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It details professional and non-professional performance restrictions and where inquiries for rights should be directed. The document also explains availability and cost of a special music cassette containing original compositions, plus a per-performance royalty. A production history and cast list establish original staging details in New 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Mercer","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-04","2026-09-22",true,{"@type":102,"interactionType":103,"userInteractionCount":52},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What credit must be given when receiving permission to produce I HATE HAMLET?","Question",{"text":112,"@type":113},"Permission holders must credit Paul Rudnick as sole and exclusive author on the title page of all related programs, with the author’s name on its own line and in a specified type size and prominence.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How are performance rights managed for I HATE HAMLET?",{"text":117,"@type":113},"Stage performance rights are controlled by DRAMATISTS PLAY SERVICE, INC.; any professional or non-professional performance (excluding first class professional performance) requires written permission in advance and payment of the required fee.",{"name":119,"@type":110,"acceptedAnswer":120},"What information is provided about the special music tape?",{"text":121,"@type":113},"The document states that a cassette containing original music by Kim Sherman for the New York production is available through the Dramatists Play Service for a set cost, includes a cue sheet, and requires an additional royalty per performance for use of the music.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},342535,1790724810,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":52,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},962084925502,"https://ap-avatar.wpscdn.com/davatar_6f874abed73319feea01a86fa6f0fab8","# I HATEHANT TT\n\nPQF08026B  \nBY PAUL RUDNICK  \nDRAMATISTS  \nPLAY SERVICE  \nINC.  \n# ◎Dnamatists PPay Oeruce\n\nESTABLISHED BY MEMBERS OF THE  \n# DRAMATISTS'GUILD OF THE AUTHORS'LEAGUE OF AMERICAfor the\n\nHANDLING OF THE ACTING RIGHTSOF MEMBERS'PLAYS  \nand  \nTHE ENCOURAGEMENT OF THE AMERICAN THEATRE  \n★  \nI HATEHAMLET  \n# BY PAUL RUDNICK\n\n★  \nDRAMATISTSPLAY SERVICEINC.  \nI HATE HAMLETCopyright ◎1992,Paul Rudnick  \n# All Rights Reserved\n\nCAUTION:Professionals and amateurs are hereby warned that performance of I HATEHAMLET is subject to a royalty.It is fully protected under the copyright laws of theUnited States of America,and of all countries covered by the International CopyrightUnion (including the Dominion of Canada and the rest of the British Commonwealth),and of all countries covered by the Pan-American Copyright Convention,the UniversalCopyright Convention,the Berne Convention,and of all countries with which theUnited States has reciprocal copyright relations.All rights,includingprofessional/amateur stage rights,motion picture,recitation,lecturing,public reading,radio broadcasting,television,video or sound recording,all other forms of mechanicalor electronic reproduction,such as CD-ROM,CD-I,information storage and retrievalsystems and photocopying,and the rights of translation into foreign languages,arestrictly reserved.Particular emphasis is placed upon the matter of readings,permissionfor which must be secured from the Author's agent in writing.  \nThe stage performance rights in I HATE HAMLET(other than first class rights)arecontrolled exclusively by the DRAMATISTS PLAY SERVICE,INC.,440 Park AvenueSouth,New York,N.Y.10016.No professional or non-professional performance of thePlay(excluding first class professional performance)may be given without obtaining inadvance he written permission of the DRAMATISTS PLAY SERVICE,INC.,andpaying the requisite fee.  \nInquiries concerming all other rights should be addressed to Helen Merrill,Ltd.,425West 23rd Street,Suite 1-F,New York,N.Y.10011.  \n# SPECIAL NOTE\n\nAnyone receiving permission to produce I HATE HAMLET is required(1)to givecredit to the Author as sole and exclusive Author of the Play on the title page of allprograms distributed in connection with performances of the Play and in all instances inwhich the title of the Play appears for purposes of advertising,publicizing or otherwiseexploiting the Play and/or a production thereof.The name of the Author must appearon a separate line,in which no other name appears,immediately beneath the title and insize of type equal to 50%of the largest,most prominent letter used for the title of thePlay.No person,firm or entity may receive credit larger or more prominent than thataccorded the Author;and(2)to give the following acknowledgment on the title page ofall programs distributed in connection with performances of the Play:  \nOriginally produced by Jujamcyn TheatresJames B.Freydberg,Robert G.Perkins,Margo Lion;original production directed by Michael Engler  \n# SPECIAL MUSIC TAPE\n\nA cassette tape containing the original music composed by Kim Sherman for the NewYork production of this Play can be obtained from the Dramatists Play Service at a costof S25.00 per tape,which includes packing and regular shipping.A cue sheet isincluded with the tape(cassette).There is an additional royalty of $10.00 perperformance for the use of this music by producing groups.  \nFor Helen Merill  \nI HATE HAMLET was originally produced at the Walter KerrTheatre(Jujamcyn Theaters,James B.Freydberg,Robert G.Perkins and Margo Lion,Producers),in New York City,onApril 8,1991.It was directed by Michael Engler;the set de-sign was by Tony Straiges;the costume design was by JaneGreenwood;the lighting design was by Paul Gallo;the sounddesign was by Scott Lehrer;fight direction was by B.H.Barryand the original music was by Kim Sherman.The cast was asfollows:  \nFELICIA DANTINE……             …  ……Caroline AaronANDREW RALLY…   …   …………     ……Evan HandlerDEIRDRE MCDAVEY……………………","cbCaihBHse1tkOEM","https://ap.wps.com/l/cbCaihBHse1tkOEM","pdf",3736323,81,"English","# SPECIAL NOTE\n## SPECIAL MUSIC TAPE\n## CHARACTERS (in order of appearance)\n## I HATE HAMLET - Notes on Production","[{\"question\":\"What credit must be given when receiving permission to produce I HATE HAMLET?\",\"answer\":\"Permission holders must credit Paul Rudnick as sole and exclusive author on the title page of all related programs, with the author’s name on its own line and in a specified type size and prominence.\"},{\"question\":\"How are performance rights managed for I HATE HAMLET?\",\"answer\":\"Stage performance rights are controlled by DRAMATISTS PLAY SERVICE, INC.; any professional or non-professional performance (excluding first class professional performance) requires written permission in advance and payment of the required fee.\"},{\"question\":\"What information is provided about the special music tape?\",\"answer\":\"The document states that a cassette containing original music by Kim Sherman for the New York production is available through the Dramatists Play Service for a set cost, includes a cue sheet, and requires an additional royalty per performance for use of the music.\"}]","I HATE HAMLET - Special Note - Production and Music Rights | PDF",1790047028,125]