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The volume also acknowledges contributors to the introduction and appreciation, and provides a structured outline of practical chapters for studying painting and related 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does this book primarily compile?","Question",{"text":63,"@type":64},"It compiles Hawthorne’s essence of student notes from the Cape Cod School of Art, collected over the school’s thirty-one years and intended for students and young painters.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"What changes were made for the Dover edition compared with the 1938 first edition?",{"text":68,"@type":64},"The Dover edition dropped the 1938 color plates due to reduction in size, and it does not reprint certain introductory essays from the earlier edition.",{"name":70,"@type":61,"acceptedAnswer":71},"Who contributed to the introductions and appreciation?",{"text":72,"@type":64},"Edwin Dickinson wrote the Introduction, and Hans Hofmann provided an appreciation titled \"Hawthorne—the Painter,\" with additional thanks given for support in preparing the 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Lithography and How to Do It,Grant Arnold.$2.00On the Laws of Japanese Painting,Henry P.Bowie.$2.00  \nTeach Yourself Antique Collecting,Ernle Bradford.Clothbound  \n$2.00  \nLettering and Alphabets,J.Albert Cavanagh.$1.35  \nThe Treatises of Benvenuto Cellini on Goldsmithing and Sculpture.  \n$2.00(tent.)  \nThe Artistic Anatomy of Trees,Rex Vicat Cole.$2.50  \nMethods and Materials of Painting of the Great Schools andMasters,Charles L.Eastlake.Two-volume set $4.50  \nAn Atlas of Animal Anatomy for Artists,W.Ellenberger,H.Baum,and H.Dittrich.$2.25  \nArt Students'Anatomy,EdmondJ.Farris,$1.50  \nTeach Yourself to Study Sculpture,William Gaunt.Clothbound  \n$2.00  \nPainting Materials:A Short Encyclopedia,Rutherford J.Gettensand George L.Stout.$2.00  \nThe Technique of Fresco Painting:With a Preface by Jose Cle-mente Orozco,Gardner Hale.$1.25Figure Drawing,Richard G.Hatton.$2.00  \nHawthorne on Painting,Charles W.Hawthorne.$1.00  \nTeach Yourself Perspective Drawing,H.F.Hollis.Clothbound $2.00Animal Drawing-Anatomy and Action for Artists,Charles R.Knight.$2.00  \nModelling and Sculpture:A Guide for Artists and Students,Edouard Lanteri.Three-volume set.$6.75  \nThe Painter's Methods and Materials,A.P.Laurie.Clothbound  \n$3.75  \nThe Art of tching,E.S.Lumsden.$2.75  \nAnimals in Motion,Eadweard Muybridge.Clothbound $10.00The Human Figure in Motion,Eadweard Muybridge.Clothbound$10.00  \nThe History and Technique of Lettering,Alexander Nesbitt.$2.00Foot High Letters:A Guide to Lettering,Matlock Price.The setboxed $6.00  \nTeach Yourself to Study Art,D.Talbot Rice.Clothbound $2.00Art Anatomy,William Rimmer.$2.00  \nAn Atlas of Anatomy for Artists,Fritz Schider.Clothbound $6.00Teach Yourselfto Draw,Ronald Smith.Clothbound $2.00Design and Figure Carving,E.J.Tangerman.$2.00Whittling and Woodcarving,E.J.Tangerman.$1.75  \nThis edition is dedicatedto the memory of  \nCharles Webster Hawthorne  \n1872-1930  \n# Hawthorneon Painting\n\nFrom Students'Notes Collected byMRS.CHARLES W.HAWTHORNE  \nWith an Introduction byEDWIN DICKINSON  \nand an Appreciation byHANS HOFMANN  \nDOVER PUBLICATIONS,INC.NEW YORK  \nCopyright ◎1938 by J.C.Hawthorne.Copyright   1960 by Dover Publications,Inc.  \nAll rights reserved under Pan American andInternational Copyright Conventions.  \nPublished in Canada by General Publishing Com-pany,Ltd.,30 Lesmill Road,Don Mills,TorontoOntario.  \nPublished in the United Kingdom by Constableand Company,Ltd.,10 Orange Street,LondonWC 2.  \nThis Dover edition,first published in 1960,is anenlarged republication of the work published bythe Pitman Publishing Corporation in 1938.  \nFOREWORD TO DOVER EDITION  \nThe first edition of this book was published in 1938 by the PitmanPublishing Corporation.The chief architects,so to speak,in fashion-ing the book out of the tremendous volume of notes sent in,weremy mother,herself a painter of ability,and Miss Margery Ryerson,a talented student of my father.  \nI quote the pertinent sections of the Foreword to the first edition,which was signed by my mother,Miss Ryerson,and myself:  \nThis volume is the essence of notes taken by studentsof the Cape Cod School of Art through thirty-one yearsof the school's existence.Notes from all parts of thecontinent said substantially the same thing,so there canbe little doubt of authenticity.It had long been Mr.Hawthorne's intention to write a book for students andyoung painters and this attempts to carry out his idea,keeping the feeling of the spoken words—the notes arebetter read aloud.  \nThe text of my father's Notes has not been abridged or altered forthis edition.However,the color plates which appeared in the 1938edition have been dropped because,with the great reduction in sizethat was necessary(the studies were 25”x30”),they did not success-fully represent my father's work.The introductory essays to the firstedition by Royal Cortissoz and Stephen Gilman are also not repr","cbCaib4T714pKgxF","https://ap.wps.com/l/cbCaib4T714pKgxF","pdf",4232989,100,"English","# FOREWORD TO DOVER EDITION\n# INTRODUCTION TO DOVER EDITION\n## HAWTHORNE—THE PAINTER AN APPRECIATION\n## CHARLES WEBSTER HAWTHORNE\n# THE NOTES\n## INTRODUCTION\n## OUTDOOR MODEL\n## STILL LIFE\n## LANDSCAPE\n## INDOOR MODEL\n## WATER COLOR\n## CONCLUSION","[{\"question\":\"What does this book primarily compile?\",\"answer\":\"It compiles Hawthorne’s essence of student notes from the Cape Cod School of Art, collected over the school’s thirty-one years and intended for students and young painters.\"},{\"question\":\"What changes were made for the Dover edition compared with the 1938 first edition?\",\"answer\":\"The Dover edition dropped the 1938 color plates due to reduction in size, and it does not reprint certain introductory essays from the earlier edition.\"},{\"question\":\"Who contributed to the introductions and appreciation?\",\"answer\":\"Edwin Dickinson wrote the Introduction, and Hans Hofmann provided an appreciation titled \\\"Hawthorne—the Painter,\\\" with additional thanks given for support in preparing the edition.\"}]","HAWTHORNE—THE PAINTER | PDF",1791884113,154]