[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-seo-295757-105":3,"detail-sidebar-cat-0-en-105":81,"doc-detail-295757-en":131},{"code":4,"msg":5,"data":6},0,"ok",{"site_id":7,"language":8,"slug":9,"title":10,"keywords":11,"description":12,"schema_data":13,"social_meta":74,"head_meta":76,"extra_data":78,"updated_unix":80},105,"en","dressage-test-2-working-trot-to-halt-salute","Dressage Test 2 - Working Trot to Halt & Salute","","Dressage Test 2 outlines a structured sequence of equestrian movements and the judge-directed criteria for each exercise. The test covers transitions across trot, collected trot, extended trot, walk and free walk, canter and extended canter, plus rein back and halt with salute. For each step, the directives emphasize impulsion, contact, hindquarter activity, rhythm, suppleness, bending, balance, accuracy on figures, and quality of transitions. It also includes event scoring notes, coefficient calculation, penalties for incidents, and judge actions for remarks and marks.",{"@graph":14,"@context":73},[15,34,56],{"@type":16,"itemListElement":17},"BreadcrumbList",[18,23,27,31],{"item":19,"name":20,"@type":21,"position":22},"https://docshare.wps.com","Home","ListItem",1,{"item":24,"name":25,"@type":21,"position":26},"https://docshare.wps.com/document/","Document",2,{"item":28,"name":29,"@type":21,"position":30},"https://docshare.wps.com/document/exam/","Exam",3,{"item":32,"name":10,"@type":21,"position":33},"https://docshare.wps.com/document/dressage-test-2-working-trot-to-halt-salute/295757/",4,{"url":32,"name":10,"@type":35,"image":36,"author":41,"headline":10,"publisher":44,"fileFormat":47,"inLanguage":8,"description":12,"dateModified":48,"datePublished":49,"encodingFormat":47,"isAccessibleForFree":50,"interactionStatistic":51},"DigitalDocument",{"url":37,"@type":38,"width":39,"height":40},"https://docshare.wps.com/thumbnails/dressage-test-2-working-trot-to-halt-salute/295757.png","ImageObject",300,407,{"name":42,"@type":43},"Emma Mercer","Person",{"url":19,"name":45,"@type":46},"DocShare","Organization","application/pdf","2026-11-04","2026-09-18",true,{"@type":52,"interactionType":53,"userInteractionCount":55},"InteractionCounter",{"@type":54},"ViewAction",13,{"@type":57,"mainEntity":58},"FAQPage",[59,65,69],{"name":60,"@type":61,"acceptedAnswer":62},"What movement elements does Dressage Test 2 evaluate most consistently across exercises?","Question",{"text":63,"@type":64},"Across items, the directives repeatedly focus on impulsion, contact, hindquarter activity, rhythm, balance, bending/suppleness, and accuracy on the prescribed figures and transitions.","Answer",{"name":66,"@type":61,"acceptedAnswer":67},"How are transitions and lengthening handled in the test?",{"text":68,"@type":64},"The test specifies transitions such as Working Trot to Collected or Medium Trot, and later to Extended Trot, requiring clearly lengthened steps with impulsion from the hindquarters, maintained rhythm, and balanced, unconstrained movement.",{"name":70,"@type":61,"acceptedAnswer":71},"How is the judge score and coefficient used to compute the penalty score?",{"text":72,"@type":64},"Judge marks are added together, multiplied by 0.76, divided by the number of judges, and deducted from 160 to produce a penalty score; incident penalties awarded by the President of the Jury are then added.","https://schema.org",{"og:url":32,"og:type":75,"og:title":10,"og:site_name":45,"og:description":12},"article",{"robots":77,"canonical":32},"index,follow",{"doc_id":79,"site_id":7},295757,1790456985,{"code":4,"msg":82,"data":83},"success",[84,88,92,95,100,105,110,115,120,123,127],{"id":22,"doc_module":4,"doc_module_name":25,"category_name":85,"show_sort_weight":86,"slug":87},"Story & Novel",90,"story-novel",{"id":26,"doc_module":4,"doc_module_name":25,"category_name":89,"show_sort_weight":90,"slug":91},"Literature",80,"literature",{"id":33,"doc_module":4,"doc_module_name":25,"category_name":29,"show_sort_weight":93,"slug":94},70,"exam",{"id":96,"doc_module":4,"doc_module_name":25,"category_name":97,"show_sort_weight":98,"slug":99},5,"Comic",60,"comic",{"id":101,"doc_module":4,"doc_module_name":25,"category_name":102,"show_sort_weight":103,"slug":104},6,"Technology",50,"technology",{"id":106,"doc_module":4,"doc_module_name":25,"category_name":107,"show_sort_weight":108,"slug":109},7,"Healthcare",40,"healthcare",{"id":111,"doc_module":4,"doc_module_name":25,"category_name":112,"show_sort_weight":113,"slug":114},8,"Research & Report",30,"research-report",{"id":116,"doc_module":4,"doc_module_name":25,"category_name":117,"show_sort_weight":118,"slug":119},9,"Religion & Spirituality",20,"religion-spirituality",{"id":118,"doc_module":4,"doc_module_name":25,"category_name":121,"show_sort_weight":118,"slug":122},"World Cup","world-cup",{"id":124,"doc_module":4,"doc_module_name":25,"category_name":125,"show_sort_weight":124,"slug":126},10,"Lifestyle","lifestyle",{"id":128,"doc_module":4,"doc_module_name":25,"category_name":129,"show_sort_weight":96,"slug":130},19,"General","general",{"code":4,"msg":82,"data":132},{"doc_id":79,"user_id":133,"nickname":42,"user_avatar":134,"doc_module":4,"category_id":33,"category_name":29,"doc_title":10,"doc_description":12,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":55,"is_deleted":4,"is_public":22,"is_downloadable":22,"audit_status":22,"page_count":30,"language":140,"language_code":8,"site_id":7,"html_lang":8,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":12,"update_tm":144,"read_time":111},962084925502,"https://ap-avatar.wpscdn.com/davatar_6f874abed73319feea01a86fa6f0fab8","| CAI2*\u003Cbr>Test 2* HP1\u003Cbr> H1  P1\u003Cbr>| Event:\u003Cbr>Athlete: | Competitor no:\u003Cbr>Horse: | Judge in: |\n| --- | --- | --- | --- |\n\n\n| TEST |  |  | DIRECTIVE IDEAS | REMARKS | MARK |  |\n| --- | --- | --- | --- | --- | --- | --- |\n| 1 | AX\u003Cbr>XCH | Working Trot\u003Cbr>Collected Trot | Driving straight on centre line. Impulsion, Contact, activity of the hindquarters. Elastic steps and good hock action. Transition to Collected Trot\u003Cbr>Bending and contact |  |  |  |\n| 2 | HSE | Medium Trot | Transition to Medium Trot.\u003Cbr>Forward with clearly lengthened steps and with impulsion from the hindquarters. Balanced and unconstrained. In front of the vertical. Lengthening of frame |  |  |  |\n| 3 | EX\u003Cbr>XB | Collected Trot\u003Cbr>½ Circle 20 m to the left ½ Circle 20 m to the right | Transition to Collected Trot\u003Cbr>Impulsion , quality of the collection, Bending, connection between half circles. Accuracy on the letter. Self-carrying. |  |  |  |\n| 4 | BPF\u003Cbr>FAK | Medium Trot\u003Cbr>Working Trot | Transition to Medium Trot.\u003Cbr>Forward with clearly lengthened steps and with impulsion from the hindquarters. Lengthening of frame.\u003Cbr>Transition to Working Trot.\u003Cbr>Impulsion, Contact, activity of the hindquarters. Elastic steps and good hock action. |  |  |  |\n| 5 | KS\u003Cbr>SHCM | Working Trot, deviation 20 m Working Trot | Impulsion, Contact, activity of the hindquarters. Elastic steps and good hock. Remaining on the bit,\u003Cbr>balance,energy.Accuracy. |  |  |  |\n| 6 | MV\u003Cbr>VKAF | Extended Trot\u003Cbr>Working Trot | Transition to Extended Trot.