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Creative Commons Attribution 4.0 InternationalLicense.To view a copy of this license,visit http://creativecommons.org/licenses/by/4.0/.  \n12/8 Path Publications  \nISBN 978-0-578-22171-7  \nContents  \nfocus on FascismModern No.20punctuationwhy I dislike Conspiracy Theoristsdear editors of m.c.k9permanent state of mineVote Your Fears and Watch FER Factors Flourishperennial grainscrystal clearDeath SentencemeetingedenbirdsNumber 2Fear Has Us Making Bad Bets on the Futureawake with the sunversions ofChaosangelique uniquenew year's revolutionsmanifesto many festospaceconvergenceminnowsanti-FascFashion Fascismtree of lifedraft of letter to real friendEvil Hot Airmy 2 sentencesthe clauseReally Big Baby.obviate Fascism  \namerican type writer  \nBig Showdown slowdownfunny Money  \nthought a chair was a chairIvy League  \nl0234S  \n6  \n7  \n8  \n9  \n10  \n1l  \n12  \n13  \n14  \n15  \n16  \n17  \n18  \n19  \n20  \n21  \n22  \n24  \n25  \n26  \n28  \n29  \n30  \n31  \n32  \n33  \n34  \n35  \n36  \n37  \n38  \n39  \n40  \n# focus on Fascism\n\nwhy do itin poetic form?  \nbecause in an infinite variety of waysthat reside in the breasts of all living soulsany solution to the Fascist trend in all statespulses and grooves inside each of uswe hear the basic call to consciousness &conscience  \nto free our selves from fundi-Xtian fascists,we have to free them from their selfish selves  \nto free our selves from islamofascists technofascists progressofascistswe have to free our selves firstto “go global &e go local”  \nto “chill globally and groove locally”  \nto be effective &e reveal our essence in every song and dance routineand HAVH nothingasserting &affirming in every celebration of the moment  \nevery party every feast every fierce enjoyment of the moment  \nfocus on Fascism  \nunstoppable Fascism rolls along as if it were reality and not a bad dreamthe emerging left-right alliance is not emerging fast enough  \nan alliance sounds temporary a matter of convenience a united affrontto dissmantle the corporate state  \nmeans to take the mantle or cloak off remove its 'cover’  \n“de-face the currency”  \nfind the means to take civ apart piece by piece  \none small“convergence”of libs and cons after another  \nthis might work if we can just focus on the F word for a few momentsat different times  \nof each day whaddayasay?Fasc a bundle of twigs wrapped around an axhow strong is the string?  \nis it a leather thong that shrinks dries out might snap?  \nthe twigs are tightly tangled remove the string the bundle holds or foldsone snip of the dialectical scissors!  \nmight big twigs turn to sawdust in our hands?  \n1  \nModern No.20  \neden ahbez,who gave us“Nature Boy”for nat king cole to sing,believedthat only God and Infinity deserve capitalization  \nm.c.k⁹plays and prays for Gaia &e Eternity as near equivalence in 2019  \nFascism and especially Techno-Fascism [in Modern No.20 the numbersand the CAPITALIST Capitals are so heavy]we imprison the news inbrackets  \n[Der Fuhrer is Linear Minded.  \nis One Flesh One Bone One Blood One Cuntry\\#1 One Flag.  \nis Goald Directed.  \nis One together with those not afraid to die  \nfor Deutschland.Fodderland.Patrisnarky.  \nUber Alles]  \nnow in present time&forever in Gaia &e Eternitywe affirm life in all its processes  \nHomo Sap Sap:knowing explains our very BEING its all we are or ever will bethe worst is behind us and we will get even better than this  \naction is the attraction hand in the air like you just don't care-Sig Heilwe sit around the great inclusive round table where there is no classor caste  \nin the Eqnality of Death  \n一2  \n# punctuation\n\nThe end-product of an artist's work,  \nthe“useful commodity”in the production of which he plays a role,is ideological influence.  \nHe is as incapable of producing this on his own asa blacksmith is of produaing Concorde.The production of ideological influence is highly socialized  \ninvolving (in the case of m","cbCaioPzrpK1NfVm","https://ap.wps.com/l/cbCaioPzrpK1NfVm","pdf",1734747,52,"English","# focus on Fascism\n## why do i t in poetic form?\n## Modern No.20\n## punctuation\n## american type writer","[{\"question\":\"What is the central theme of the collection?\",\"answer\":\"The collection focuses on Fascism, portraying it as a persistent trend and examining how rhetoric, power structures, and ideology spread.\"},{\"question\":\"How does the author connect personal responsibility to political resistance?\",\"answer\":\"The text argues that to free others from fascist impulses, people must first “free ourselves,” emphasizing conscience, consciousness, and inner change.\"},{\"question\":\"What role do form and punctuation play in conveying meaning?\",\"answer\":\"Sections such as “punctuation” and “american type writer” treat structure—commas, parentheses, fullstops, and typographic gestures—as part of the argument, showing how form can shape ideological influence and impact.\"}]","fullstop Fascism - focus on Fascism | PDF",1790598241]