[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-318689-105":59,"doc-detail-318689-en":131},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":124,"head_meta":126,"extra_data":128,"updated_unix":130},105,"en","hayavadana-girish-karnad-318689","Hayavadana - Girish Karnad","","Hayavadana by Girish Karnad is introduced through its theatrical and literary context, contrasting earlier Kannada playwriting with a newer, more stage-connected drama culture. The play’s plot derives from Kathasaritsagara and is reframed through Thomas Mann’s retelling, creating a mock-heroic exploration of the relationship between body and soul. It centers on Devadatta and Kapila’s shifting identities after a comic-yet-profound head transposition, showing how tangled relationships and psychological limits shape human personality.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/hayavadana-girish-karnad-318689/318689/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/hayavadana-girish-karnad-318689/318689.png","ImageObject",300,407,{"name":92,"@type":93},"Aria","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-04","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",84,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"What sources shaped Hayavadana’s plot according to the introduction?","Question",{"text":113,"@type":114},"The plot comes from Kathasaritsagara, retold by Thomas Mann in The Transposed Heads. Karnad adapts these layers into his own dramatic treatment of the story.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"How does the head transposition affect Devadatta and Kapila?",{"text":118,"@type":114},"After Padmini transposes their heads, Devadatta and Kapila experience confusion of identities. Over time, each gradually shifts toward his former self, but with key behavioral and emotional differences.",{"name":120,"@type":111,"acceptedAnswer":121},"What does the play suggest about human identity and personality?",{"text":122,"@type":114},"The introduction emphasizes the ambiguous nature of human personality in a world of tangled relationships. It shows that identity is psychologically shaped and cannot be fully liberated merely by swapping heads.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},318689,1790213126,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":145,"read_time":146},2336464648322,"https://ap-avatar.wpscdn.com/avatar/2200025388227c56fec?_k=1778556882303663488","05  \nGan gacut howering your      nA What you 105igr?wha 8020itdd I iesochate?Wr?Who h0师(t inai2WhtdtoayoneC rtnoyed-d andty if I'se d山OXFORDven一1 kno IveWha Rm   f wroDc?Wbakmy mother t0 meBHAiA)swee .n fut-Heacly Aode.Bat shhachWhat hny nngspuld 00n oaly林  \n5 hecued he一are Bot alone hCT技oare lieteYyAD        He tusindienHAYAVADANABHACAVATA Tecen tried to takefmdnnt民leBp-witheur toruee?HAYAVATANA.AAVA1ANA.tisppin  \nto get rid olin hcau,onc4 utfat  lotluhead What foreheldRoodnes nd manihne taruute  \nen.woote hase hcemiata geid to pult ltat-   AIANA ABHACAYATA.OMho?P rid of6s head.15oughtvad wht-C anyncnss d ran且其one bam tn?Wno nedio bull lojtlted tn the t6 birth nuAV大FA)hholHAYAVAANA ode mith my ss harih lboncant fihake offAAVAAelluyAferl namedt入AVADANA(enr大Why should EHhnHA1  \nBHAcVATAFarrv.OXFORDUNIVERSITY PRESS  \nadhtmith heandwwW.oup.comtotating.yratn-  \ninder atar,如nder lheihe fantedm ill.And what didACTOR Ahwhere 1 wenr lnad  \nGirish KarnadHAYAVADANA  \nTranslated by the author  \nOXFORD  \nUNIVERSITY PRESS  \nYMCA Library Building,Jai Singh Road,New Delhi 110001  \nOxford University Press is a department of the University of Oxford.It furthers theUniversity's objective ofexcellence in research,scholarship,and educationby publishing worldwide in  \nOxford New York  \nAuckland Cape Town Dar es Salaam Hong Kong Karachi Kuala LumpurMadrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto  \nWith offices in  \nArgentina Austria Brazil Chile Czech Republic France Greece GuatemalaHungary Italy Japan Poland Portugal Singapore South Korea SwitzerlandThailand Turkey Ukraine Vietnam  \nFer  \nOxford is a registered trademark of Oxford University Pressin the UK and in certain other countries  \nPublished in India  \nby Oxford University Press,New Delhi  \neOxford University Press 1975  \nThe moral rights of the author have been assertedDatabase right Oxford University Press (maker)  \nFirst published 1975  \nTwenty-sixth impression 2010  \nAll rights reserved.No part ofthis publication may be reproduced,or transmitted in any form or by any means,electronic or mechanical,including photocopying,recording or by any information storage andretrieval system,without pernission in writing from Oxford University PressEnquiries concerning reproductionr ourside the scope of the above should besent to the Rights Department,Oxford University Press,at the address above  \nYou must not circulate this bookin any other binding or coverand you must impose this same condition on any acquirer  \nISBN-13:978-0-19560382-8  \nISBN-10:0-19-560382-6  \nPrinted in India by Ram Printograph,Delhi 110051and published by Oxford University PressYMCA Library Building.Jai Singh Road,New Delhi 110001  \nINTRODUCTION  \nUntil very recently playwriting in Kannada was a mere literaryexercise,with no contact whatever with the living stage.Theprofessional theatre was,as it continues to be,so naive and rudi-mentary that both Kailasam and Adya Rangacharya,the twomajor playwrights in Kannada,rejected it out of hand.But theycould not create an enduring substitute for it and were forced towork in isolation.  \nFortunately the situation has changed now and a group ofyoung directors and actors have been able to create a theatrewhich,though entirely dependent on non-professionals,hasproved congenial to the growth of new drama.With this newtheatre growing around them,new playwrights like GirishKarnad have been able to bring to drama a first-hand know-ledge of the practical demands of the stage and a better under-standing of dramatic style and technique.  \nIn his works Karnad has moved away from the regionalisttradition that had given Kannada literature its identity in theearly years of the century.None of his three plays has a speci-fically Kannada theme.Yayati,his first play,reinterprets anancient myth.Tughlaq,his second play,is based on history.Andboth the plays are thoroughly modern in outlook and spirit.  \nTheplot of Hayabadana comes from Kathasaritsagara,anancientcollection of stories","cbCaipB6BVnr30SX","https://ap.wps.com/l/cbCaipB6BVnr30SX","pdf",1892753,42,"English","# Introduction\n## Kannada playwriting and the living stage\n## Karnad’s modern outlook and sources\n## The central identity problem\n## Head transposition and its consequences","[{\"question\":\"What sources shaped Hayavadana’s plot according to the introduction?\",\"answer\":\"The plot comes from Kathasaritsagara, retold by Thomas Mann in The Transposed Heads. Karnad adapts these layers into his own dramatic treatment of the story.\"},{\"question\":\"How does the head transposition affect Devadatta and Kapila?\",\"answer\":\"After Padmini transposes their heads, Devadatta and Kapila experience confusion of identities. Over time, each gradually shifts toward his former self, but with key behavioral and emotional differences.\"},{\"question\":\"What does the play suggest about human identity and personality?\",\"answer\":\"The introduction emphasizes the ambiguous nature of human personality in a world of tangled relationships. It shows that identity is psychologically shaped and cannot be fully liberated merely by swapping heads.\"}]","Hayavadana - Girish Karnad | PDF",1789940966,65]