[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-129178-en":3,"doc-seo-129178-105":31,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},129178,962085564381,"Clementine","https://ap-avatar.wpscdn.com/davatar_6f874abed73319feea01a86fa6f0fab8",2,"Literature","Fictions of Finance at the End of an American Century - Punctuating Capital","This work examines how late-20th-century transformations in American capital reshape narrative form, with particular attention to punctuation, rhythm, and the subsemantics implied by what language leaves unsaid. It explores contradictions within the structures of capital as they produce a distinct narrative poetics, articulated through broken syntax, gaps, ellipses, and omissions. The front matter frames the study through scholarly series context, acknowledgments, and publication rights information.","Fictions of Finance at the End of an American Century  \nOXF ORD STUDIE S IN AMERICAN LITERARY HIST ORY  \nGordon Hutner, Series Editor  \nJewish American Writing and World Literature  \nSaul Noam Zaritt  \nThe Archive of Fear Christina Zwarg  \nViolentologies  \nB.V. Olguin  \nTransgression and Redemption in American Fiction  \nThomas J. Ferraro  \nThe Latino Continuum and the Nineteenth-Century Americas Carmen Lamas  \nTime and Antiquity in American Empire: Roma Redux  \nMark Storey  \nPicturesque Literature and the Transformation of the American Landscape, 1835–1874  \nJohn Evelev  \nLiterary Neurophysiology: Memory, Race, Sex, and Representation in U.S. Writing, 1860–1914  \nRandall Knoper  \nWriting Pain in the  \nNineteenth-Century United States Thomas Constantinesco  \nTelling America’s Story to the World: Literature, Internationalism, Cultural Diplomacy  \nHarilaos Stecopoulos  \nSlavery, Surveillance, and Genre in Antebellum United States  \nLiterature Kelly Ross  \nClimate and the Picturesque in the American Tropics  \nMichael Boyden  \nSchools of Fiction: Literature and the Making of the American Educational System  \nMorgan Day Frank  \nMelville, Beauty, and American Literary Studies: An Aesthetics in All Things  \nCody Marrs  \nFictions of Finance at the End ofan American Century  \nPunctuating Capital  \nRICHARD GOD DEN  \nGreat Clarendon Street, Oxford, OX2 6DP,  \nUnited Kingdom  \nOxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries  \n© Richard Godden 2023  \nThe moral rights of the author have been asserted  \nAll rights reserved. No part of this publication may be reproduced, stored ina retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above  \nYou must not circulate this work in any other form and you must impose this same condition on any acquirer  \nPublished in the United States of America by Oxford University Press  \n198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available  \nLibrary of Congress Control Number: 2023931424 ISBN 978–0–19–286775–9  \nDOI: 10.1093/oso/9780192867759.001.0001  \nPrinted and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY  \nLinks to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.  \nTo Joshua Clover, Annie McClanahan, and Michael Szalay  \nFor their work and friendship  \nAcknowledgments  \nTo spend a decade attending to “punctuation,” understood as a generic term for the rhythms of the unsaid and the barely said as they whisper through the subsemantics of language, doing so to trace how contradictions within the structures of capital give rise to a narrative poetics, formed as a broken syntax from gaps, ellipses, and omissions, has committed my mind’s ear to hesitancy. Many have been  \nunhesitant in their reading of these pages, and generous with their advice. I think particularly of those to whom the work is dedicated: Joshua Clover and Annie McClanahan know more than I do about Marx and the materialist tradition. The grace of Joshua’s insistence that the aesthetic be political, and that the political be recognized through its place in a political economy, underpins what I have tried todo, though he might well question the results—he being one who questions. The example of Annie’s commitment to the structural “last instance” ha","cbCainpEibLVYURT","https://ap.wps.com/l/cbCainpEibLVYURT","pdf",3334972,8,1,289,"English","en",105,"# Acknowledgments\n## Research approach and intellectual influences","[{\"question\":\"What central concept guides the author’s method in the acknowledgments?\",\"answer\":\"The author describes “punctuation” as a way to trace the rhythms of the unsaid and the barely said, linking language’s subtle structure to capital’s contradictions.