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The material covers topics such as shopping and clothing, along with a career interview where a sound engineer explains daily preparation, working during events, equipment considerations, and how to gain experience. 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What are you doing?  \nMillie: I’m looking round the shops. It’s Saturday.  \nLisa: Yeah, of course. Honestly, you buy new clothes every Saturday!  \nMillie: Well, nearly every Saturday.  \nLisa: You’re always buying new clothes! So, what are you looking for today?  \nMillie: One of those new skirts. You know, like everyone’swearing this autumn.  \nLisa: Well, I’m not wearing one, I’m wearing a pair of old jeans. Is there anything special you want to talk about? Because actually, I’m cleaning my room.  \nMillie: Yes, there is, only you’re being so impatient, you don’t  \ndeserve to hear it. Lisa: OK, sorry. I’m listening.  \nMillie: Well, you know that leather bag you want, like the navy blue one you lost?  \nLisa: None of the shops have one. Whenever I go into town I always look, but I never find a blue one.  \nMillie: Well, I’m in front of a shop window and I’m looking ata navy blue bag right now. Do you want it? I can buy it for you.  \nLisa: Oh, yes! Those bags sell really fast because everyone thinks they’re really cool as well as useful.  \nMillie: Yeah, and navy blue bags are getting really fashionable.  \nLisa: I know. It’ll be gone if I wait till Monday. I’ll pay you when I see you.  \nMillie: OK.  \nLisa: Oh, thank you, Millie. Sorry I was cross.  \nMillie: That’s OK. Bye.  \nLisa: Bye.  \nRecording 03  \nExaminer: You will hear an interview with a man called Martin Holloway who is a sound engineer. For questions 1–7, choose the best answer (A, B or C).  \nPresenter: In our series about careers in the arts, I’m talking today to Martin Holloway, who is a sound engineer. Martin, tell us how you spend your time.  \nMartin: Good morning, Jake. Well, each event I do is different, but I usually set up the equipment before the show, do the sound checks and look after the sound during the performance. Of course it’s not my fault if the band isn’t very good and what you hear is out of tune or something. People sometimes call me a disc jockey but I have to explain it’s so much more than that. This weekend, I’m working at a music festival and I mostly work out of doors.  \nThere’s lots of outdoor work if you want it, as we can also work on films and TV.  \nPresenter: And how did you get into the business?  \nMartin: I went to university to study sound recording. While I was there I played in several bands but I wasn’t really serious about it. I also worked behind the scenes at lots of student gigs and shows, though, mixing the sound. While I was doing that I got to know quite a few professional sound engineers anda couple of them offered me paid work. That was ten years ago. My course was fantastic, of course,  \nbut it wasn’t enough to get me started. Presenter: So when does a project actually begin for you?  \nMartin: Some people think we just turn up on the day. Fora big event I might be there for a few days. For a smaller one I get there early before the band starts rehearsing. But it all begins before that when the booking is made with the band or their agent. I geta call and I start sorting things out straight away. I also always visit the place where it’s all going to  \nhappen a few days before the actual show. Presenter: So what’s it like during a show?  \nMartin: Well, if I’ve done all my preparation properly, normally there really isn’t much for me to do at all and that’s how it should be. I talk to the band and make sure they’re happy with everything before the show– it’s hard to do so while they’re playing. And I refuse to work with equipment that I think might break down.  \nPresenter: You must notice a great difference in the equipment from when you first started?  \nMartin: Definitely. You can’t compare the sound you get now. And we can all afford fantastic equipment as it’s so much cheaper, but that doesn’t particularly benefit me as I usually use the band’s equipment or what’s available at a venue. For me, the fact that ever","cbCailVFkxi8MgbV","https://ap.wps.com/l/cbCailVFkxi8MgbV","pdf",496688,22,"English","# Recording 02\n# Recording 03\n## Interview with Martin Holloway\n# Recording 04","[{\"question\":\"What happens in Recording 02?\",\"answer\":\"It features a conversation between Lisa and Millie about shopping, new clothes, and finding a specific navy blue leather bag.\"},{\"question\":\"Who is interviewed in Recording 03 and what is his job?\",\"answer\":\"Martin Holloway is interviewed, and he works as a sound engineer.\"},{\"question\":\"According to Martin, when does a project begin and what does he do?\",\"answer\":\"A project begins when the booking is made with the band or their agent; he then starts sorting things out and visits the venue a few days before the show.\"}]","Grammar - Vocabulary - First and First for Schools Recording Scripts | PDF",1790845065,55]