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is the central character introduced at the start?","Question",{"text":113,"@type":114},"The opening chapter introduces Farmer Oak, whose Christian name is Gabriel, and describes his weekday and Sunday temperament.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"What kind of setting does the document indicate?",{"text":118,"@type":114},"The contents and chapter text point to a rural pastoral world of farms, church gatherings, fairs, and community scenes in England.",{"name":120,"@type":111,"acceptedAnswer":121},"How is the book structured in the provided material?",{"text":122,"@type":114},"The document lists a long sequence of titled sections under the overall title and then begins Chapter 1 with a descriptive 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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6  \n3 A GIRL ON HORSEBACK—CONVERSATION . . . . . . . . 13  \n4 GABRIEL’S RESOLVE—THE VISIT—THE MISTAKE ... 20  \n5 DEPARTURE OF BATHSHEBA—A PASTORAL TRAGEDY . 28  \n6 THE FAIR—THE JOURNEY—THE FIRE . . . . . . . . . . 32  \n7 RECOGNITION—A TIMID GIRL . . . . . . . . . . . . . . . 40  \n8 THE MALTHOUSE—THE CHAT—NEWS . . . . . . . . . . 44  \n9 THE HOMESTEAD—A VISITOR—HALF-CONFIDENCES 59  \n10 MISTRESS AND MEN . . . . . . . . . . . . . . . . . . . . . . 64  \n11 OUTSIDE THE BARRACKS—SNOW—A MEETING . . . . 70  \n12 FARMERS—A RULE—IN EXCEPTION . . . . . . . . . . . 75  \n13 SORTES SANCTORUM—THE VALENTINE . . . . . . . . . 79  \n14 EFFECT OF THE LETTER—SUNRISE . . . . . . . . . . . . 83  \n15 A MORNING MEETING—THE LETTER AGAIN . . . . . . . 87  \n16 ALL SAINTS’ AND ALL SOULS’ . . . . . . . . . . . . . . . . 96  \n17 IN THE MARKET-PLACE . . . . . . . . . . . . . . . . . . . . 99  \n18 BOLDWOOD IN MEDITATION—REGRET . . . . . . . . . . 102  \n19 THE SHEEP-WASHING—THE OFFER . . . . . . . . . . . . 106  \n20 PERPLEXITY—GRINDING THE SHEARS—A QUARREL . 111  \n21 TROUBLES IN THE FOLD—A MESSAGE . . . . . . . . . . 116  \n22 THE GREAT BARN AND THE SHEEP-SHEARERS . . . . . . 122  \n23 EVENTIDE—A SECOND DECLARATION . . . . . . . . . . 131  \n24 THE SAME NIGHT—THE FIR PLANTATION . . . . . . . . 137  \n25 THE NEW ACQUAINTANCE DESCRIBED   143  \n26 SCENE ON THE VERGE OF THE HAY-MEAD . . . . . . . . . 146  \n27 HIVING THE BEES . . . . . . . . . . . . . . . . . . . . . . . . 154  \n28 THE HOLLOW AMID THE FERNS . . . . . . . . . . . . . . . 157  \n29 PARTICULARS OF A TWILIGHT WALK . . . . . . . . . . . . 162  \n30 HOT CHEEKS AND TEARFUL EYES . . . . . . . . . . . . . . 168  \n31 BLAME—FURY . . . . . . . . . . . . . . . . . . . . . . . . . 173  \n32 NIGHT—HORSES TRAMPING . . . . . . . . . . . . . . . . . 180  \n33 IN THE SUN—A HARBINGER . . . . . . . . . . . . . . . . . 187  \n34 HOME AGAIN—A TRICKSTER . . . . . . . . . . . . . . . . 194  \n35 AT AN UPPER WINDOW . . . . . . . . . . . . . . . . . . . . . 203  \n36 WEALTH IN JEOPARDY—THE REVEL . . . . . . . . . . . . 207  \n37 THE STORM—THE TWO TOGETHER . . . . . . . . . . . . 214  \n38 RAIN—ONE SOLITARY MEETS ANOTHER . . . . . . . . . 220  \n39 COMING HOME—A CRY . . . . . . . . . . . . . . . . . . . 224  \n40 ON CASTERBRIDGE HIGHWAY . . . . . . . . . . . . . . . . 228  \n41 SUSPICION—FANNY IS SENT FOR . . . . . . . . . . . . . . 234  \n42 JOSEPH AND HIS BURDEN—BUCK’S HEAD . . . . . . . . 243  \n43 FANNY’S REVENGE . . . . . . . . . . . . . . . . . . . . . . . 252  \n44 UNDER A TREE—REACTION . . . . . . . . . . . . . . . . . 260  \n45 TROY’S ROMANTICISM . . . . . . . . . . . . . . . . . . . . . 266  \n46 THE GURGOYLE: ITS DOINGS . . . . . . . . . . . . . . . . . 270  \n47 ADVENTURES BY THE SHORE . . . . . . . . . . . . . . . . 277  \n48 DOUBTS ARISE—DOUBTS LINGER . . . . . . . . . . . . . 280  \n49 OAK’S ADVANCEMENT—A GREAT HOPE . . . . . . . . . 285  \n50 THE SHEEP FAIR—TROY TOUCHES HIS WIFE’S HAND . 290  \n51 BATHSHEBA TALKS WITH HER OUTRIDER . . . . . . . . . 301  \n52 CONVERGING COURSES . . . . . . . . . . . . . . . . . . . . 308  \nI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308  \nII . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309  \nIII . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309  \nIV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311  \nV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313  \nVI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314  \nVII . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315  \n53 CONCURRITUR—HORAE MOMENTO . . . . . . . . . . . . 317  \n54 AFTER THE SHOCK . . . . . . . . . . . . . . . . . . . . . . . 327  \n55 THE FOLLOWING MARCH—‘BATHSHEBA","cbCaib0OkJ1Z32HE","https://ap.wps.com/l/cbCaib0OkJ1Z32HE","pdf",949767,351,"English","# Contents\n## Chapter 1 - Description of Farmer Oak—An Incident\n## Chapter 1 - Description of Farmer Oak—An Incident","[{\"question\":\"Who is the central character introduced at the start?\",\"answer\":\"The opening chapter introduces Farmer Oak, whose Christian name is Gabriel, and describes his weekday and Sunday temperament.\"},{\"question\":\"What kind of setting does the document indicate?\",\"answer\":\"The contents and chapter text point to a rural pastoral world of farms, church gatherings, fairs, and community scenes in England.\"},{\"question\":\"How is the book structured in the provided material?\",\"answer\":\"The document lists a long sequence of titled sections under the overall title and then begins Chapter 1 with a descriptive scene.\"}]","Far from the Madding Crowd - A novel by Thomas Hardy | PDF",541]