[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-425181-105":59,"doc-detail-425181-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","german-domestic-silver-of-the-eighteenth-century-introduction","German Domestic Silver of the Eighteenth Century - Introduction","","German Domestic Silver of the Eighteenth Century introduces a museum collection focused on German silver for an English audience. The text explains how acquisition preferences favored objects unlike those made in England, and outlines external influences shaping German work, especially French styles studied and disseminated by Augsburg goldsmiths. It summarizes representative forms, from traditional tankards and covered beakers to international types, and describes key examples across the century, including Rococo pieces and later ornamental and hard-stone work.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/german-domestic-silver-of-the-eighteenth-century-introduction/425181/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/german-domestic-silver-of-the-eighteenth-century-introduction/425181.png","ImageObject",300,407,{"name":92,"@type":93},"Eliana","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-31","2026-09-28",true,{"@type":102,"interactionType":103,"userInteractionCount":34},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What was the collection’s main aim according to the text?","Question",{"text":112,"@type":113},"To introduce German silver to the English public, with preference for pieces unlike those made in England.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which city is highlighted as most important for German silver in this period?",{"text":117,"@type":113},"Augsburg, whose goldsmiths are described as pre-eminent and responsible for much of the best secular silver.",{"name":119,"@type":110,"acceptedAnswer":120},"What influences are said to shape German silver during the eighteenth century?",{"text":121,"@type":113},"French influence through Paris fashions and printed designs that Augsburg goldsmiths studied, adapted, and spread across regions.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},425181,1791640239,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":34,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":36,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":143,"read_time":144},4398048949847,"https://ap-avatar.wpscdn.com/avatar/400002536579ef2da7f?_k=1778318612642679267","⑤crman  \n2omcjtic Cildcrof the GightccnthGcnfury  \nC32775903063237CEIVE  \nOCT181SPD  \nVICTORIA AND ALBERT MUSEUMRIA  \nUNIVERSITYOF VICTORIALIBRARY  \nDigitized by the Internet Archivein 2021 with funding fromKahle/Austin Foundation  \nhttps://archive.org/details/germandomesticsi0000unse  \n!1您：空  \n头心 共  \n# German\n\nDomestic Silverof the EighteenthCentury  \nLONDON  \nHER MAJESTY’S STATIONERY OFFICEI965  \n\n| UNIVERSITY OF VICTORIA  \u003Cbr>LIBRARY   |\n| --- |\n\nSMALL PICTURE BooK No s8  \nCCrown copyright 1965First published 1965  \n# GERMAN DOMESTIC SILVEROF THE EIGHTEENTH CENTURY\n\nSince the aim of the collection was to introduce German silverto the English public,preference has always tended to be givento the acquisition of pieces unlike those which were made inthis country.In the I8th century,partly owing to the dynasticlink between England and Hanover,London fashions in silvermade some impression in northern Germany but of this notrace will be found amongst the pieces illustrated.The pre-dominant external influence on German silver was,of course,French and it was Paris fashions which the goldsmiths ofAugsburg studied,adapted,and disseminated over Germany,eastern Europe and to a lesser degree Scandinavia.  \nIt is no accident that threc-quarters of the museum piecesbear the mark of Augsburg.During this century the gold-smiths of that city were pre-eminent and if they were respon-sible for most of the best secular silver produced in Germany,their ecclesiastical work was the finest in Europe.As inprevious periods their skill was diffused by means of publisheddesigns,though these were no longer of such internationalimportance as they had been previously.The sheet of designsfor winc-coolers,etc.(fig.I)by Abraham Drentwett has becnincluded as a reminder that large pieces were made as well asthe small and intimate ones in which the collection is strong.  \nThe traditional forms of German silver are well repre-sented,tankards and covered beakers both on moulded basesand ball feet,as well as gild cups on tall baluster stems.  \nTurning to the pieces of international types,it will be notedthat although both forms and decoration owe much toFrance,they none the less have a strong national character.Theformal ornament so popular in the early part of the centurywas disseminated by printed designs such as those issued inI727 by Johann Jakob Baumgartner(figs.I8-I9).It will benoted that his designs were usually split down the middle soas to give the copyist a choice of two decorative borders.The  \nchinoiserie scene in one of them is paralleled in the Chineseborder on the little enamelled saucer by Elias Adam(fig.9).  \nThe Rococo period is represented by two importantpieces.One of these is a splendid example of raised silverbearing the Augsburg mark for I747-49 and the mark ofPhilipp Jakob Drentwett(fig.26),the third member of thatillustrious family of goldsmiths to combine these names.Itseems likely that the initials CP refers to Prince Charles ofLorraine,brother-in-law of the Empress Maria Theresa,whowas governor of the Austrian Netherlands from I744 until hisdeath in 1780.The purpose for which this piece was made isobscure but that it was mounted on a wooden core is provedby nail holes round the edge.The Prince was lavish in histastes and presumably this is part of a piece of furniture.Itappears to have been acquired by the first Earl Cowley(1773-I847)in the course of his long diplomatic career.It waslater‘embellished'in early Victorian days by Messrs.Garrard,with additional shells and floral sprays which have now beenremoved.  \nWorthy of special mention as illustrating the last phase ofRococo silver is a sugar-box(fig.27)by Gottlieb Satzger andbearing the Augsburg mark for I773-75.The classical revivalof the end of the century is unfortunately not represented.  \nOne of the specialities of German goldsmiths during thisperiod was the production of purely ornamental pieces.Twosorts are represented in the collection which includes severallittle enamelled co","cbCais1tFNImfnSo","https://ap.wps.com/l/cbCais1tFNImfnSo","pdf",1939201,"English","# German\n## Purpose and acquisition focus\n## External influences and Augsburg production\n## Traditional forms and international types\n## Printed designs and decorative borders\n## Rococo examples and notable makers\n## Late-century specialties and materials","[{\"question\":\"What was the collection’s main aim according to the text?\",\"answer\":\"To introduce German silver to the English public, with preference for pieces unlike those made in England.\"},{\"question\":\"Which city is highlighted as most important for German silver in this period?\",\"answer\":\"Augsburg, whose goldsmiths are described as pre-eminent and responsible for much of the best secular silver.\"},{\"question\":\"What influences are said to shape German silver during the eighteenth century?\",\"answer\":\"French influence through Paris fashions and printed designs that Augsburg goldsmiths studied, adapted, and spread across regions.\"}]","German Domestic Silver of the Eighteenth Century - Introduction | PDF",1790636498,62]