\u003Cbr>Lengthening, impulsion, rhythm, balance straightness, impulsion, quality extension\u003Cbr>Transition to Working Trot\u003Cbr>Bending, contact, activity of the hindquarters, elastic steps and good hock action |  |  |  |\n| 7 | FR\u003Cbr>RMC | Working Trot, deviation 20 m Working Trot | Impulsion, Contact, activity of the hindquarters. Elastic steps and good hock. Remaining on the bit, balance, energy. Accuracy |  |  |  |\n| 8 | CH\u003Cbr>HB | Walk\u003Cbr>Free Walk | Regularity, quality steps, contact, four clear beats. Relaxation.\u003Cbr>Freedom, regularity, stretching overstepping, energy ground cover and length of strides. Relaxation |  |  |  |\n| 9 | BP\u003Cbr>PF | Walk\u003Cbr>Collected Trot | Regularity, quality steps, contact, four clear beats. Relaxation. equal intervals between each beat\u003Cbr>Transition to Collected Trot Impulsion , quality of the collection, Bending, accuracy on the letter. Selfcarrying. |  |  |  |\n| 10 | F\u003Cbr>DF | Collected Trot, ½ Circle right 20m\u003Cbr>Working Canter right, ½ Circle right 20m. | Bending, suppleness on the circle Transition to working canter.\u003Cbr>After D progressive transition to Working Canter, smooth,friendly, natural balance,activity of the hindquarters. |  |  |  |\n| 11 | FA\u003Cbr>AL | Working Canter right\u003Cbr>Working Canter right, Loop 25m right | Balance, hock action, Impulsion Activity of the hindquarters.\u003Cbr>Remaining on the bit, forward, natural balance. |  |  |  |\n\n\n| TEST |  |  |  | DIRECTIVE IDEAS | REMARKS |  | MARK |  |  |\n| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |\n| 12 | LX | Collected Trot , Loop 15 m left |  | Transition to Collected Trot, suppleness, bending, accuracy, impulsion |  |  |  | |  |\n| 13 | X | Halt, Immobility 6 seconds |  | Transition to Halt from Collected Trot. Straight and square with the weight evenly distributed over all four (4) legs remaining on the bit, light contact and soft. Driver on centre line |  |  |  | |  |\n| 14 | X | Rein Back 6 steps |  | Rhythm, obedience, remain on the bit, quality of diagonal steps, contact, and straightness. |  |  |  | |  |\n| 15 | XI\u003Cbr>IM | Collected Trot , Loop 15 m right Collected Trot ,½ Loop left |  | Suppleness, bending, accuracy, impulsion\u003Cbr>Quality of the collection. |  |  |  | |  |\n| 16 | MG\u003Cbr>GM | Collected Trot ,½ Circle 20m left\u003Cbr>Working Canter left ,½ Circle 20m left |  | Bending, suppleness on the circle. Transition to Working Canter.\u003Cbr>After G progressive transition to Working Canter, smooth, friendly, natural balance, activ","cbCaifMUFUzAF7x8","https://ap.wps.com/l/cbCaifMUFUzAF7x8","pdf",694076,"English","# TEST 2 Movements\n## Directives and Remarks by Item\n## Scoring, Coefficient, Penalties, and Incidents","[{\"question\":\"What movement elements does Dressage Test 2 evaluate most consistently across exercises?\",\"answer\":\"Across items, the directives repeatedly focus on impulsion, contact, hindquarter activity, rhythm, balance, bending/suppleness, and accuracy on the prescribed figures and transitions.\"},{\"question\":\"How are transitions and lengthening handled in the test?\",\"answer\":\"The test specifies transitions such as Working Trot to Collected or Medium Trot, and later to Extended Trot, requiring clearly lengthened steps with impulsion from the hindquarters, maintained rhythm, and balanced, unconstrained movement.\"},{\"question\":\"How is the judge score and coefficient used to compute the penalty score?\",\"answer\":\"Judge marks are added together, multiplied by 0.76, divided by the number of judges, and deducted from 160 to produce a penalty score; incident penalties awarded by the President of the Jury are then added.\"}]","Dressage Test 2 - Working Trot to Halt & Salute | PDF",1789723377]