[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-137956-en":3,"doc-seo-137956-105":30,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":20,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},137956,1649267921044,"Ava Thompson","https://us-avatar.wpscdn.com/avatar/1800007509477c92dfb?_k=1786009248482753345",2,"Literature","from Willy Wonka and the Chocolate Factory - Pure Imagination - Part I - for 2-part voices and piano","Sheet music arrangement for “Pure Imagination” from Willy Wonka and the Chocolate Factory, written for 2-part voices with piano accompaniment. Includes performance guidance such as Tenderly tempo indications, freedom of movement, and optional solo cues, covering both Part I and Part II sections. Publication notes provide available formats (e.g., SATB/SSA) and distribution through SoundTrax CD. Copyright and permissions information specify the arrangement ownership and authorized printing in the USA.","2  \nfrom Willy Wonka and the Chocolate Factory  \nPURE IMAGINATION  \nfor 2-part voices and piano  \nwith optional SoundTrax CD*  \nArranged by  \nJAY ALTHOUSE  \nWords and Music by  \nLESLIE BRICUSSEand ANTHONY NEWLEY  \n4 4  \n4 4  \n4 4  \n44 Ó  \n& bbb  \n& bbb  \n? bbb  \n∑ ∑ ∑ ∑  \nA¨/B¨  \n˙.  \n˙.  \nmp ww  \nww  \n˙  \nœ  \nœ  \nE¨Œ„Š7/B¨  \nw  \nw  \nw  \nww  \nw  \n˙  \n˙  \nA¨6/B¨  \n˙.  \n˙.  \nww  \nww  \n˙  \nœ  \nœ  \n˙  \nE¨Œ„Š7  \nw  \nw  \nww  \nw  \n˙  \n˙  \nPART I  \nPART II  \nTenderly (q = ca. 96-100), with freedom of movement  \n°& bbb ∑ ∑ ∑ ∑  \n¢  \nTenderly (q = ca. 96-100), with freedom of movement  \nPIANO {  \nopt. SOLO mp  \n˙  \n& bbb  \n& bbb  \n∑  \n∑  \nA¨Œ„Š7  \n& bbb  \n? bbb  \nœ œ  \nw  \nw  \nw  \nœ  \nœ  \n∑∑  \nG‹7  \nœ  \nœœ  \nww  \n∑ Ó  \nœ Come  \nœ  \nwith  \nF‹7  \nœ  \nœ œ  \nw  \n∑  \nœ  \nB¨7(“4)  \nœ  \nw  \nw  \nw  \n∑  \nœ  \nœ  \nw  \n5  \n°  \n¢  \n{  \n* Also available for S.A.T.B. (37983) and S.S.A. (37984) .  \nSoundTrax CD available (37986) .  \n© 1970, 1971 (Copyrights Renewed) TARADAM MUSIC, INC.  \nThis Arrangement © 2011 TARADAM MUSIC, INC. All Rights Reserved. Used by Permission. Printed in USA.  \nSole Selling Agent for This Arrangement: Alfred Music Publishing Co. , Inc.  \nTo purchase a full-length performance recording of this piece, [go to alfred.com/downloads](go to alfred.com/downloads)  \n3  \nw  \n˙ œ Œ œ œ œ . œJ œ œ œ œ œ œ Ó  \nœ  \nœ  \n& bbb  \n& bbb  \n? bbb  \n∑  \nF‹9  \nw  \nw  \nw  \nw  \nw  \nopt. SOLO mp  \n∑  \nA¨Œ„Š7/B¨  \n∑  \nE¨Œ„Š7  \nÓ  \nC‹7(„ˆˆ2)  \nœ  \nTake  \nC‹7  \nœ  \na  \nw w w  \nw w w˙ ˙  \nw  \nœ  \nœ ˙  \nw  \nw  \n°& bbb  \nme and you’ll be in a world of  \n(end solo)  \npure im-ag - i - na-tion.  \n¢  \n{  \n9  \n13  \nœ  \nœ  \n& bbb  \n& bbb  \n? bbb  \n˙  \nlook  \nF‹9  \n˙  \n˙  \n˙  \n˙  \nœ  \nœ  \nœ  \nand  \nF‹7  \nœ  \n˙˙  \n˙  \n˙  \nœ  \nyou’ll  \nœ  \nsee  \nŒ  \nA¨Œ„Š7/B¨  \nœ  \n˙  \n˙  \n˙  \n˙  \nœ ˙  \nœ  \nin F‹7/B¨  \nœ  \n˙  \n˙  \nœ  \nto  \nœ  \nœ  \nœ  \nyour  \nD/E¨  \nœ  \n\\#n˙  \n˙  \nœ œ œ œ  \nœ  \nim - ag - i - na - tion. E¨Œ„Š7  \nœ œ œ  \nœ  \n˙  \n˙  \n°& bbb ∑ ∑ ∑  \n¢  \n{  \n& bbb  \n(end solo)  \nœ We’ll mp  \n˙  \nœ  \nœ  \nbe - gin with  \nŒ  \nœ  \nœ We’ll  \nA¨Œ„Š7  \n˙œ  \nœ  \nbe - gin with  \nE¨/G F‹9  \nœ  \na  \nœ  \na  \nœ  \nspin  \nœ  \nspin A¨Œ„Š7/B¨  \nŒ  \nŒ  \nœœ  \ntrav - ’ling  \nœœ  \ntrav - ’ling  \n16  \n°& bbb Ó  \nmp  \n¢  \n{  \n17  \n& bbb  \n? bbb  \n˙ ˙ œ  \nœ ˙ œ w  \nœ n œ œ œ œœ œ ˙ œ w  \n˙ w  \nœ œ  \nœ œ œ œ ˙  \nœ œ œ  \nœ  \nœ  \n4  \n19  \nœ  \n& bbb  \n& bbb  \nœ .  \nin  \nœ .  \nin E¨Œ„Š7  \n& bbb ˙˙˙...  \nœ œ  \nJ  \nthe world  \nj  \nœ œ  \nthe world  \nœ  \nof  \nœ  \nof  \nœ œ œ œ Œ  \nœ  \nmy cre - a - tion. What  \nœ œ œ œ Œ  \nœ  \nmy cre - a - tion. What  \nC‹7(„ˆˆ2) G‹ C‹7  \nœ œ  \nœ œ œœ œ  \nœ ˙ œ  \nœ we’ll  \nœ we’ll  \nœ  \n˙  \nsee  \n˙  \nsee  \nF‹9  \n˙  \n˙  \n˙  \n˙  \nœ  \nwill  \nœ  \nwill  \nF‹7  \nœ  \n˙˙  \n˙  \nœ  \nde   \nœ  \nde   \nœ  \n? bbb œ ˙ ˙ œ ˙  \nœ œ œ  \nœ  \n°  \n¢  \n{  \n˙  \n& bbb  \nœ  \nœ  \nfy  \nŒ  \nŒ  \nA¨Œ„Š7/B¨  \n& bbb  \n? bbb  \n˙  \n˙  \n˙  \n˙  \nœ ˙  \nœ .  \nœ .  \nj  \nœ  \nj  \nœ  \n˙  \n˙  \nex - pla - na  \nF‹7/B¨ G(„ˆˆ2)  \nj  \nœ˙. œ nn˙˙˙  \nœ œ œ  \n˙ ˙.  \ncresc.  \n\\#˙ ˙.  \n- tion.  \nGŒ„Š9 G(„ˆˆ2) G  \n\\#n œ œ œ nn˙œ œ œ œ  \ncresc.  \nœ nœ œ nœ n˙  \nœ œ œ  \nœ  \nŒ  \nŒ  \nœ  \nœ  \n22  \n°& bbb  \nfy ex - pla - na  \n-  \ncresc.  \ntion.  \n¢  \n{  \n& bbb  \nmf  \nœ œ œ  \nIf you want  \nœ ˙  \nto view  \nA¨Œ„Š7  \npar  \nœ  \npar  \nG‹7  \n- a - dise  \nœ  \n˙  \n- a - dise  \nC‹7  \nsim-ply look a-round and  \nœ œ œ œ œ  \nœ  \nsim-ply look a-round and  \nF‹7 A¨Œ„Š7/B¨  \n& bbb  \nœ œ œ œ ˙ œ  \nœ ˙ œ œ œ œ œ  \nœ  \n°& bbb  \nmf  \nIf you want to view  \n¢  \n{  \n25","cbCaiuLDMpuCjEec","https://ap.wps.com/l/cbCaiuLDMpuCjEec","pdf",120953,3,1,"English","en",105,"# PART I\n## Tenderly (q = ca. 96-100), with freedom of movement\n# PART II","[{\"question\":\"For what performers is “Pure Imagination” arranged?\",\"answer\":\"It is arranged for 2-part voices with piano accompaniment, with optional solo capability.\"},{\"question\":\"What tempo and expression marking is given for the performance?\",\"answer\":\"The score specifies “Tenderly (q = ca. 96-100), with freedom of movement.”\"},{\"question\":\"Does the arrangement include multiple parts?\",\"answer\":\"Yes. The document shows separate sections labeled “PART I” and “PART II,” indicating a two-part structure.\"}]","from Willy Wonka and the Chocolate Factory - Pure Imagination - Part I - for 2-part voices and piano | PDF",1787472061,5,{"code":4,"msg":31,"data":32},"ok",{"site_id":24,"language":23,"slug":33,"title":13,"keywords":34,"description":14,"schema_data":35,"social_meta":85,"head_meta":87,"extra_data":89,"updated_unix":28},"from-willy-wonka-and-the-chocolate-factory-pure-imagination-part-i-for-2-part-voices-and-piano","",{"@graph":36,"@context":84},[37,52,67],{"@type":38,"itemListElement":39},"BreadcrumbList",[40,44,47,49],{"item":41,"name":42,"@type":43,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":45,"name":46,"@type":43,"position":11},"https://docshare.wps.com/document/","Document",{"item":48,"name":12,"@type":43,"position":20},"https://