[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-270696-105":59,"doc-detail-270696-en":131},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":124,"head_meta":126,"extra_data":128,"updated_unix":130},105,"en","healing-from-country-for-country-through-aboriginal-and-torres-strait-islander-art-framework-aim-and-research-methodology","Healing From Country for Country Through Aboriginal and Torres Strait Islander Art - Framework, Aim and Research Methodology","","Healing From Country for Country Through Aboriginal and Torres Strait Islander Art presents a funded project using Indigenous art to examine climate change impacts on country. The work applies a Wurrkama and Mirrwana philosophy framework to guide knowledge integration and informs a co-designed Community Resilience Plan. It targets community health protection, strengthening health system resilience, and reducing inequities, using participatory action research with workshops, qualitative data collection, and intergenerational collaboration across Darwin and Mackay.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":35,"@type":76,"position":81},"https://docshare.wps.com/document/healthcare/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/healing-from-country-for-country-through-aboriginal-and-torres-strait-islander-art-framework-aim-and-research-methodology/270696/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/healing-from-country-for-country-through-aboriginal-and-torres-strait-islander-art-framework-aim-and-research-methodology/270696.png","ImageObject",300,407,{"name":92,"@type":93},"Genevieve","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-09-15",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",13,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"What framework guides the project’s approach to integrating Indigenous knowledge?","Question",{"text":113,"@type":114},"The project uses Wurrkama and Mirrwana Philosophy (Mirrwana as Indigenous knowledge, Wurrkama as respectful preparation to integrate it). It also includes Lawa as an analogy for processing cycad nuts and sharing during ceremonies.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"What is the project aiming to understand about climate change?",{"text":118,"@type":114},"The project aims to understand Indigenous art world perspectives on climate change impacts on country by examining Indigenous artworks and observing the artistic processes.",{"name":120,"@type":111,"acceptedAnswer":121},"How is the research carried out and what happens in each phase?",{"text":122,"@type":114},"The project uses participatory action research (qualitative). Phase 1 runs workshops in Darwin and Mackay to produce artworks and collect qualitative data; Phase 2 uses the Indigenous art baseline to co-design environmental preparedness and adaptation strategies.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},270696,1789456383,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":34,"category_name":35,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":130,"read_time":145},1374391974585,"https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c","HEALING FROM COUNTRY FOR COUNTRY THROUGH  \nABORIGINAL AND TORRES STRAIT ISLANDER ART  \nCOMMUNITIES OF PRACTICE  \nFord, L, P. , Karácsonyi, D. , Motlap, S. , Mathew, S. , Bhatta. M. , Cass, A. ,  \nMatthews, V. , Nona, F. , Deen, C. ,  \nThis project was funded by the NHMRC Healthy Environments and Lives (HEAL) Network.  \nFramework  \n\n| Wurrkama and Mirrwana Philosophy (Ford 2005, 2010, 2014) |\n| --- |\n| Mirrwana (Cycad): Represents Indigenous Knowledge—inherently valuable but often misunderstood by Western institutions . |\n| Wurrkama (Work): The necessary preparation to respectfully integrate Indigenous Knowledge so it becomes nourishing. |\n| Lawa: Sweet-flat bread created by processing the poisonous cycad nuts . Lawa is shared during ceremonies . |\n\nApplied in this Project: Blending two worldviews for a culturally relevant and applicable Co-designed Community Resilience Plan .  \nThis framework is an analogy for the process of making space for Indigenous knowledge in Western Institutions .  \nAim  \nThis project aims to understand Indigenous art world perspectives on climate change impacts on country by examining Indigenous artworks and observing the artistic processes .  \nThe project focuses on the three core HEAL aims:  \nProtecting Community Health (especially at-risk groups) .  \nStrengthening Health System Resilience  \nReducing Inequities (highlighted through Artwork) .  \nResearch Methodology  \nDesign: Participatory Action Research (PAR) qualitative project.  \nFramework: Grounded in Wurrkama and Mirrwana Philosophy to understand knowledge creation and community engagement.  \nPhase 1 Artworks: Workshops in Darwin and Mackay producing new works for apop-up exhibition at CDU.  \nPhase 2 Community Resilience Plan: Using Indigenous art as a baseline to codesign environmental preparedness and adaptation strategies .  \nLeadership: Guided by the Indigenous Advisory Group (IAG) and the Communities of Practice (COP)  \nPhase 1: Artworks  \n• Workshops: Conducted 12 sessions (expanded from 2) with 7 Indigenous artists across Darwin and Mackay.  \n• Data Collection: Captured rich qualitative data through organic discussions, artist descriptions, and original artworks .  \n• Intergenerational Collaboration: Includes two mother-daughter artist dyads, incorporating cultural knowledge and health service expertise .  \n• Engagement: Demonstrates how art effectively connects people, researchers, and health providers on climate and health issues .  \nThrough these sessions, the project documented specific environmental and cultural losses as seen through the eyes of artists in Darwin and Mackay.  \nMackay – Artist 1 Painting title: 10 Mile Key Story:  \n•10 Mile: A cherished family spot for camping, fishing, and knowledge exchange .  \n•Climate Impact: Rising sea levels and coastal erosion are cutting into the land.  \n•Loss: Threatens family memories, cultural practices, and access for future generations .  \n“10 Mile and our important piece of paradise is slowly being covered by rising sea levels.”  \nMackay – Artist 1  \nPainting title: Billy Goat Plum  \nVisual Contrast:  \n•Healthy Side: Tree standing tall, full of fruit, showing strong connection and resource .  \n•Impacted Side: Desolate and decay, dry land, representing loss of vitality.  \nMessage:  \n•Changing weather (heat, fire, rain) alters the fruit’s nutritional value and availability.  \n•This threatens food security and essential cultural health practices .  \n“When we felt sick our parents would tell us to eat up them plums to make you feel strong again”  \nMackay – Artist 2  \nPainting title: Slady Sea  \nFocus: Impact of pollution and climate change on beaches and saltwater.  \nThe Sea:  \n•Foundation of family life, fishing, collecting, and spiritual peace .  \n•Art Contrast:  \n•Healthy saltwater vs . Polluted saltwater (bleached coral, red skeleton fish) .  \n•Footprints on the sand slowly turns dirty, leaving marks on the beach.  \nCore Message:  \nThe saltwater brings healing to mind, body, and spirit.","cbCais2Dm2UtPyE5","https://ap.wps.com/l/cbCais2Dm2UtPyE5","pdf",4673149,18,"English","# Framework\n## Wurrkama and Mirrwana Philosophy\n## Applied in this Project\n# Aim\n# Research Methodology\n## Design and Framework\n## Phase 1: Artworks\n## Phase 2: Community Resilience Plan\n# Phase 1 Details and Artworks","[{\"question\":\"What framework guides the project’s approach to integrating Indigenous knowledge?\",\"answer\":\"The project uses Wurrkama and Mirrwana Philosophy (Mirrwana as Indigenous knowledge, Wurrkama as respectful preparation to integrate it). It also includes Lawa as an analogy for processing cycad nuts and sharing during ceremonies.\"},{\"question\":\"What is the project aiming to understand about climate change?\",\"answer\":\"The project aims to understand Indigenous art world perspectives on climate change impacts on country by examining Indigenous artworks and observing the artistic processes.\"},{\"question\":\"How is the research carried out and what happens in each phase?\",\"answer\":\"The project uses participatory action research (qualitative). Phase 1 runs workshops in Darwin and Mackay to produce artworks and collect qualitative data; Phase 2 uses the Indigenous art baseline to co-design environmental preparedness and adaptation strategies.\"}]","Healing From Country for Country Through Aboriginal and Torres Strait Islander Art - Framework, Aim and Research Methodology | PDF",45]