[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-144891-en":3,"doc-seo-144891-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":11,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},144891,962084931830,"Jacob","https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd",2,"Literature","Entanglement and Non-Ontology - Author's note - How Putnam clarifies the link between aesthetic and ethical value","“Entanglement and Non-Ontology” examines how Hilary Putnam connects aesthetic experience with ethical value, using a guided dialogue between hermeneutics and pragmatism. The text develops the idea that negative or derogatory reactions are not mere sense-perception judgments but arise from social, historical, and cultural contexts. It argues that seeing aesthetic and ethical dimensions requires training, time, and personal flourishing, clarifying why disputes about value remain pressing and ongoing.","European Journal of Pragmatism and American Philosophy  \nXIV-1 | 2022  \nExperience, Interpretation and Meaning: A Dialogue between Hermeneutics and Pragmatism  \n\n| Entanglement and Non-Ontology\u003Cbr>How Putnam clarifies the Link between Aesthetic and Ethical Value Susana Cadilha and Vítor Guerreiro |\n| --- |\n| \u003Cbr>Electronic version\u003Cbr>URL: [https://journals.openedition.org/ejpap/2783](https://journals.openedition.org/ejpap/2783)\u003Cbr>[DOI: 10.4000/ejpap.2783](DOI: 10.4000/ejpap.2783)\u003Cbr>ISSN: 2036-4091\u003Cbr>Publisher\u003Cbr>Associazione Pragma\u003Cbr>Electronic reference\u003Cbr>Susana Cadilha and Vítor Guerreiro,“Entanglement and Non-Ontology”, European Journal of Pragmatism and American Philosophy [Online], XIV-1 | 2022, Online since 13 May 2022, connection on 15 May 2022. URL: [http://journals.openedition.org/ejpap/2783](http://journals.openedition.org/ejpap/2783) ; DOI: [https://doi.org/10.4000/ejpap](https://doi.org/10.4000/ejpap). 2783 |\n\nThis text was automatically generated on 15 May 2022.  \nAuthor retains copyright and grants the European Journal of Pragmatism and American Philosophy right of first publication with the work simultaneously licensed under a Creative Commons AttributionNonCommercial-NoDerivatives 4.0 International License.  \nEntanglement and Non-Ontology  \nHow Putnam clarifies the Link between Aesthetic and Ethical Value Susana Cadilha and Vítor Guerreiro  \nAUTHOR'S NOTE  \nThis research work is supported by national funds through FCT – Fundação para a Ciência e a Tecnologia, I.P., in the context of the celebration of the program contract foreseen in the numbers 4, 5 and 6 of article 23.º [of D.L. no. 57/2016 of 29 August](of D.L. no. 57/2016 of 29 August), as amended by Law no. 57/2017 of 19 July.  \n1. Introduction  \n1 The Vittorio Emanuele II Monument, which stands between the Piazza Venezia and the Capitoline Hill in Rome, right on the ancient heart of the city, is interesting for the disparate reactions it arouses in natives and (some) tourists. While many of the latter may feel attracted by the massive heap of white marble with its profusion of statues, reliefs and columns, and probably see it as majestic, imponent, magnificent, imposing, grand, etc., some natives are actually prone to describe it with derogatory terms such as “the typewriter” and “the wedding cake,” seeing it rather as pompous, ostentatious, out of place, grandiose, in sum, distasteful and, therefore, ugly. Another way of putting it is to say that the appropriately backgrounded observer cannot avoid seeing the whole thing as kitsch of a certain kind; the kind associated with grandiloquence of power and vulgar appropriation of the past in the language of affectation. Describing it as “the typewriter” or “the wedding cake” captures the impression of its enduring effect on the urban landscape and its distinctive kitschy element: these words invite comparison between experience of the monument and the imagined experience of a gigantic replica of a typewriter or wedding cake, so as to bring out the true aesthetic aspect of jarringness, incongruousness, in sum, inappropriateness. They are more than just  \nderogatory expressions voicing a negative attitude; they introduce a perspective, a way of seeing.1  \n2 These are not simply judgements made on the basis of sense perception and a sui generis reaction to the experience of certain shapes, masses, volumes, textures, lines and colors. They are riddled through and through with diverse contextual elements which are social, historical and cultural: the monument itself is a political statement made through architecture (in fact, a series of related political statements: from celebration of unified Italy under the Savoy dynasty to “Altar of the Fatherland” and its use during Italian fascism) . The unsuspecting tourist, through the perspective of an uninformed gaze, might just see continuity where the properly backgrounded subject sees disruption, the intrusion of a foreign body carving a perpetual scar on the fles","cbCaitfwcOixkuEy","https://ap.wps.com/l/cbCaitfwcOixkuEy","pdf",320409,1,17,"English","en",105,"# Introduction\n# Author's note","[{\"question\":\"What core question does the article address?\",\"answer\":\"It clarifies how aesthetic value and ethical value are linked in Putnam’s framework and why disagreements about value persist in real experience.\"},{\"question\":\"Why are reactions to the monument described as more than perception-based judgments?\",\"answer\":\"Because the judgments are interwoven with contextual social, historical, and cultural elements, so the response depends on more than shapes, colors, and textures.\"},{\"question\":\"What conditions are needed to see the aesthetic and ethical significance discussed by the author?\",\"answer\":\"The text emphasizes training, time, and personal growth or flourishing, which enables a well-grounded perspective rather than an uninformed gaze.\"}]","Entanglement and Non-Ontology - 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