[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-114194-en":3,"doc-seo-114194-105":28,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":11,"is_deleted":4,"is_public":11,"is_downloadable":11,"audit_status":11,"page_count":20,"language":21,"language_code":22,"site_id":23,"html_lang":22,"table_of_contents":24,"faqs":25,"seo_title":13,"seo_description":14,"update_tm":26,"read_time":27},114194,3848291630094,"Emma Wilson","https://eur-avatar.wpscdn.com/davatar_085a072bc5b1113ac321206ff7593b45",1,"Story & Novel","EXHIBITION - Alex Hyde","EXHIBITION by Alex Hyde opens with a sharp, sensory view of the art world, where money, performance, and disappearance govern each auction moment. The narrative then turns to an intimate introduction: a woman at a Brixton home, a room for rent, and the quiet negotiations of identity through speech, gesture, and small rituals like tea and cigarettes. Through layered recollection, the text links love and loss with art objects, bedrooms, and bodies, building a tense atmosphere of worth, memory, and power.","EXHIBITION  \nAlex Hyde  \n[OceanofPDF.com](OceanofPDF.com)  \nFor my mother, for everything.  \n[OceanofPDF.com](OceanofPDF.com)  \nContents  \nTitle Page  \nDedication  \nONE  \nTWO  \nSources  \nAcknowledgements  \nAlso by Alex Hyde  \nCopyright  \n[OceanofPDF.com](OceanofPDF.com)  \nEXHIBITION  \nOCEANOFPDF.COM  \nAs soon as you died, you were worth ten times the price.  \nTwo point three million pounds.  \nAn auction house of global renown, its flag fluttering in the breeze. Free coffee or champagne, the lights too bright on gilt frames revealing thumbprints on glass.  \nYou could always fill a room. White cube.  \nThe Head of Sale comes in, we go up to see the work where it’s hung. He gives me a moment, steps respectfully away.  \nWe’ve been through this before. In London and in Paris, New York. The young assistant in the blouse with a bow at the neck. Petite. Brunette.  \nBecause I like to be here. To watch the work convert to zeros, to watch it disappear.  \nBids quickly exceed the estimate, passing between representatives in the room. Four of them, then three then two. Someone instructs their buyer over the phone, the buyer ’s gestures discreet, holding a piece of paper to shield her lips, nodding, shaking her head, nodding again.  \nThe gavel comes down with a wave of the auctioneer ’s hand. The way he leans over the rails of the little pedestal he’s on, the lectern, the microphone.  \nGoing once.  \nGoing twice.  \nGone.  \n[OceanofPDF.com](OceanofPDF.com)  \nONE  \nOCEANOFPDF.COM  \nYou.  \nWhen you answered the door of the Brixton house, dressing gown and cigarette. But not like that. Not like the women round our way who shuffled to the corner shop and back. It was a kimono or something, the fabric draped on your bones. One arm across your waist, hand languidly bent back at the wrist, smoke wisping where you stood.  \nRabble, isn’t it? Rabble Stone?  \nMy name like a pebble rolled around your mouth for the first time.  \nYeah, that’s right. Hello.  \nThe gown had wading birds round the hem. All sky-and heron-grey. It was like they were concertinaed round your legs, the birds. Their legs, their long, sharp beaks.  \nCome in, you said.  \n[OceanofPDF.com](OceanofPDF.com)  \nThe house was in a Victorian terrace on a curved road. I followed you down the hall, your feet making bare slaps on the tiled floor.  \nYou threw bits of information back. The owner was a choreographer your mother knew; quite avant-garde in her day.  \nSomething about your voice too crisp, too precise, like you formed words differently with your mouth. Some hint of a foreign accent? I couldn’t tell.  \nThe room for rent was at the back, down two steps. Where you’d expect a kitchen to be. But instead there was a single bed, a long desk and a bank of wide, shallow drawers. The wooden floor was painted brick-red.  \nNeeds cheering up a bit, you said.  \nAt the back was what looked like a lean-to or a dodgy extension. It had painted breezeblock walls and a bath with a shower, toilet and sink, concrete floor.  \nDid the heating work, I asked.  \nOh! I’m not sure about down here.  \nYou slept on the first floor in a big bedroom at the back. Next to it was a toilet and separate bathroom painted pale green. Two wide-backed wicker chairs that looked like something from a genteel country house were positioned opposite a roll-top bath.  \nA charcoal drawing of a figure was taped above, which didn’t seem to have a head. Just a body bent back in pleasure or pain; shoulders, limbs, breasts.  \nThat one of yours?  \nYou nodded. Just a sketch but I like it there, don’t you think?  \nFunny, the way you always asked little questions like that. If I said I liked something you’d done.  \nDo you? you’d ask, your head tilted to the side. As if you wanted to hear it again.  \nThe house was upside down and back to front – the kitchen with its scrubbed pine table was on the top floor beneath the eaves. You had to squeeze in and duck to sit down.  \nI don’t have builder ’s tea, you said. Sorry about that.  \nYou sat with your ","cbCaitL2NKss1qjw","https://ap.wps.com/l/cbCaitL2NKss1qjw","pdf",2616405,213,"English","en",105,"# Exhibition\n## Auction and aftermath\n## The Brixton house and the room for rent\n## Background, friendship, and first meeting","[{\"question\":\"What setting and mood does EXHIBITION establish at the beginning?\",\"answer\":\"It begins inside a renowned auction house, emphasizing bright lights, money moving quickly, and the sense of value shifting in real time.\"},{\"question\":\"How does the story introduce the narrator’s connection to Alex Hyde’s central figure?\",\"answer\":\"The narrator meets her at the door of the Brixton house, then moves through details of the home and the rented room, revealing their history through conversation.\"},{\"question\":\"What recurring themes appear in the text based on the provided sections?\",\"answer\":\"The excerpts highlight art as spectacle, the transformation of value into abstract zeros, and intimate memory shaped by small questions and bodily details.\"}]",1785398318,328,{"code":4,"msg":29,"data":30},"ok",{"site_id":23,"language":22,"slug":31,"title":13,"keywords":32,"description":14,"schema_data":33,"social_meta":85,"head_meta":87,"extra_data":89,"updated_unix":26},"exhibition-alex-hyde","",{"@graph":34,"@context":84},[35,52,67],{"@type":36,"itemListElement":37},"BreadcrumbList",[38,42,46,49],{"item":39,"name":40,"@type":41,"position":11},"https://docshare.wps.com","Home","ListItem",{"item":43,"name":44,"@type":41,"position":45},"https://docshare.wps.com/document/","Document",2,{"item":47,"name":12,"@type":41,"position":48},"https://docshare.wps.com/document/story-novel/",3,{"item":50,"name":13,"@type":41,"position":51},"https://docshare.wps.com/document/exhibition-alex-hyde/114194/",4,{"url":50,"name":13,"@type":53,"author":54,"headline":13,"publisher":56,"fileFormat":59,"inLanguage":22,"description":14,"dateModified":60,"datePublished":61,"encodingFormat":59,"isAccessibleForFree":62,"interactionStatistic":63},"DigitalDocument",{"name":9,"@type":55},"Person",{"url":39,"name":57,"@type":58},"DocShare","Organization","application/pdf","2026-08-01","2026-07-30",true,{"@type":64,"interactionType":65,"userInteractionCount":11},"InteractionCounter",{"@type":66},"ViewAction",{"@type":68,"mainEntity":69},"FAQPage",[70,76,80],{"name":71,"@type":72,"acceptedAnswer":73},"What setting and mood does EXHIBITION establish at the beginning?","Question",{"text":74,"@type":75},"It begins inside a renowned auction house, emphasizing bright lights, money moving quickly, and the sense of value shifting in real time.","Answer",{"name":77,"@type":72,"acceptedAnswer":78},"How does the story introduce the narrator’s connection to Alex Hyde’s central figure?",{"text":79,"@type":75},"The narrator meets her at the door of the Brixton house, then moves through details of the home and the rented room, revealing their history through conversation.",{"name":81,"@type":72,"acceptedAnswer":82},"What recurring themes appear in the text based on the provided sections?",{"text":83,"@type":75},"The excerpts highlight art as spectacle, the transformation of value into abstract zeros, and intimate memory shaped by small questions and bodily details.","https://schema.org",{"og:url":50,"og:type":86,"og:title":13,"og:site_name":57,"og:description":14},"article",{"robots":88,"canonical":50},"index,follow",{"doc_id":7,"site_id":23},{"code":4,"msg":5,"data":91},[92,95,99,103,108,113,118,123,128,131,135],{"id":11,"doc_module":4,"doc_module_name":44,"category_name":12,"show_sort_weight":93,"slug":94},90,"story-novel",{"id":45,"doc_module":4,"doc_module_name":44,"category_name":96,"show_sort_weight":97,"slug":98},"Literature",80,"literature",{"id":51,"doc_module":4,"doc_module_name":44,"category_name":100,"show_sort_weight":101,"slug":102},"Exam",70,"exam",{"id":104,"doc_module":4,"doc_module_name":44,"category_name":105,"show_sort_weight":106,"slug":107},5,"Comic",60,"comic",{"id":109,"doc_module":4,"doc_module_name":44,"category_name":110,"show_sort_weight":111,"slug":112},6,"Technology",50,"technology",{"id":114,"doc_module":4,"doc_module_name":44,"category_name":115,"show_sort_weight":116,"slug":117},7,"Healthcare",40,"healthcare",{"id":119,"doc_module":4,"doc_module_name":44,"category_name":120,"show_sort_weight":121,"slug":122},8,"Research & Report",30,"research-report",{"id":124,"doc_module":4,"doc_module_name":44,"category_name":125,"show_sort_weight":126,"slug":127},9,"Religion & Spirituality",20,"religion-spirituality",{"id":126,"doc_module":4,"doc_module_name":44,"category_name":129,"show_sort_weight":126,"slug":130},"World Cup","world-cup",{"id":132,"doc_module":4,"doc_module_name":44,"category_name":133,"show_sort_weight":132,"slug":134},10,"Lifestyle","lifestyle",{"id":136,"doc_module":4,"doc_module_name":44,"category_name":137,"show_sort_weight":104,"slug":138},19,"General","general"]