\"},{\"question\":\"Which scholarly influences are explicitly mentioned?\",\"answer\":\"The acknowledgments cite influences such as Postone, Althusser, Benjamin, Baudelaire, and the Arcades tradition, supported by colleagues and reading groups.\"},{\"question\":\"How does the author describe the resulting narrative form?\",\"answer\":\"The author connects capital-structure contradictions to a narrative poetics formed as broken syntax, using gaps, ellipses, and omissions.\"}]","Fictions of Finance at the End of an American Century - Punctuating Capital | PDF",1786009353,445,{"code":4,"msg":32,"data":33},"ok",{"site_id":25,"language":24,"slug":34,"title":13,"keywords":35,"description":14,"schema_data":36,"social_meta":87,"head_meta":89,"extra_data":91,"updated_unix":29},"fictions-of-finance-at-the-end-of-an-american-century-punctuating-capital","",{"@graph":37,"@context":86},[38,54,69],{"@type":39,"itemListElement":40},"BreadcrumbList",[41,45,48,51],{"item":42,"name":43,"@type":44,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":46,"name":47,"@type":44,"position":11},"https://docshare.wps.com/document/","Document",{"item":49,"name":12,"@type":44,"position":50},"https://docshare.wps.com/document/literature/",3,{"item":52,"name":13,"@type":44,"position":53},"https://docshare.wps.com/document/fictions-of-finance-at-the-end-of-an-american-century-punctuating-capital/129178/",4,{"url":52,"name":13,"@type":55,"author":56,"headline":13,"publisher":58,"fileFormat":61,"inLanguage":24,"description":14,"dateModified":62,"datePublished":63,"encodingFormat":61,"isAccessibleForFree":64,"interactionStatistic":65},"DigitalDocument",{"name":9,"@type":57},"Person",{"url":42,"name":59,"@type":60},"DocShare","Organization","application/pdf","2026-09-04","2026-08-06",true,{"@type":66,"interactionType":67,"userInteractionCount":20},"InteractionCounter",{"@type":68},"ViewAction",{"@type":70,"mainEntity":71},"FAQPage",[72,78,82],{"name":73,"@type":74,"acceptedAnswer":75},"What central concept guides the author’s method in the acknowledgments?","Question",{"text":76,"@type":77},"The author describes “punctuation” as a way to trace the rhythms of the unsaid and the barely said, linking language’s subtle structure to capital’s contradictions.","Answer",{"name":79,"@type":74,"acceptedAnswer":80},"Which scholarly influences are explicitly mentioned?",{"text":81,"@type":77},"The acknowledgments cite influences such as Postone, Althusser, Benjamin, Baudelaire, and the Arcades tradition, supported by colleagues and reading groups.",{"name":83,"@type":74,"acceptedAnswer":84},"How does the author describe the resulting narrative form?",{"text":85,"@type":77},"The author connects capital-structure contradictions to a narrative poetics formed as broken syntax, using gaps, ellipses, and omissions.","https://schema.org",{"og:url":52,"og:type":88,"og:title":13,"og:site_name":59,"og:description":14},"article",{"robots":90,"canonical":52},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":93},[94,98,101,105,110,115,120,124,129,132,136],{"id":21,"doc_module":4,"doc_module_name":47,"category_name":95,"show_sort_weight":96,"slug":97},"Story & Novel",90,"story-novel",{"id":11,"doc_module":4,"doc_module_name":47,"category_name":12,"show_sort_weight":99,"slug":100},80,"literature",{"id":53,"doc_module":4,"doc_module_name":47,"category_name":102,"show_sort_weight":103,"slug":104},"Exam",70,"exam",{"id":106,"doc_module":4,"doc_module_name":47,"category_name":107,"show_sort_weight":108,"slug":109},5,"Comic",60,"comic",{"id":111,"doc_module":4,"doc_module_name":47,"category_name":112,"show_sort_weight":113,"slug":114},6,"Technology",50,"technology",{"id":116,"doc_module":4,"doc_module_name":47,"category_name":117,"show_sort_weight":118,"slug":119},7,"Healthcare",40,"healthcare",{"id":20,"doc_module":4,"doc_module_name":47,"category_name":121,"show_sort_weight":122,"slug":123},"Research & Report",30,"research-report",{"id":125,"doc_module":4,"doc_module_name":47,"category_name":126,"show_sort_weight":127,"slug":128},9,"Religion & Spirituality",20,"religion-spirituality",{"id":127,"doc_module":4,"doc_module_name":47,"category_name":130,"show_sort_weight":127,"slug":131},"World Cup","world-cup",{"id":133,"doc_module":4,"doc_module_name":47,"category_name":134,"show_sort_weight":133,"slug":135},10,"Lifestyle","lifestyle",{"id":137,"doc_module":4,"doc_module_name":47,"category_name":138,"show_sort_weight":106,"slug":139},19,"General","general"]