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Traces how rationalist and secular aesthetics, street performance, and popular culture evaluate atheism and nihilism, and how gender, affect, and language shape religious-sceptical expression. Develops historical and contemporary accounts of secularising publics, including UK and transatlantic media strategies, and examines digital atheist counterpublics and online community-building. 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Details of the copyright ownership and permitted use of third-party material is given in the image (or extract) credit lines. If you would like to reuse any third-party material not covered by the book’s Creative Commons licence, you will need to obtain permission directly from the copyright owner.  \nThis book is published under a Creative Commons Attribution-Non-Commercial 4.0 International licence (CC BY-NC 4.0), [https://creativecommons.org/licenses/](https://creativecommons.org/licenses/)[ ](https://creativecommons.org/licenses/)[by-nc/4.0/](by-nc/4.0/. This licence allows you to share and adapt the work for non-commercial use)[. This licence allows you to share and adapt the work for non-commercial use](by-nc/4.0/. This licence allows you to share and adapt the work for non-commercial use)[ ](by-nc/4.0/. This licence allows you to share and adapt the work for non-commercial use)providing attribution is made to the author and publisher (but not in any way that suggests that they endorse you or your use of the work) and any changes are indicated. Attribution should include the following information:  \nCopeman J. and Schulz M. (eds). 2022. Global Sceptical Publics: From non-religious print mediato‘digitalatheism’.London:UCL Press.[https://doi.org/10.14324/111.9781800083448](https://doi.org/10.14324/111.9781800083448)  \nFurther details about Creative Commons licences are available at  \n[http://creativecommons.org/licenses/](http://creativecommons.org/licenses/)  \n[ISBN: 978-1-80008-346-2](ISBN: 978-1-80008-346-2) (Hbk.)  \nISBN: 978-1-80008-345-5 (Pbk.)  \nISBN: 978-1-80008-344-8 (PDF)  \nISBN: 978-1-80008-347-9 (epub)  \nDOI: [https://doi.org/10.14324/111.9781800083448](https://doi.org/10.14324/111.9781800083448)  \nContents  \nList of figures vii  \nNotes on contributors ix  \nAcknowledgements xiii  \nForeword: the frustrating and wonderful ambiguity  \nof sceptical publics xv  \nJoseph Blankholm  \nIntroduction: non-religion, atheism and sceptical publicity 1  \nJacob Copeman and Mascha Schulz  \nPart I Aesthetics and visual culture of non-religion  \n1 Rationalist camera: non-religious techniques of vision in India 39 Jacob Copeman and John Hagström  \n2 Performing the secular: street theatre and songs as ‘secular media’ in Bangladesh and West Bengal 71 James Bradbury and Mascha Schulz  \n3 ‘There is no god, Summer’: a critical evaluation of Rick and Morty’s approach to atheism and nihilism 97 Frank Bosman  \n4 Aesthetics ofthe secular 127 Stefan Binder  \n5 Gender, affect and atheism in Arabic media 144 Natalie Khazaal  \nCONTENTS v  \nPart II Mediated scepticism: historical and contemporary trajectories  \n6 ‘Apostates’: a new secularising public in the United Kingdom 173 John Hagström  \n7 Satan, sex and an Islamist zombie apocalypse:  \nreligion-sceptical publicity and blasphemy in Turkish  \ncartoons and comic books 193  \nPierre Hecker  \n8 From campaign and dispute to ‘public service broad/  \nnarrowcasting’: secularist and atheist media strategies in  \nBritain and America – a contextual history 219","cbCaie5zbLAFfIxV","https://ap.wps.com/l/cbCaie5zbLAFfIxV","pdf",7196593,382,"English","# Contents\n## Part I Aesthetics and visual culture of non-religion\n## Part II Mediated scepticism: historical and contemporary trajectories\n## Part III Atheism and scepticism in a digital age","[{\"question\":\"What is the book’s main focus?\",\"answer\":\"It examines non-religion and atheism through the lens of sceptical publicity, showing how these ideas circulate and are shaped by different media forms.\"},{\"question\":\"How is the content organized?\",\"answer\":\"The book is divided into three parts: aesthetics and visual culture, mediated scepticism across time, and atheism/scepticism in a digital age, followed by an afterword and index.\"},{\"question\":\"What topics are covered in the digital age section?\",\"answer\":\"The section addresses digital atheist counterpublics on platforms such as Reddit, online community and engagement, young Moroccan non-believers’ online voices, and portrayals of everyday atheist lives in India.\"}]","Global Sceptical Publics - From non-religious print media to ‘digital atheism’ | PDF",1790823320,588]