[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-150029-en":3,"doc-seo-150029-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},150029,1099514068035,"Ezra","https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c",2,"Literature","Forced Amnesia - Descriptions of Works","Forced Amnesia is a solo exhibition by Mary-Audrey Ramirez exploring memory, forgetting, and narrative control through game-like spatial storytelling. Ramirez builds an environment that echoes computer-game progression, presenting insect and reptile-like creatures whose bodies are finished in shiny materials. The works draw on a self-induced forgetting theory: repression disrupts memory processing and may result in reversible amnesia. The title also extends to collective cultural erasure and outsider manipulation, including how AI inherits bias from existing data.","Mary-Audrey Ramirez. Forced Amnesia Descriptions of Works  \n[Kunsthalle-giessen.de](Kunsthalle-giessen.de)  \nF ig . : Mary-Audrey Ram irez, Herpes is annoy ing, 2022, d ig ita l image Courtesy of the art ist + Mart inetz , Cologne  \n24  \n25 23  \n22  \n21 20  \n14  \n17  \n8  \n18  \n19  \n7  \n6  \n13 12 11 10 9  \n2 2  \n1  \n3 5  \n2  \n4  \n[Kunsthalle-giessen.de](Kunsthalle-giessen.de)  \n_____________________________________________________________________________________  \n1 Somebody’s Basilisk, 2023, vinyl, PVC, fiber fill, metal, wood  \n2 Weapons/ Derbis, 2023, vinyl, PVC, fiber fill, metal  \n3 Owly peaking through, 2023,  \n2 min loop digital video  \n4 Rotting peaking through, 2023,  \n2 min loop digital video  \n5 Melting peaking through, 2023,  \n2 min loop digital video  \n7 Die Nervensäge/ pls shut up!, 2022, satin print on crushed velvet, 61 x 48 cm  \n8 Trapped in PVC   so much PVC, 2022, satin print on crushed velvet, 120 x 93 cm  \n9 Strong Baby Jesus Vibes, 2022, satin print on crushed velvet, 61 x 48 cm  \n10 PVC Birth: Seymour, 2022, satin print on crushed velvet, 120 x 93 cm  \n11 PVC Birth: Diana, 2022, satin print on crushed velvet, 120 x 93 cm  \n12 PVC Birth: Queenie, 2022, satin print on crushed velvet, 120 x 93 cm  \n13 PVC Birth: Derpy, 2022, satin print on crushed velvet, 120 x 93 cm  \n[Kunsthalle-giessen.de](Kunsthalle-giessen.de)  \n_____________________________________________________________________________________  \n14 Look at me! Do you see what I see?, 2022, satin print on crushed velvet, 120 x 93 cm  \n15 Triptych, 2022  \nMiddle: The Lovers (in love),  \nLeft + Right: The Haters (in goo),  \nsatin print on crushed velvet, 90 x 190 cm  \n16 The Outcast (frozen), 2022, satin print on crushed velvet, 61 x 48 cm  \n17 Frozen food, 2022, satin print, 130 x 93 cm  \n18 Nice Haircut, 2022, satin print, 61 x 48 cm  \n19 Chatty Hermit, 2022, satin print, 130 x 93 cm  \n20 Critter trapped inside a snowflake, 2022, satin print, 130 x 93 cm  \n21 Triptych, 2022  \nLeft: Cryonics Nr1, 61 x 38 cm, Middle: Cryonics Nr2, 120 x 93 cm  \nRight: Cryonics Nr3, 61 x 48 cm  \nsatin print  \n22 Herpes is annoying   , 2022,  \nsatin print on crushed velvet, 61 x 48 cm  \n[Kunsthalle-giessen.de](Kunsthalle-giessen.de)  \n_____________________________________________________________________________________  \n23 Rotting Head, 2023, 3D printed sand  \n24 Peaking, 2023, 3D printed sand on velvet pillow  \n25 Happy Face (Parasites), 2023, 3D printed sand  \n26 Forced Amnesia Loading Screen (WIP), 2023,  \n2 min loop digital video  \nSoundscape by Simon Goff, 2023  \nAll artworks:  \nCourtesy of the Artist + Martinetz, Cologne  \n[Kunsthalle-giessen.de](Kunsthalle-giessen.de)  \nFor her solo exhibition Forced Amnesia, the artist Mary-Audrey Ramirez (*1990 in Luxembourg) creates an environment that evokes the impression of being inside a computer game. Ramirez reproduces the classic staggered structure of computer game storytelling with a labyrinth-like presentation in the Kunsthalle. Inspired by the aesthetics of games, she allows glimpses into other fantastic worlds that are inhabited by insect and reptilelike creatures, whose bodies are enveloped in shiny materials. She developed these creatures in collaboration with an artificial intelligence (AI), a text-to-image generator. A desire for a direct connection between the digital and physical worlds is integral to her practice.  \nWith the title Forced Amnesia, Ramirez refers to the theory of self-induced forgetting to banish traumatic experiences from one‘s own consciousness. Through an active compulsion to repress events, the hippocampus, which is functionally involved in memory, is disrupted and reversible amnesia can follow.  \nFurthermore, the term can refer to the collective  \n[Kunsthalle-giessen.de](Kunsthalle-giessen.de)  \neradication of cultures and religions. The focus here lies with influencing the writing of history. A third meaning can be the manipulation of memory by outsiders. The intensive examination of mode","cbCailEz7S1fusWT","https://ap.wps.com/l/cbCailEz7S1fusWT","pdf",235301,1,19,"English","en",105,"# Exhibition Overview\n## Memory, forgetting, and narrative manipulation\n# Works List\n## Artwork descriptions and media","[{\"question\":\"What kind of environment does Mary-Audrey Ramirez create in Forced Amnesia?\",\"answer\":\"Ramirez creates a computer-game-like setting inside the Kunsthalle, using a labyrinth-like presentation that follows classic staggered storytelling structures.\"},{\"question\":\"How does the title Forced Amnesia connect to memory theory?\",\"answer\":\"It refers to self-induced forgetting, where actively repressing experiences can disrupt memory-related functioning and lead to reversible amnesia.\"},{\"question\":\"How does AI participate in the creation of the presented creatures?\",\"answer\":\"The artist developed the creatures in collaboration with artificial intelligence, specifically a text-to-image generator, and ties this to questions about AI blind spots and inherited bias.\"}]","Forced Amnesia - 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