u003Cp>Where is she?  \u003C/p>\u003Cp>NALU  \u003C/p>\u003Cp>Dunno .  \u003C/p>\u003Cp>Nalu and Cristina go back to their Coke tanning ritual .  \u003C/p>\u003Cp>CRISTINA  \u003C/p>\u003Cp>Dalal will kill us if we show up  \u003C/p>\u003Cp>tanned at the ballet .  \u003C/p>\u003Cp>NALU  \u003C/p>\u003Cp>That 's what face powder 's for.  \u003C/p>\u003Cp>Marcelo looks over at Eunice bobbing out in the surf , but runs off in the opposite direction with a mischievous grin .  \u003C/p>\u003Cp>We follow as he and his friends run across the beachside avenue . At the net , Eliana looks worriedly over.  \u003C/p>\u003Cp>ELIANA  \u003C/p>\u003Cp>Careful on the street!  \u003C/p>\u003Cp>The boys trot toward a two storey house on a corner , with green windows and open doors .  \u003C/p>\u003Cp>EXT . PAIVA FAMILY HOME-DAY  \u003C/p>\u003Cp>The boys ' sandy feet scamper through the garage , past a red OPEL KADETT . Marcelo , dog in hands , leads his gang up to the door to the living room .  \u003C/p>\u003Cp>INT . PAIVA FAMILY HOME / DINING ROOM-DAY  \u003C/p>\u003Cp>MARIA JOSÉ , 30 , the aproned maid , and BABIU , 8 , are setting the table . As soon as she hears the boys coming:  \u003C/p>\u003Cp>3 .  \u003C/p>\u003Cp>MARIA JOSÉ  \u003C/p>\u003Cp>Wipe your feet . I just swept the  \u003C/p>\u003Cp>house .  \u003C/p>\u003Cp>They scuff the sand off their feet . Babiu notices the puppy .  \u003C/p>\u003Cp>BABIU  \u003C/p>\u003Cp>Can I hold him?  \u003C/p>\u003Cp>MARIA JOSÉ  \u003C/p>\u003Cp>What on earth is this now?  \u003C/p>\u003Cp>MARCELO  \u003C/p>\u003Cp>Our new puppy .  \u003C/p>\u003Cp>MARIA JOSÉ  \u003C/p>\u003Cp>It ’s filthy . Does your mom know  \u003C/p>\u003Cp>about this?  \u003C/p>\u003Cp>MARCELO  \u003C/p>\u003Cp>Is Dad here?  \u003C/p>\u003Cp>MARIA JOSÉ  \u003C/p>\u003Cp>In the office , with Mr. Bocayuva .  \u003C/p>\u003Cp>Don 't bother him .  \u003C/p>\u003Cp>MARCELO  \u003C/p>\u003Cp>It 's urgent .  \u003C/p>\u003Cp>Babiu and Marcelo run through the cozy LIVING ROOM , its walls covered with abstract paintings , an elegant china cabinet against one wall . They come up to the closed study door.  \u003C/p>\u003Cp>INT . PAIVA FAMILY HOME / STUDY-DAY  \u003C/p>\u003Cp>RUBENS PAIVA , a stout man of 40 , cigar protruding from his mustache , studies a blueprint . By his side is \"BABY \"BOCAYUVA , 50 , his business partner and friend .  \u003C/p>\u003Cp>BOCA  \u003C/p>\u003Cp>It was crazy to take on a project  \u003C/p>\u003Cp>this size .  \u003C/p>\u003Cp>RUBENS  \u003C/p>\u003Cp>If it were easy , we wouldn 't have  \u003C/p>\u003Cp>taken it on .  \u003C/p>\u003Cp>BOCA  \u003C/p>\u003Cp>I would 've .  \u003C/p>\u003Cp>RUBENS  \u003C/p>\u003Cp>I know you would .  \u003C/p>\u003Cp>4 .  \u003C/p>\u003Cp>They both chuckle . There 's  a \u003C/p>","cbCair56sx7lgpWB","https://ap.wps.com/l/cbCair56sx7lgpWB","pdf",1050678,100,"English","en",105,"# Opening Beach Scene\n## Eunice Paiva on Leblon Beach\n## Marcelo and the Puppy Disruption\n# Paiva Family Home\n## Confrontation in the Living Room\n## Rubens Paiva in the Study\n# Car Sequence and Super 8 Footage\n## Pimpão and Veroca Preparing the Camera\n## Counterculture Life in Rio","[{\"question\":\"What triggers Eunice Paiva’s attention at the beginning?\",\"answer\":\"Helicopter blades create a low, unsettling thud that approaches, casting a shadow over her as she watches the aircraft fly low over the packed beach.\"},{\"question\":\"How does the new puppy affect the events on the beach?\",\"answer\":\"A puppy interrupts Eliana’s volleyball match, and Eliana hands the dog to Marcelo, who later takes the opportunity to run off toward the family’s home.\"},{\"question\":\"What is shown through Veroca’s Super 8 footage?\",\"answer\":\"The Super 8 scenes frame street life in Rio during the 1970s, including vendors, cheering at a corner bar, workers on a bus, and a motorcycle couple traveling through the city.\"}]","I 'M STILL HERE Screenplay - PDF Free Download  | PDF","Script text for the film “I'M STILL HERE,” presenting opening beach and street sequences set in Rio de Janeiro in 1970 under a military dictatorship. 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