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The text explains how the movement, once mocked and ridiculed, gained recognition and influenced modern art understanding. It recounts the 1874 independent exhibition in Paris, critics’ reactions, and the origin of the term “Impressionism” from a painting titled “Impression - Sunrise,” connecting artistic rebellion to the rejection of official Salon traditions.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/french-impressionists-and-their-circle/567861/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/french-impressionists-and-their-circle/567861.png","ImageObject",300,407,{"name":92,"@type":93},"Noah","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-20","2026-10-13",true,{"@type":102,"interactionType":103,"userInteractionCount":8},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the purpose of this book?","Question",{"text":112,"@type":113},"It provides a generous selection of representative works of Impressionist artists, with illustrations and introductory text to survey the movement and its key painters.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How did the term “Impressionism” come about?",{"text":117,"@type":113},"In 1874, critics seized on Monet’s painting “Impression - Sunrise” and used it to label the pictures shown as “impressionistic,” turning a term of derision into the movement’s name.",{"name":119,"@type":110,"acceptedAnswer":120},"Who helped frame the commentary and introductory text?",{"text":121,"@type":113},"The commentaries and introductory text are by Herman J. Wechsler.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},567861,1792477109,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":16,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":143,"read_time":144},8796095462418,"https://ap-avatar.wpscdn.com/avatar/80000253c1241d02b47?x-image-process=image/resize,m_fixed,w_180,h_180&k=1778826106357471780","FRENCHImpressionists  \nFONT ANA POCKET LI BRARY OF GREAT.ART  \nABOUT THIS BOOK  \nHERE,WITHIN THE PAGES of onevolume,is a generous selection ofthe most representative works of theartists of Impressionism,a move-ment once jeered at and ridiculedbut now regarded as one of the mostexciting art movements of all time.More than fifty pages of illustrations,including thirty in colour,providethis comprehensive survey of thebrilliant canvases and drawings ofManet,Renoir,Pissarro,Monet,Sisley,Degas,Seurat,Gauguin,Lautrec,Van Gogh,Cezanne,Mori-sot and Cassatt.The shrewd com-mentaries and the introductory textare by Herman J.Wechsler.  \nThe Fontana Pocket Library ofGreat Art will ultimately constituteone of the most remarkable collec-tions of art-in-reproduction everpublished.The biographical andcritical commentaries in each volumeare all by well-known scholars andauthorities.No other library cangive you this comprehensive know-ledge of the great masters at such areasonable price.  \nAlinFontana Art Book  \n5s.net  \n389801   1. 0le、匹.  \n# FONTANAPOCKET LIBRARY OF GREAT ART\n\n)  \n.  \nr.PISSARRO.Saint Martin Pig Market.1886.PencilCollection John Rewald,New York  \nFRENCHIMPRESSIONISTS  \nAND THEIR CIRCLE  \ntext byHERMAN J.WECHSLER  \nCOLLINSFontana Pocket Library of Great Art  \nOn the cover  \nEdouard Manet BOATING AT ARGENTEUIL(see color plate g)  \nDrois de Reproductions reserrésS.P.A.D.E.M.Paris  \nAll rigbts reserved.No part of the contents of tbis book maybe reproduced without written permission.Printed in The Netherlands,1961,by Offset Smeets,Weert.  \n2.MONET.Port of Touques near Honfleur.r870.Conté crayonWildenstein and Co.,New York  \nTODAY THE TERM IMPRESSIONISM has not onlyfound its way into the language of critic and lay-man alike,but it immediately evokes images of aseries of brilliant canvases by painters who are nowbeing called \"traditional\"-sometimes \"old masters\"!Yet less than one hundred years ago,the efforts ofthese same artists were considered \"outlandish\"and\"insults to the painter's craft.\"  \nIn the year 1874,a group of French painters whohad had their offerings systematically rejected by thejury of the official Salon,arranged their own exhibit  \non the vacated premises of the photographer Nadar,situated on one of Paris'busiest thoroughfares.Somethirty artists showed their wares,among them beingDegas,Renoir,Monet,Pissarro,Cezanne,Sisley,Berthe Morisot.Manet,although sympathetic to thegroup's activity,did not exhibit on this occasion.  \nThe public and critics came to the humble quarterspaid a modest entrance fee,and experienced variedsensations.Some were honestly bewildered,others in-furiated-the majority simply amused.Cezanne borethe brunt of the strongest insults,but it was one ofMonet's pictures,entitled Impression=Sunrise,whichgave the movement and the group its name,for a witamong the critics seized upon this title and labeled allthe pictures shown as \"impressionistic.\"Thus theword \"impressionism,\"used first as a term of deri-sion,was adopted by the very victims of this mockeryas a label for their group and a proud banner for theirrebellion.Their revolt was against the offcial art ofthe Salon,the neo-classicism of the Academy,the elab-orate set of ironclad rules which enslaved most of theartists of the day.  \nBut the Impressionists were not alone in theircentury's rebellion.The great Ingres had thought ofhimself as a \"revolutionary\";Courbet,with his starkrealism,offended the official school;Delacroix hadalready deeply shocked the academicians by his \"ro-mantic\"pictures;and Daumier went his quiet way torecord and ennoble the everyday activity of the Frenchbourgeoisie,ignoring the Greeks and Romans,except","cbCaibddtE6Lit9w","https://ap.wps.com/l/cbCaibddtE6Lit9w","pdf",3502040,"English","# ABOUT THIS BOOK\n# The term Impressionism\n## The 1874 exhibition and reactions\n## Origins of the name","[{\"question\":\"What is the purpose of this book?\",\"answer\":\"It provides a generous selection of representative works of Impressionist artists, with illustrations and introductory text to survey the movement and its key painters.\"},{\"question\":\"How did the term “Impressionism” come about?\",\"answer\":\"In 1874, critics seized on Monet’s painting “Impression - Sunrise” and used it to label the pictures shown as “impressionistic,” turning a term of derision into the movement’s name.\"},{\"question\":\"Who helped frame the commentary and introductory text?\",\"answer\":\"The commentaries and introductory text are by Herman J. Wechsler.\"}]","FRENCH IMPRESSIONISTS - AND THEIR CIRCLE | PDF",1791868274,123]