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It includes guidance-like content such as rules for recording traditional music, as well as reflective pieces and concluding scholarly sections like notes and acknowledgments, ending with a Nietzsche epigraph that frames folk song as a mirror of the world.",{"@graph":14,"@context":73},[15,34,56],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/literature/","Literature",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/field-recordings-poems-by-russell-brakefield-poems/411054/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/field-recordings-poems-by-russell-brakefield-poems/411054.png","ImageObject",300,407,{"name":42,"@type":43},"supergirl","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-10-30","2026-09-28",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",6,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69],{"name":60,"@type":61,"acceptedAnswer":62},"What kind of content is Field Recordings?","Question",{"text":63,"@type":64},"Field Recordings is a poetry collection by Russell Brakefield, organized into multiple poems with recurring motifs such as American childhood, song, and folklore.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"How is the book structured?",{"text":68,"@type":64},"The table of contents divides the collection into parts (I and II), listing poems in sequence, followed by Notes and Acknowledgments.",{"name":70,"@type":61,"acceptedAnswer":71},"Does the collection include guidance related to music?",{"text":72,"@type":64},"Yes. The contents include a section titled “Rules for Recording Traditional Music, An Erasure,” indicating a direct focus on recording traditional music alongside the poems.","https://schema.org",{"og:url":32,"og:type":75,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":77,"canonical":32},"index,follow",{"doc_id":79,"site_id":7},411054,1790797099,{"code":4,"msg":82,"data":83},"success",[84,88,91,95,100,104,109,114,119,122,126],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":85,"show_sort_weight":86,"slug":87},"Story & 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Editors  \nMichael Delp|Interlochen Center for the Arts  \nM.L.Liebler|Wayne State University  \nAdvisory Editors  \nMelba Joyce Boyd|Wayne State University  \nStuart Dybek|Western Michigan University  \nKathleen Glynn  \nJerry Herron|Wayne State University  \nLaura Kasischke|University of Michigan  \nThomas Lynch  \nFrank Rashid|Marygrove College  \nDoug Stanton  \nKeith Taylor|University of Michigan  \nA complete listing ofthe books in this series can befoundonline at wsupress.uayne.edu  \nPoems by Russell Brakefeld  \n# FIEL□ REC口R口ING S\n\n2018 by Wayne State University Press,Detroit,Michigan 48201.All rights reserved.No part of thisbook may be reproduced without formal permission.Manufactured in the United States of America.  \n978-08143-496atbackISBN 978-0-8143-4497-2(e-book)  \nLibrary of Congress Control Number:2017949045  \nPublication ofthis book was made possible by agenerous gift from The Meijer Foundation.This workis supported in part by an award from the MichiganCouncil for Arts and Cultural Affairs.  \n金  \nacirs  \nWayne State University PressLeonard N.Simons Building4809 Woodward AvenueDetroit,Michigan 4820I-I309  \nVisit us online at wsupress.wayne.edu  \nCONTENTS  \nI  \nThe Way We Learned to Sing 3This Is America and We Are Boys 5The Butcher's Boy 7Orchestra 8  \nThe Boy Whose Every Word Was Song 10Florist's Apprentice,Age I9 IINorthern Michigan After Bar I2Rag 13  \nThe Ballad Form I4Pardon,Trout Farm ISGate Keeper 16Calendar Customs I7Myth 18  \nAfter the Labor Day Procession I9Minstrel 2I  \nSilent Movie with Playback Slowed Down 22Barn Dance 23  \nRules for Recording Traditional Music,An Erasure 24River Song 26  \nDistances Between the Head and Chest 28Effigy 33  \nField Recordings 37  \nIIl  \nThe Wraith in the Creek 61Mackinaw Island 63  \nNain Rouge,Red Gnome 64The Dog-man from Luther 65The Girl with Birds for Hands 66Raccoon Sighting Before Intimacy 67Habitat Diorama 68Unreliable Auguries 69  \nHalcyon and Her Mortal Lover 7ICarnival Song 72  \nThe High and Lonesome Sound 73Fermata 79Ode to Joy 8oShutter,Lag 81Morning Song 82Ruby Creek Road 83Kalkaska County,Michigan84Wedding Song 85The Perseids 86Origins 87  \nNotes 89Acknowledgments 9  \nWe must view the folk song as the musical mirror of the world,as the primordial melody,which now seeks for a parallel dreamimage of itself and expresses this in poetry.  \nFriedrich Nietzsche","cbCainyPSv41X0xW","https://ap.wps.com/l/cbCainyPSv41X0xW","pdf",2246318,108,"English","# Contents\n## The Way We Learned to Sing\n## This Is America and We Are Boys\n## The Butcher's Boy\n## Orchestra\n## The Boy Whose Every Word Was Song\n## Florist's Apprentice, Age 1\n## Northern Michigan After Bar 1\n## Rag\n## The Ballad Form\n## Pardon, Trout Farm\n## Gate Keeper\n## Calendar Customs\n## Myth\n## After the Labor Day Procession\n## Minstrel 1\n## Silent Movie with Playback Slowed Down\n## Barn Dance\n## Rules for Recording Traditional Music\n## An Erasure\n## River Song\n## Distances Between the Head and Chest\n## Effigy\n## Field Recordings\n## The Wraith in the Creek\n## Mackinaw Island\n## Nain Rouge, Red Gnome\n## The Dog-man from Luther\n## The Girl with Birds for Hands\n## Raccoon Sighting Before Intimacy\n## Habitat Diorama\n## Unreliable Auguries\n## Halcyon and Her Mortal Lover\n## Carnival Song\n## The High and Lonesome Sound\n## Fermata\n## Ode to Joy\n## Shutter, Lag\n## Morning Song\n## Ruby Creek Road\n## Kalkaska County, Michigan\n## Wedding Song\n## The Perseids\n## Origins\n## Notes\n## Acknowledgments","[{\"question\":\"What kind of content is Field Recordings?\",\"answer\":\"Field Recordings is a poetry collection by Russell Brakefield, organized into multiple poems with recurring motifs such as American childhood, song, and folklore.\"},{\"question\":\"How is the book structured?\",\"answer\":\"The table of contents divides the collection into parts (I and II), listing poems in sequence, followed by Notes and Acknowledgments.\"},{\"question\":\"Does the collection include guidance related to music?\",\"answer\":\"Yes. The contents include a section titled “Rules for Recording Traditional Music, An Erasure,” indicating a direct focus on recording traditional music alongside the poems.\"}]","Field Recordings - Poems by Russell Brakefield - Poems | PDF",1790587232,166]