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The contents compile introductions and translated or excerpted writings by canonical authors, supported by bibliographical references and an index. 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\nThis page intentionally left blank  \nEuropean Literature from Romanticismto Postmodernism  \nA Reader in Aesthetic Practice  \nEdited byMartin Travers  \nContinuum  \nThe Tower Building,11 York Road,London SE17NX370 Lexington Avenue,New York,NY 10017-6503  \nFirst published 2001This selection and introductory material C Martin Travers 2001  \nAll rights reserved.No part of this publication may be reproduced or transmitted in anyform or by any means,electronic or mechanical,including photocopying,recording orany information storage or retrieval system,without permission in writing from thepublishers.  \nBritish Library Cataloguing-in-Publication Data  \nA catalogue record for this book is available from the British Library.  \nLibrary of Congress Cataloging-in-Publication Data  \nEuropean literature from romanticism to postmodernism:a reader in aesthetic practice/edited by Martin Travers.  \np.cm.  \nIncludes bibliographical references and index.  \nISBN 0-8264-9098-0  \nISBN 13:978-0-8264-9098-8  \n1.Literature,Modern—History and criticism.I.Travers,Martin.  \nPN710.E882000809'.03.—dc21  \n00-022684  \nCONTENTS  \nPreface  \nAcknowledgenents  \nPart I:Romanticism  \nIntroduction  \n1.'A new knowledge of my real self and my character':Jean-Jacques Rousseau,Reveries of a Solitary Walker(1782)  \n2.‘The vital root of genius':Edward Young,Conjectures onOriginal Composition(1759)  \n3.'Touched by divinity':Johann Gottfried Herder,'Shakespeare'(1773)  \n4.'Irresistible simplicity and nature':James Macpherson,The Works of Ossian (1765)  \n5.'The Nordic imagination':Madame de Stael,On Literature(1800)  \n6.'Inwards lies the path of mystery':Novalis,Fragments(1798)  \n7.'As the Eye is formed,such are its Powers':William Blake,Letter(1799)  \n8.Romantic longing:August Wilhelm von Schlegel,Lectures onDramatic Art and Literature(1808)  \n9.'The passions of men are incorporated with the beautiful andpermanent forms of nature’:William Wordsworth,Preface toLyrical Ballads(1800)  \n10.'Awakening the mind's attention from the lethargy ofcustom':Samuel Taylor Coleridge,Biographia Literaria(1817)  \n11.'Sentiments which ought to inform every discourse':Alessandro Manzoni,'On Romanticism³(1823)  \n12.'The great instrument of moral good is the imagination':Percy Bysshe Shelley,A Defence of Poetry(1821)  \n13.'The grotesque and the sublime':Victor Hugo,Preface toCromwell(1827)  \n14.'Liberty in literature as in Arts,industry,commerce andconsciousness.This is the motto of our epoch':Mariano Joséde Larra,'Literature'(1836)  \n15.'For the spirit comes alive':Giovanni Berchet,'The semi-serious Letter'(1816)  \nxi  \nxiv  \n3  \n13  \n16  \n19  \n21  \n24  \n26  \n29  \n31  \n34  \n37  \n40  \n43  \n45  \n48  \n16.The poetry of the Volk:Ludwig Achim von Arnim andClemens Brentano,The Boy's Magic Horn(1805-8)54  \n17.'The nations that act,who suffer for the truth':Adam Mickiewicz,The Slavs(1842-4)57  \n18.Reflective and non-reflective modes of artistic creation:Friedrich von Schiller,On Naive and Sentimental Poetry(1795-6)  \n59  \n19.Transcendent and universal poetry:Friedrich von Schlegel,Aphorisms and Fragments(1797-1800)  \n62  \n# Part II:Realism\n\n69  \n## Introduction\n\n1.‘Of the pathetic fallacy':John Ruskin,Modern Painters(1856)  \n79  \n2.'Moral emotion':George Eliot,'Worldliness and  \nother-worldliness:the poet Young'(1857)  \n81  \n3.'The art of copying from nature':Walter Scott,Review ofJane Austen's Emma(1815)84  \n4.'French society is the real author':Honoré de Balzac,Foreword to The Human Comedy(1842)  \n86  \n5.'The mission of art today':Charles-Augustin Sainte-Beuve,'The hopes and wishes of the literary and poetic movementafter the Revolution of 1830'(1830)89  \n6.'The reflection of the entirety of real life':Theodor Fontane,'Our lyric and epic poetry since 1848'(1853)  \n92  \n7.'These melancholy shades of life':Charles Dickens,Preface to Oliv","cbCaimGEKGyyp66s","https://ap.wps.com/l/cbCaimGEKGyyp66s","pdf",18696561,369,"English","# Preface\n# Acknowledgements\n# Part I: Romanticism\n## Introduction\n# Part II: Realism\n## Introduction\n# Part III: Modernism\n## Introduction","[{\"question\":\"Who edited European Literature from Romanticism to Postmodernism?\",\"answer\":\"The reader is edited by Martin Travers.\"},{\"question\":\"What are the main parts covered in the book?\",\"answer\":\"The contents are organized into Part I: Romanticism, Part II: Realism, and Part III: Modernism.\"},{\"question\":\"What kinds of materials does the reader include?\",\"answer\":\"It provides introductions and selected texts, including notable quotes, writings, and prefaces from major authors, along with bibliographical references and an index.\"}]","European Literature from Romanticism to Postmodernism - A Reader in Aesthetic Practice | PDF",1789940713,568]