[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-37407-en":3,"doc-seo-37407-105":29,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":11,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":13,"seo_description":14,"update_tm":27,"read_time":28},37407,4398048949847,"Eliana","https://ap-avatar.wpscdn.com/avatar/400002536579ef2da7f?_k=1778318612642679267",2,"Literature","Exile Women’s Turn A Poem of East and West","A literary translation of Nabile Farès’s women-centered poetry, presented as a “poem of East and West” with translator Peter Thompson’s introduction and contextual framing. The work’s central image—dangerous Mediterranean crossings—connects African migration and exile to a feminist reading of changing roles in whose leave North Africa for work and whose undertake sea journeys alone. Algeria is treated as an enduring protagonist, linking colonial history, displacement, trauma, and the lived realities of men and women.","Exile:Women's Turn  \nA Poem of East and West  \nNabile Farès  \nTranslated with an introduction byPeter Thompson  \nNABILE FARES  \nExile:Women's TurnA Poem of East and West  \nLexil au fémininpoeme d'Orient et d'Occident  \ntranslated with an introduction by  \nPETERTHOMPSON  \nExile:Women'Turn  \nby Nabile Farès  \na translation of Lexil aufeminin,Copyright O Editions LHarmattan.English translation by Peter Thompson.  \nTranslation copyright O2017 by Peter Thompson and Diálogos Books.  \nAll rights reserved.No part of this work may be reproducedin any form without the express written permissionof the copyright holders and Diálogos Books.  \nFront cover photo by Mare Garanger,◎ Marc Garanger,from Femmes Algeriennes 1960.Used by permission.  \nPrinted in the U.S.A.First Printing10987654321171819202122  \nLibrary of Congress Control Number:2017945520Fares,Nabile  \nExile:Women'sTurn/Nabile Fareswith Peter Thompson(translator)  \np.cm.  \nISBN:978-1-944884-26-0(pbk.)  \nDIÁLOGOS  \nAN IMPRINT OF LAVENDER INKDIALOGOSBOOKs.COM  \n# Acknowledgments\n\nThe translator is indebted to Nabile and MichèleFares,for copyright permission,and to the RogerWilliams University Provost's Foundation for ThePromotion of Scholarship and Teaching.  \n# About the Front Cover\n\nSpecial thanks to Marc Garanger for donating thecover photograph,included in his well-knowncollection,Femmes Algériennes 1960.  \nIn 1960,as the Algerian war was drawing to a closeand imprisoned Algerians were being released andresettled,the French government decreed that allof them should be given French-style ID cards,sothat their movements could be tracked.Garanger,a French army conscriptee with experience inphotography,was given the task of photographingmore than a thousand women for this purpose.Thesewomen,most of whom had never had their facesuncovered outside of their homes,were stripped oftheir veils and forced to sit for the photos in frontof an audience of soldiers.Their reactions to thistreatment,and indeed to the whole brutal history ofcolonialism,can be read on their faces.  \n# Foreword\n\nThis most recent translation of Farès is the firstone to follow his death(August,2016).I had greatlylooked forward to giving him the English version.He was a reader of English and an admirer of BillLavender's book designs.  \nI had also anticipated more conversations aboutthe theme of the book.We had finished work on themanuscript,but its central image—perilous crossingsof the Mediterranean—had surged back into thenews.Within these journeys beats the brave,feministheart of this book.  \nFarès had explained to me,about three yearsago,that this poetry arose from a special moment inAfrican migration and exile.Men,before the 1980s,had always been the ones to leave North Africain search of work(mainly in France and Spain).They found dubious lodging—often in exploitivedormitories—and sent money home.That changedwhen women,in a considerable wave,undertook thesea crossing on their own.Exile:Women's Turn is thatjourney,and that sea change in women's destinies.  \nFares,who treated traumatized immigrants inhis psychiatric practice,was dedicated to femininestrength where he saw it in the contemporary world.But we also note that some of his emphasis derivesfrom his Kabyle roots(near Collo,Algeria)and thestrong feminine roles in Berber life and folklore.Farès was a researcher in the latter(starting with  \nhis doctoral thesis).The feminist emphasis alsounderlies,less obviously,the narrative in his Exileand Helplessness (novel,Editions Maspéro,1976;translation,Diálogos Books,2012).  \nWhen images were too obscure for my confidentrendering,I found—as I always have—that Fares'sview of poetic image was really an enjoymentof constant mutation.He looked at problems Ipresented as if he had never seen the image before,and immediately started embellishing and extendinghis earlier version.As much fun as this was,it left methinking that the English was indeed an extensionof his thought,and that I had considerable freedom(I didn't abuse","cbCairJ8gtdJIqbO","https://ap.wps.com/l/cbCairJ8gtdJIqbO","pdf",1981704,1,112,"English","en",105,"# Acknowledgments\n# About the Front Cover\n# Foreword","[{\"question\":\"What historical and visual context does the front cover provide?\",\"answer\":\"The cover photograph comes from Femmes Algériennes 1960. It is tied to the end of the Algerian war and the French policy of photographing women without veils to track their movements, revealing reactions to colonial brutality.\"},{\"question\":\"Why does the introduction emphasize the book’s central image?\",\"answer\":\"The introduction centers perilous Mediterranean crossings and links them to renewed public attention at the time of the manuscript’s completion, framing the journey as the book’s defining transformative moment for women’s destinies.\"},{\"question\":\"How does the introduction explain the shift in migration patterns?\",\"answer\":\"Before the 1980s, men left North Africa for work, sending money home from exploitative lodging. Later, women undertook the sea crossing themselves in a large wave, and Exile: Women’s Turn presents that sea change.\"}]",1783051342,172,{"code":4,"msg":30,"data":31},"ok",{"site_id":24,"language":23,"slug":32,"title":13,"keywords":33,"description":14,"schema_data":34,"social_meta":85,"head_meta":87,"extra_data":89,"updated_unix":27},"exile-womens-turn-a-poem-of-east-and-west","",{"@graph":35,"@context":84},[36,52,67],{"@type":37,"itemListElement":38},"BreadcrumbList",[39,43,46,49],{"item":40,"name":41,"@type":42,"position":20},"https://docshare.wps.com","Home","ListItem",{"item":44,"name":45,"@type":42,"position":11},"https://docshare.wps.com/document/","Document",{"item":47,"name":12,"@type":42,"position":48},"https://docshare.wps.com/document/literature/",3,{"item":50,"name":13,"@type":42,"position":51},"https://docshare.wps.com/document/exile-womens-turn-a-poem-of-east-and-west/37407/",4,{"url":50,"name":13,"@type":53,"author":54,"headline":13,"publisher":56,"fileFormat":59,"inLanguage":23,"description":14,"dateModified":60,"datePublished":61,"encodingFormat":59,"isAccessibleForFree":62,"interactionStatistic":63},"DigitalDocument",{"name":9,"@type":55},"Person",{"url":40,"name":57,"@type":58},"DocShare","Organization","application/pdf","2026-07-08","2026-07-03",true,{"@type":64,"interactionType":65,"userInteractionCount":11},"InteractionCounter",{"@type":66},"ViewAction",{"@type":68,"mainEntity":69},"FAQPage",[70,76,80],{"name":71,"@type":72,"acceptedAnswer":73},"What historical and visual context does the front cover provide?","Question",{"text":74,"@type":75},"The cover photograph comes from Femmes Algériennes 1960. It is tied to the end of the Algerian war and the French policy of photographing women without veils to track their movements, revealing reactions to colonial brutality.","Answer",{"name":77,"@type":72,"acceptedAnswer":78},"Why does the introduction emphasize the book’s central image?",{"text":79,"@type":75},"The introduction centers perilous Mediterranean crossings and links them to renewed public attention at the time of the manuscript’s completion, framing the journey as the book’s defining transformative moment for women’s destinies.",{"name":81,"@type":72,"acceptedAnswer":82},"How does the introduction explain the shift in migration patterns?",{"text":83,"@type":75},"Before the 1980s, men left North Africa for work, sending money home from exploitative lodging. 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