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The program outlines keynote and multiple panel sessions covering migration, indigeneity, cosmology, animated practices, ecophilosophical screens, gender and body genres, and transnational streaming. Additional sessions address adaptation, feminist poetics, stardom and auteurism, user-generated content and politics, global capitalisms, VFX and rotocoling, and AI in creative practice. Focus areas also extend to media and environment, affective economies, social realism, documentary practices, and questions of authenticity, responsibility, and diasporic life.","Annual Conference 2025, University of Warwick 26-28 March 2025  \n“Global Aesthetics”  \nBritish Association of Film, Television and Screen Studies  \n2  \nContents  \nConference Keynote: Lúcia Nagib---------------------------------------------------------------------------------------4  \nPanel Session 1A------------------------------------------------------------------------------------------------------------5  \n1A.1: ‘In Between’ Spaces: Migration, Indigeneity, and Cosmology in Contemporary Animation’(Animation SIG) -Hybrid--------------------------------------------------------------------------------------5  \n1A.2: Ecophilosophical Screens-Hybrid--------------------------------------------------------------------8  \n1A.3: Structures of Feeling, the Affective Economy and the Aesthetics of Precarity---------------11  \n1A.4: Women and Documentary Practices-Hybrid------------------------------------------------------14  \n1A.5: Transnational Streaming--------------------------------------------------------------------------------17  \n1A.6: Gender and Body Genres------------------------------------------------------------------------------19  \n1A.7: AI and Creative Practice--------------------------------------------------------------------------------22  \nPanel Session 1B-----------------------------------------------------------------------------------------------------------24  \n1B.1: Adaptation and Global Concerns (Adaptation SIG)-----------------------------------------------24  \n1B.2: Feminist Poetics and the Politics of Resistance-Hybrid------------------------------------------27  \n1B.3: British Cinema: Migration and Colonial Legacies--------------------------------------------------30  \n1B.4: Globalising Stardom-------------------------------------------------------------------------------------33  \n1B.5: Rethinking Transnational Auteurism------------------------------------------------------------------35  \n1B.6: Transnational Aesthetics--------------------------------------------------------------------------------38  \n1B.7: User-Generated-Content, Influencing and Politics-------------------------------------------------41  \nPanel Session 2A-----------------------------------------------------------------------------------------------------------44  \n2A.1: Global Capitalisms---------------------------------------------------------------------------------------44  \n2A.2: Rotoscoping, VFX and Animated Practices-Hybrid---------------------------------------------47  \n2A.3: Screening Sex SIG---------------------------------------------------------------------------------------50  \n2A.4: Affordances of Animation-----------------------------------------------------------------------------53  \n2A.5: Race, Media and Modernity----------------------------------------------------------------------------55  \n2A.6: Politics and Social Cinema from Genre to the Arthouse-----------------------------------------58  \n2A.7: Reconstructing Aesthetic Historiographies---------------------------------------------------------61  \n2A.8: Mediating Migration and Diasporic Lives-----------------------------------------------------------64  \n2A.9: Imaginations of Flourishing Futures (Media and Environment SIG) -Hybrid---------------67  \nPanel Session 2B-----------------------------------------------------------------------------------------------------------70  \n2B.1: Aesthetics of Authenticity------------------------------------------------------------------------------70  \n2B.2: Social Narratives and Practices from Transmedia to Transgender-Hybrid-------------------72  \n2B.3: Temporalities in Contemporary Japanese Cinema-Hybrid--------------------------------------75  \n2B.4: Future French and Francophone Screen Studies (Round Table) (French SIG) -Hybrid----78  \n2B.5: The Emergence of AI Aesthetics: Navigating Realism, Responsibility and Authenticity----79  \n2B.6: Reflections on Global Screen Worlds---------------------------------------------------","cbCaimZ8ZdoxUoh0","https://ap.wps.com/l/cbCaimZ8ZdoxUoh0","pdf",2331505,2,1,183,"English","en",105,"# Conference Keynote\n## Panel Session 1A\n## Panel Session 1B\n## Panel Session 2A\n## Panel Session 2B\n## Panel Session 2C\n## Panel Session 3A","[{\"question\":\"What is the conference theme and where is it held?\",\"answer\":\"The conference theme is “Global Aesthetics,” held at the University of Warwick.\"},{\"question\":\"Which topics appear in the panel sessions?\",\"answer\":\"Panel sessions cover migration and indigeneity, animation and VFX practices, gender and documentary practices, transnational streaming, and transnational aesthetics.\"},{\"question\":\"How does the program address AI in relation to screen practice?\",\"answer\":\"The contents include sessions such as “AI and Creative Practice” and “The Emergence of AI Aesthetics,” focusing on realism, responsibility, and authenticity.\"}]","Global Aesthetics - Annual Conference 2025 | 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