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The Preface explains the project aims for a reference work covering English literature and critical activity, framed as an account of the project’s history and scope. The work intentionally engages scholars of differing persuasions so essays reflect varied critical perspectives and contemporary scholarly issues.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/encyclopedia-of-literature-and-criticism-acknowledgements-preface/300263/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/encyclopedia-of-literature-and-criticism-acknowledgements-preface/300263.png","ImageObject",300,407,{"name":92,"@type":93},"Hazel","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-27","2026-09-18",true,{"@type":102,"interactionType":103,"userInteractionCount":39},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is the purpose of the work described in the Preface?","Question",{"text":112,"@type":113},"The Preface states the project aims to create a reference work covering English literature and critical activity, developed beyond a purely descriptive guide to authors and texts.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How does the project plan to handle differing scholarly perspectives?",{"text":117,"@type":113},"The editors deliberately seek contributors with different persuasions, so their varying perspectives are reflected in the essays.",{"name":119,"@type":110,"acceptedAnswer":120},"What do the Preface sections I–V focus on?",{"text":121,"@type":113},"Section I introduces keynote essays that set debate parameters, while Sections II–V reflect more traditional ways of thinking about English as a subject, including how literature and criticism are discussed.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},300263,1790555007,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":39,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},137441390410,"https://ap-avatar.wpscdn.com/avatar/2000252f4ab5702993?_k=1776741390130283984","ACKNOWLEDGEMENTS  \nPERMISSIONS  \n1. John Williams: British Poetry Since 1945  \n‘From the Frontier of Writing’ in Haw lantern © Seamus Heaney  \nPublished by Faber and Faber, 1987  \nUsed by permission in the US of Farrar, Straus and Giroux, Inc.  \n‘The Badger’ in Fieldwork © Seamus Heaney  \nPublished by Faber and Faber, 1979  \nUsed by permission in the US of Farrar, Straus and Giroux, Inc.  \n‘Dockery and Son’ and ‘Love Again’ in Collected Poems © Phillip Larkin  \nPublished by Faber and Faber, 1988  \n‘Saint’s Island’ in Flowers and Insects © Ted Hughes  \nPublished by Faber and Faber, 1986  \nReprinted in the US by permission of Harper and Row  \n‘The Clever Garden’© George Macbeth  \nPublished by Martin Seeker and Warburg‘Rage for Order’ in Poems 1962–1978  \nby Derek Mahon OUP 1979  \n‘Christophorus’ by Mary Casey  \n© Gerard Casey Enitharnon Press, 1981  \n‘The Welsh Hill Country’ in Selected Poems by R.S.Thomas  \n© Gwydion Thomas  \nPublished by Bloodaxe Books, 1986  \nSelected Poems by Tony Harrison © Tony Harrison  \nPublished by Penguin, 1987  \nSelected Poems by Carol Rumens © Carol Rumens  \nPublished by Chatto and Windus, 1987  \nThe Memory of War by James Fenton  \nReprinted by permission of Peters Fraser and Dunlop Group Ltd Published by Penguin Books  \nCollected Poems by Geoffrey Hill  \nReprinted by permission of Andre Deutsch  \nAriel by Sylvia Plath © Ted Hughes Reprinted by permission  \nReprinted in the US by permission of Harper and Row Published by Faber and Faber, London  \n2. Thomas Gardner: Contemporary American Poetry  \n‘North American Sequence’,‘Meditation at Oyster Bay’ and ‘The Rose’ in Collected Poems 1966 by Theodore Roetke  \nUsed by permission of Doubleday, a division of Bantam, Doubleday, Dell Publishing Group Inc.  \n© 1962 by Beatrice Roetke, Administratrix of the estate © 1960 (as above)  \n© 1963 (as above)  \nrespectively.  \nPublished in the US by permission of Faber and Faber  \n‘To a Friend Going Blind’ and ‘Patience’ in Erosion by Jorie Graham.© Princetown University Press, 1983  \n‘At the Fishouses’ in The Complete Poems 1927–1979 by Elizabeth Bishop.  \n© 1947 by Elizabeth Bishop.  \nRenewal copyright © by Elisabeth Bishop 1974.  \nCopyright © 1979, 1983 by Alice Helen Methfessel.  \nReprinted by permission of Farrar, Straus and Giroux, Inc.  \n‘At the Loom’ by Robert Duncan in Bending the Bow © Robert Duncan 1968  \nReprinted by permission of New Directions Publishing Corporation Fictive Certainties  \n© Robert Duncan 1985  \nReprinted by permission of New Directions Publishing Corporation  \n3. Jan Montefiore: Women and the Poetic Tradition  \nThe Complete Poems of Emily Dickinson Editor: Thomas H.Johnson © 1929 by Mary Dickinson Bianchi  \n© renewed 1957 by Mary L.Hampson  \nReprinted by permission Of Little, Brown and Company  \n‘Thoughts drifting through the Fat Black Woman’s head while having a full bubble bath’ in The Fat Black Woman’s Poems by Grace Nichols © Grace Nichols, 1984  \nPublished by Virago Press, 1984  \nCollected Poems E.J.Scovell  \nCarcanet  \nTrilogy by Hilda Doolittle © 1982 Hilda Doolittle  \nUK and Commonwealth rights: Carcanet  \nReprinted in the US by permission of New Directions Publishing Corporation  \nThe Fact ofa Doorframe Poems Selected and New 1950–1984 by Adrienne Rich  \nReprinted by permission of Adrienne Rich and W.W.Norton and Company, Inc.  \n© 1984 by A.Rich  \n© 1975, 1978, 1981 by A.Rich  \nPermissions have been sought for all extracts. However, certain copyright details had not been made available to Routledge at time of going to press.  \nPREFACE  \nThe aims and intentions of Literature and Criticism are probably best described by an account of the project’s history. Our brief from the publisher was for a work of reference, covering the field of literary and critical activity now usually described as ‘English’ or ‘English Literature’. From the earliest stages of planning, however, we felt that what was needed went beyond a descriptive guide to authors and texts on conventional lines. The idea","cbCaitg1ndAP0QEd","https://ap.wps.com/l/cbCaitg1ndAP0QEd","pdf",3789455,1289,"English","# Acknowledgements\n# Permissions\n# Preface\n## Project aims and scope\n## Editorial approach and contributor perspectives\n## Structure and section rationale","[{\"question\":\"What is the purpose of the work described in the Preface?\",\"answer\":\"The Preface states the project aims to create a reference work covering English literature and critical activity, developed beyond a purely descriptive guide to authors and texts.\"},{\"question\":\"How does the project plan to handle differing scholarly perspectives?\",\"answer\":\"The editors deliberately seek contributors with different persuasions, so their varying perspectives are reflected in the essays.\"},{\"question\":\"What do the Preface sections I–V focus on?\",\"answer\":\"Section I introduces keynote essays that set debate parameters, while Sections II–V reflect more traditional ways of thinking about English as a subject, including how literature and criticism are discussed.\"}]","Encyclopedia of Literature and Criticism - Acknowledgements - Preface | PDF",1789773697,1985]