[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-33342":3,"doc-seo-33342":27},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"file_id":15,"file_url":16,"file_type":17,"file_size":18,"view_count":19,"is_deleted":4,"is_public":19,"is_downloadable":19,"audit_status":19,"page_count":20,"language":21,"language_code":22,"table_of_contents":23,"faqs":24,"seo_title":13,"seo_description":14,"update_tm":25,"read_time":26},33342,5909877438554,"Maeve","https://ap-avatar.wpscdn.com/avatar/5600025385ad2bf12a7?_k=1778553567797529272",2,"Literature","How New York Stole the Idea of Romanesque Art: Medieval, Modern and Postmodern in Meyer Schapiro","The text discusses how critics have contrasted art’s role from the Middle Ages to modernity and postmodernity, often reducing modern or postmodern art to nonessential ornament or commodified simulation. It argues that such views rely on oversimplified assumptions about art’s nature and function. Drawing on Meyer Schapiro’s ideas, it proposes that in 11th–12th century Western church art there emerged new creative spheres either lacking direct religious content or anticipating modern and postmodern values through spontaneity, individuality, incoherence, play, and bodily fragmentation.","cbCaiooeUMX3tTDp","https://ap.wps.com/l/cbCaiooeUMX3tTDp","pdf",2679985,1,12,"English","en","# Overview and critique of modern vs. medieval art\n## Schapiro’s aesthetic attitude in Romanesque art\n## Camille’s postmodern reassessment\n## Framing and methodological preface","[{\"question\":\"What is the main critical problem the text identifies in discussions of modern, postmodern, and medieval art?\",\"answer\":\"It criticizes the narrow, simplified concept of what art is and how art functions today, which leads critics to misjudge both modern and postmodern art’s qualities and aims.\"},{\"question\":\"How does the text relate Meyer Schapiro’s work to the Romanesque art debate?\",\"answer\":\"It uses Schapiro’s argument about the aesthetic attitude in Romanesque art to challenge the belief that medieval church art was purely religious and purely symbolic.\"},{\"question\":\"What creative tendencies does the text claim emerged in 11th–12th century Western church art?\",\"answer\":\"It claims that these centuries produced art with values that anticipate modern and postmodern art, including spontaneity and individual fantasy, as well as radical incoherence, playful repetition, intentional simulation, and spectacularized bodily fragmentation.\"}]",1782207524,18,{"code":4,"msg":28,"data":29},"ok",{"site_id":30,"language":22,"slug":31,"title":13,"keywords":32,"description":14,"schema_data":33,"social_meta":83,"head_meta":85,"extra_data":87,"updated_unix":25},105,"how-new-york-stole-the-idea-of-romanesque-art-medieval-modern-and-postmodern-in-meyer-schapiro","",{"@graph":34,"@context":82},[35,51,65],{"@type":36,"itemListElement":37},"BreadcrumbList",[38,42,45,48],{"item":39,"name":40,"@type":41,"position":19},"https://docshare.wps.com","Home","ListItem",{"item":43,"name":44,"@type":41,"position":11},"https://docshare.wps.com/document/","Document",{"item":46,"name":12,"@type":41,"position":47},"https://docshare.wps.com/document/literature/",3,{"item":49,"name":13,"@type":41,"position":50},"https://docshare.wps.com/document/how-new-york-stole-the-idea-of-romanesque-art-medieval-modern-and-postmodern-in-meyer-schapiro/33342/",4,{"url":49,"name":13,"@type":52,"author":53,"headline":13,"publisher":55,"fileFormat":58,"description":14,"dateModified":59,"datePublished":59,"encodingFormat":58,"isAccessibleForFree":60,"interactionStatistic":61},"DigitalDocument",{"name":9,"@type":54},"Person",{"url":39,"name":56,"@type":57},"DocShare","Organization","application/pdf","2026-06-23",true,{"@type":62,"interactionType":63,"userInteractionCount":19},"InteractionCounter",{"@type":64},"ViewAction",{"@type":66,"mainEntity":67},"FAQPage",[68,74,78],{"name":69,"@type":70,"acceptedAnswer":71},"What is the main critical problem the text identifies in discussions of modern, postmodern, and medieval art?","Question",{"text":72,"@type":73},"It criticizes the narrow, simplified concept of what art is and how art functions today, which leads critics to misjudge both modern and postmodern art’s qualities and aims.","Answer",{"name":75,"@type":70,"acceptedAnswer":76},"How does the text relate Meyer Schapiro’s work to the Romanesque art debate?",{"text":77,"@type":73},"It uses Schapiro’s argument about the aesthetic attitude in Romanesque art to challenge the belief that medieval church art was purely religious and purely symbolic.",{"name":79,"@type":70,"acceptedAnswer":80},"What creative tendencies does the text claim emerged in 11th–12th century Western church art?",{"text":81,"@type":73},"It claims that these centuries produced art with values that anticipate modern and postmodern art, including spontaneity and individual fantasy, as well as radical incoherence, playful repetition, intentional simulation, and spectacularized bodily fragmentation.","https://schema.org",{"og:url":49,"og:type":84,"og:title":13,"og:site_name":56,"og:description":14},"article",{"robots":86,"canonical":49},"index,follow",{"doc_id":7,"site_id":30}]