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 \nEarly Modern Literature in History  \nGeneral Editors: Cedric C. Brown, Professor of English and Dean of the Faculty of Arts and Humanities, University of Reading; Andrew Hadfield, Professor of English, University of Sussex, Brighton  \nAdvisory Board: Donna Hamilton, University of Maryland; Jean Howard, University of Columbia; John Kerrigan, University of Cambridge; Richard McCoy, CUNY; Sharon Achinstein, University of Oxford  \nWithin the period 1520–1740 this series discusses many kinds of writing, both within and outside the established canon. The volumes may employ different theoretical perspectives, but they share an historical awareness and an interest in seeing their texts in lively negotiation with their own and successive cultures.  \nTitles include:  \nMary Floyd-Wilson and Garrett A Sullivan Jr (editors)  \nENVIRONMENT AND EMBODIMENT IN EARLY MODERN ENGLAND  \nAndrea Brady  \nENGLISH FUNERARY ELEGY IN THE SEVENTEENTH CENTURY Laws in Mourning  \nMark Thornton Burnett  \nCONSTRUCTING ‘MONSTERS’ IN SHAKESPEAREAN DRAMA AND EARLY MODERN CULTURE  \nJocelyn Catty  \nWRITING RAPE, WRITING WOMEN IN EARLY MODERN ENGLAND Unbridled Speech  \nDermot Cavanagh  \nLANGUAGE AND POLITICS IN THE SIXTEENTH-CENTURY HISTORY PLAY Danielle Clarke and Elizabeth Clarke (editors)  \n‘THIS DOUBLE VOICE’  \nGendered Writing in Early Modern England  \nKatharine A. Craik  \nREADING SENSATIONS IN EARLY MODERN ENGLAND  \nJames Daybell (editor)  \nEARLY MODERN WOMEN’S LETTER-WRITING, 1450–1700  \nJohn Dolan  \nPOETIC OCCASION FROM MILTON TO WORDSWORTH  \nTobias Döring  \nPERFORMANCES OF MOURNING IN SHAKESPEAREAN THEATRE AND EARLY MODERN CULTURE  \nSarah M. Dunnigan  \nEROS AND POETRY ATTHE COURTS OF MARY QUEEN OF SCOTS AND JAMES VI  \nTeresa Grant and Barbara Ravelhofer (editors) ENGLISH HISTORICAL DRAMA, 1500–1660  \nForms Outside the Canon  \nAndrew Hadfield  \nSHAKESPEARE, SPENSER AND THE MATTER OF BRITAIN  \nWilliam M. Hamlin  \nTRAGEDY AND SCEPTICISM IN SHAKESPEARE’S ENGLAND  \nElizabeth Heale  \nAUTOBIOGRAPHY AND AUTHORSHIP IN RENAISSANCE VERSE Chronicles of the Self  \nConstance Jordan and Karen Cunningham (editors) THE LAW IN SHAKESPEARE  \nClaire Jowitt (editor)  \nPIRATES? THE POLITICS OF PLUNDER, 1550–1650  \nArthur F. Marotti (editor)  \nCATHOLICISM AND ANTI-CATHOLICISM IN EARLY MODERN ENGLISH TEXTS  \nJean-Christopher Mayer  \nSHAKESPEARE’S HYBRID FAITH History, Religion and the Stage Jennifer Richards (editor)  \nEARLY MODERN CIVIL DISCOURSES  \nMarion Wynne-Davies  \nWOMEN WRITERS AND FAMILIAL DISCOURSE IN THE ENGLISH RENAISSANCE Relative Values  \nThe series Early Modern Literature in History is published in association with the Renaissance Texts Research Centre at the University of Reading.  \nEarly Modern Literature in History  \nSeries Standing Order ISBN 0–333–71472–5  \n(outside North America only)  \nYou can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above.  \nCustomer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England  \nEnglish Historical Drama, 1500–1660  \nForms Outside the Canon  \nEdited by  \nTeresa Grant and Barbara Ravelhofer  \n© Introduction, selection and editorial matter © Teresa Grant and Barbara Ravelhofer 2008  \nIndividual chapters © contributors 2008  \nAll rights reserved. No reproduction, copy or transmission of this publication may be made without written permission.  \nNo paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence  \npermitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP.","cbCairwWMcgfTvHv","https://ap.wps.com/l/cbCairwWMcgfTvHv","pdf",841165,217,"English","# Contents\n## Acknowledgements\n## Notes on the Contributors\n## Introduction\n## The Early Tudor History Play\n## The Reformation of History in John Bale’s Biblical Dramas\n## Seneca and the Early Elizabethan History Play\n## History in the Making\n## The Stage Historicizes the Turk","[{\"question\":\"What is the scope of English Historical Drama, 1500–1660?\",\"answer\":\"The volume focuses on English historical drama in the period 1500–1660, with attention to writing practices both within and outside the established canon.\"},{\"question\":\"What editorial perspective frames the series “Early Modern Literature in History”?\",\"answer\":\"The series emphasizes historical awareness and interest in how texts negotiate with their own cultures and successive ones, even when volumes use different theoretical perspectives.\"},{\"question\":\"Which types of chapter topics are included in the contents list?\",\"answer\":\"Chapters address history plays from the Tudor and Elizabethan periods, Reformation drama in John Bale, Senecan influences, and specific case studies like Samuel Rowley’s play, along with stage representations such as the “Turk” convention.\"}]","English Historical Drama, 1500–1660 - Forms Outside the Canon | PDF",1789940613,334]