docshare.wps.com/document/literature/",{"item":50,"name":13,"@type":43,"position":51},"https://docshare.wps.com/document/from-willy-wonka-and-the-chocolate-factory-pure-imagination-part-i-for-2-part-voices-and-piano/137956/",4,{"url":50,"name":13,"@type":53,"author":54,"headline":13,"publisher":56,"fileFormat":59,"inLanguage":23,"description":14,"dateModified":60,"datePublished":61,"encodingFormat":59,"isAccessibleForFree":62,"interactionStatistic":63},"DigitalDocument",{"name":9,"@type":55},"Person",{"url":41,"name":57,"@type":58},"DocShare","Organization","application/pdf","2026-09-03","2026-08-23",true,{"@type":64,"interactionType":65,"userInteractionCount":20},"InteractionCounter",{"@type":66},"ViewAction",{"@type":68,"mainEntity":69},"FAQPage",[70,76,80],{"name":71,"@type":72,"acceptedAnswer":73},"For what performers is “Pure Imagination” arranged?","Question",{"text":74,"@type":75},"It is arranged for 2-part voices with piano accompaniment, with optional solo capability.","Answer",{"name":77,"@type":72,"acceptedAnswer":78},"What tempo and expression marking is given for the performance?",{"text":79,"@type":75},"The score specifies “Tenderly (q = ca. 96-100), with freedom of movement.”",{"name":81,"@type":72,"acceptedAnswer":82},"Does the arrangement include multiple parts?",{"text":83,"@type":75},"Yes. The document shows separate sections labeled “PART I” and “PART II,” indicating a two-part structure.","https://schema.org",{"og:url":50,"og:type":86,"og:title":13,"og:site_name":57,"og:description":14},"article",{"robots":88,"canonical":50},"index,follow",{"doc_id":7,"site_id":24},{"code":4,"msg":5,"data":91},[92,96,99,103,107,112,117,122,127,130,134],{"id":21,"doc_module":4,"doc_module_name":46,"category_name":93,"show_sort_weight":94,"slug":95},"Story & Novel",90,"story-novel",{"id":11,"doc_module":4,"doc_module_name":46,"category_name":12,"show_sort_weight":97,"slug":98},80,"literature",{"id":51,"doc_module":4,"doc_module_name":46,"category_name":100,"show_sort_weight":101,"slug":102},"Exam",70,"exam",{"id":29,"doc_module":4,"doc_module_name":46,"category_name":104,"show_sort_weight":105,"slug":106},"Comic",60,"comic",{"id":108,"doc_module":4,"doc_module_name":46,"category_name":109,"show_sort_weight":110,"slug":111},6,"Technology",50,"technology",{"id":113,"doc_module":4,"doc_module_name":46,"category_name":114,"show_sort_weight":115,"slug":116},7,"Healthcare",40,"healthcare",{"id":118,"doc_module":4,"doc_module_name":46,"category_name":119,"show_sort_weight":120,"slug":121},8,"Research & Report",30,"research-report",{"id":123,"doc_module":4,"doc_module_name":46,"category_name":124,"show_sort_weight":125,"slug":126},9,"Religion & Spirituality",20,"religion-spirituality",{"id":125,"doc_module":4,"doc_module_name":46,"category_name":128,"show_sort_weight":125,"slug":129},"World Cup","world-cup",{"id":131,"doc_module":4,"doc_module_name":46,"category_name":132,"show_sort_weight":131,"slug":133},10,"Lifestyle","lifestyle",{"id":135,"doc_module":4,"doc_module_name":46,"category_name":136,"show_sort_weight":29,"slug":137},19,"General","general"]