[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-144463-en":3,"doc-seo-144463-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":4,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},144463,13056703019662,"Evangeline","https://ap-avatar.wpscdn.com/avatar/be000253a8e92610077?_k=1778726343310543188",10,"Lifestyle","Fall Dance Concert - Aperture","Fall Dance Concert playbill for the University of Virginia Department of Drama, listing performance dates, presented dance programs, choreographers, dancers, and production credits. The document details featured works including Aperture, Cafuné, 7:22 am, moths, After the crater., In the Rift, Hint of the Century, volition, and Content/Dancers. It also provides selected program music and creative biographies, including explanations of artistic themes such as desire, fulfillment, autonomy under oppression, and collaboration as storytelling.","December 2 & 3 @ 􀀕􀀔m  \nDecember 3 @ 2 􀀔 m 􀀓 􀀒 􀀑bre􀀐􀀏 􀀎􀀏e􀀍􀀐re  \nPhotograph by Mona Kasra  \nThe Dance Program of  \nThe University of Virginia’s Department of Drama  \nPresents  \nThe Fall Dance Concert  \nAperture  \nChoreographer: Dinah Gray  \nDancers: Ellen Crooks, Alex D’Elia, Caroline Korndorffer, Erin Perry, Meghan Walther  \nLighting Designer: Steven Spera  \nCostumes: Dinah Gray  \nMusic: “Orange Tamoure,” “Megeve,” “The Drip-Dry Waltz,” “Bye Bye Charlie,” “Bistro” all by Henry Mancini  \nCafuné  \nChoreographer: Hannah Woodruff  \nDancers: Lauren Bredar, Carolyn Diamond, Wehbe Lee, Whatley Ozer, Reid Schnider, Gabrielle Struckell  \nLighting Designer: Celia Chen  \nCostumes: Hannah Woodruff  \nMusic: “20:17” by Ólafur Arnalds,“Moon” by Little People  \n7:22 am  \nChoreographer: Semora Ward  \nDancers: Audrey Crooks, Erin Perry, Mackenzie Regan  \nLighting Designer: Fabian J. Garcia  \nCostumes: Semora Ward  \nMusic: “Soulmate” by Mac Miller; “H.S.K.T. (Extended Instrumental Mix)” by Sylvan Esso; Audio from Quentin Tarantino’s Pulp Fiction  \nmoths  \nChoreographer: Vivien Fergusson  \nDancers: Bryce Cuthriell, Whatley Ozer  \nLighting Designer: Michael Giovinco  \nCostumes: Vivien Fergusson  \nMusic: “Islands” by Philip Glass performed by the Philip Glass Ensemble; and “String Quartet No. 5: IV” by Philip Glass performed by Carducci String Quartet  \nAfter the crater.  \nChoreographer: Julia Ruth Holland  \nDancers: Alex D’Elia, Carolyn Diamond, Sophia Martinese, Heidi Waldenmaier  \nLighting Designer: Steven Johnson  \nCostumes: Collaboration between Julia Ruth Holland and dancers  \nMusic: “Variation for Electric Guitar I” by Chihei Hatakeyama  \n*Intermission*  \nIn the Rift  \nChoreographer: Jessie Laurita-Spanglet Composer/Musician: David Schulman  \nDancers/Collaborators: Ellen Crooks, Carolyn Diamond, Vivien Fergusson, Elyssa Fonicello, Whatley Ozer, Mackenzie Regan, Gabrielle Struckell, Semora Ward, Hannah Woodruff  \nCostume Designer: Alice Barsony  \nLighting Designer: Steven Spera  \nRehearsal Director: Ellen Crooks  \nHint of the Century Choreographer: Brad Stoller Composer/Musician: Mecca Burns  \nDancers: Bryce Cuthriell, Julia Ruth Holland, Whatley Ozer, Chase Smith, Brad Stoller  \nLighting Designer: Fabian J. Garcia  \nCostumes: Brad Stoller  \nMusic: Original composition by Mecca Burns  \nvolition  \nChoreographer: Elyssa Fonicello  \nDancers: Emily Cloyd, Carolyn Diamond, Vivien Fergusson, Wehbe Lee, Naomi Moore  \nLighting Designer: Fabian J. Garcia  \nCostumes: Elyssa Fonicello  \nMusic: “Dance of Death” by Andrew Bird,“Levedad” by Lucrecia Dalt,“Nn/Peaks” by Kangding Ray  \nContent  \nChoreographer: Kim Brooks Mata  \nDancers: Audrey Crooks, Ellen Crooks, Elyssa Fonicello, Reid Schnider, Gabrielle Struckell, Semora Ward, Hannah Woodruff  \nLighting Designer: Fabian J. Garcia  \nCostumes: Kim Brooks Mata  \nMusic: “La veillée” by Yann Tiersen,“Hus vid havet” by Detektivbyrån,“Rutina” by Pan Sonic  \nDancers  \nLauren Bredar (2nd Year, English and Global Development Studies, French Minor)  \nEmily Cloyd (4th Year, Global Public Health, Bioethics Minor)  \nAudrey Crooks (4th Year, English Area Program in Poetry Writing and Middle Eastern Studies)  \nEllen Crooks (4th year, Political Theory and Women, Gender, and Sexuality, Dance Minor)  \nBryce Cuthriell (1st Year, Undeclared)  \nAlex D’Elia (3rd Year, Media Studies and Foreign Affairs, Portuguese Minor) Carolyn Diamond (1st Year, Undeclared)  \nCaroline Korndorffer (3rd Year, Political Philosophy, Policy, and Law and French)  \nWehbe Lee (1st Year, Biology, Dance Minor)  \nSophia Martinese (1st Year, Biomedical Engineering)  \nNaomi Moore (4th Year, Architecture, Dance Minor) Whatley Ozer (1st Year, Undeclared)  \nErin Perry (1st Year, Undeclared)  \nMackenzie Regan (4th Year, English and Media Studies, Dance Minor) Reid Schnider (4th Year, Global Studies Security & Justice and French) Chase Smith (4th Year, English)  \nGabrielle Struckell (3rd Year, Neuroscience, Dance Minor)  \nHeidi Waldenmaier (1st Year, Undeclared)","cbCaigRiTYfsz7WX","https://ap.wps.com/l/cbCaigRiTYfsz7WX","pdf",961444,1,8,"English","en",105,"# The Fall Dance Concert\n## Program Works and Credits\n## Dancers and Biographies","[{\"question\":\"What information does the playbill provide for each dance work?\",\"answer\":\"It lists the choreographer, dancers (and collaborators when applicable), plus lighting and costume designers and the music used for the piece.\"},{\"question\":\"Who is credited as the choreographer for Aperture?\",\"answer\":\"Dinah Gray is credited as the choreographer for Aperture.\"},{\"question\":\"What themes are described for the featured works?\",\"answer\":\"The playbill includes short creator descriptions addressing ideas such as hedonistic desire and fulfillment, effects of external forces on performance, and autonomy under systemic oppression and social subordination.\"}]","Fall Dance Concert - 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