[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-33127":3,"doc-seo-33127":27},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"file_id":15,"file_url":16,"file_type":17,"file_size":18,"view_count":19,"is_deleted":4,"is_public":19,"is_downloadable":19,"audit_status":19,"page_count":20,"language":21,"language_code":22,"table_of_contents":23,"faqs":24,"seo_title":13,"seo_description":14,"update_tm":25,"read_time":26},33127,4810365810221,"Aurora","https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d",8,"Research & Report","Film and Phenomenology: Toward a Realist Theory of Cinematic Representation","Film and Phenomenology: Toward a Realist Theory of Cinematic Representation presents a phenomenological approach to how films represent reality. The work develops Husserl’s concepts—especially the noema, as well as issues of ontology and epistemology—then connects them to cinematic representation through themes of transaction, transparency, and transcendence. It extends this framework to fictional representation, contrasting formal modes such as the orientalist mode, cinematic sound, fabula and diegesis, and the Imaginary, and it applies similar analysis to documentary representation, including a section on “Rescuing the documentary.”","cbCaieQDucudm6i9","https://ap.wps.com/l/cbCaieQDucudm6i9","pdf",11940349,1,174,"English","en","# Introduction\n## I Phenomenological theory\n## II A phenomenology of fictional representation\n## III A phenomenology of documentary representation\n# Conclusion","[{\"question\":\"What distinguishes the treatment of documentary representation?\",\"answer\":\"The documentary section focuses on themes such as rescuing the documentary and uses Derridean deconstruction as part of the analysis. It contrasts documentary representation using a phenomenological framing.\"},{\"question\":\"What does the book propose by “Toward a Realist Theory of Cinematic Representation”?\",\"answer\":\"The concluding and earlier theoretical sections aim to justify cinematic representation through a realist orientation grounded in phenomenological ontology and epistemology. The analysis applies this realist framework across fiction and documentary forms.\"}]",1782203199,438,{"code":4,"msg":28,"data":29},"ok",{"site_id":30,"language":22,"slug":31,"title":13,"keywords":32,"description":14,"schema_data":33,"social_meta":80,"head_meta":82,"extra_data":84,"updated_unix":25},105,"film-and-phenomenology-toward-a-realist-theory-of-cinematic-representation","",{"@graph":34,"@context":79},[35,52,66],{"@type":36,"itemListElement":37},"BreadcrumbList",[38,42,46,49],{"item":39,"name":40,"@type":41,"position":19},"https://docshare.wps.com","Home","ListItem",{"item":43,"name":44,"@type":41,"position":45},"https://docshare.wps.com/document/","Document",2,{"item":47,"name":12,"@type":41,"position":48},"https://docshare.wps.com/document/research-report/",3,{"item":50,"name":13,"@type":41,"position":51},"https://docshare.wps.com/document/film-and-phenomenology-toward-a-realist-theory-of-cinematic-representation/33127/",4,{"url":50,"name":13,"@type":53,"author":54,"headline":13,"publisher":56,"fileFormat":59,"description":14,"dateModified":60,"datePublished":60,"encodingFormat":59,"isAccessibleForFree":61,"interactionStatistic":62},"DigitalDocument",{"name":9,"@type":55},"Person",{"url":39,"name":57,"@type":58},"DocShare","Organization","application/pdf","2026-06-23",true,{"@type":63,"interactionType":64,"userInteractionCount":19},"InteractionCounter",{"@type":65},"ViewAction",{"@type":67,"mainEntity":68},"FAQPage",[69,75],{"name":70,"@type":71,"acceptedAnswer":72},"What distinguishes the treatment of documentary representation?","Question",{"text":73,"@type":74},"The documentary section focuses on themes such as rescuing the documentary and uses Derridean deconstruction as part of the analysis. It contrasts documentary representation using a phenomenological framing.","Answer",{"name":76,"@type":71,"acceptedAnswer":77},"What does the book propose by “Toward a Realist Theory of Cinematic Representation”?",{"text":78,"@type":74},"The concluding and earlier theoretical sections aim to justify cinematic representation through a realist orientation grounded in phenomenological ontology and epistemology. The analysis applies this realist framework across fiction and documentary forms.","https://schema.org",{"og:url":50,"og:type":81,"og:title":13,"og:site_name":57,"og:description":14},"article",{"robots":83,"canonical":50},"index,follow",{"doc_id":7,"site_id":30}]